IMDb रेटिंग
8.1/10
56 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA married farmer falls under the spell of a sophisticated woman from the city, who tries to convince him to drown his wife.A married farmer falls under the spell of a sophisticated woman from the city, who tries to convince him to drown his wife.A married farmer falls under the spell of a sophisticated woman from the city, who tries to convince him to drown his wife.
- 3 ऑस्कर जीते
- 9 जीत और कुल 2 नामांकन
J. Farrell MacDonald
- The Photographer
- (as J. Farrell McDonald)
Herman Bing
- Streetcar Conductor
- (बिना क्रेडिट के)
Sidney Bracey
- Dance Hall Manager
- (बिना क्रेडिट के)
Gino Corrado
- Manager of Hair Salon
- (बिना क्रेडिट के)
Vondell Darr
- Little Girl
- (बिना क्रेडिट के)
Sally Eilers
- Woman in Dance Hall
- (बिना क्रेडिट के)
Gibson Gowland
- Angry Driver
- (बिना क्रेडिट के)
Fletcher Henderson
- Performer - Song: 'Tozo'
- (बिना क्रेडिट के)
Leon Janney
- Boy
- (बिना क्रेडिट के)
Thomas Jefferson
- Old Seaman
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
A blinding drama and portrayal that anyone holding the experiences of the hazards encountered during the tricky travails of a relationship expiring will know only too well. Melodramatic, absolutely, but given the tools and instruments of the day it would have been difficult to be anything but, and therein lies its beauty, as the performances are as convincing, genuine and honest as any encountered on stage or screen today. Peel away your inhibitions, revel in a magnificent corona of emotion, torment and resurrection and let this outstanding visual experience sear into your soul, enlighten and forgive and provide a truly celestial piece of art, imagination and polarity.
There are plenty of reasons for film buffs to watch 'Sunrise'. One is if they love, or at least appreciate, FW Murnau and his films and recognise their importance, that's applicable to me. Two is if they love, or again at least appreciate, silent films, have seen some fantastic silent films myself. Three is if one is interested in seeing what the hype is, with it being widely considered a cinematic masterpiece and milestone. Four is if one is interested seeing whether Janet Gaynor's Oscar win was deserved.
'Sunrise' in my mind absolutely deserves every ounce of the acclaim it garnered and still gets. Murnau was a truly fabulous and influential director whose (too few) films were watchable at their worst and amazing at their best, and while 'Faust', 'The Last Laugh' and 'Nosferatu' are wonderful films 'Sunrise' gets my vote as his best. Of the many fantastic silent films out there, in a list that includes 'Metropolis', 'The Crowd', 'The Last Laugh', 'Intolerance' and 'The Cabinet of Dr Caligari', 'Sunrise' is one of the very finest. Cannot say enough great things about it and Gaynor's Oscar win is easily one of the most deserving winners in the early years of the Academy Awards history (in a period with a fair share of questionable nominees).
In a period of exceptionally well made films and even for a director who was a visual master, 'Sunrise' looks exquisite. Not many films at the time and since had cinematography this level of stunning or full of wonder, with also a surprisingly witty style and chockful of images that actually tell a story. As always with Murnau, the sets are indicative of a lot of time, money and thought went into constructing them as they are very rich in detail and lavish. It is also one of the few films where back projection is used well and looks good, usually it looks cheap but here it is quite imaginative.
Murnau's direction was seldom more accomplished or more inspired than here in 'Sunrise', which is quite a feat from one of the more accomplished and inspired directors of the silent film era. A perfect example of why he is justifiably lauded in cinema. The music is beautifully done, it appeals on the ears and is not intrusively used or emotionally over-emphasised. 'Sunrise' is also sincerely written and doesn't ramble. The story is nothing short of timeless and of all the silent films in existence to me 'Sunrise' is the one that connects with me the most emotionally.
A lot of poignancy can be seen here and there are a fair share of memorable scenes, particular standouts being the hard hitting rowboat scene and the visually unforgettable trolley ride. It is one of the few rewatched films this year to uplift me and fill me with hope, sorely needed at a point where that was not felt very much. Simply put, 'Sunrise' is a masterpiece of complex range of emotion.
Wonderful acting can be seen here too, with Gaynor being perfectly cast and a revelation in the lead role, charming and deeply felt.
One can argue that masterpiece is thrown around a lot and too easily these days and personally have tried to avoid using it a lot, but 'Sunrise' deserves it. Amazing film and a fine example of a film that one should see before they die. 10/10.
'Sunrise' in my mind absolutely deserves every ounce of the acclaim it garnered and still gets. Murnau was a truly fabulous and influential director whose (too few) films were watchable at their worst and amazing at their best, and while 'Faust', 'The Last Laugh' and 'Nosferatu' are wonderful films 'Sunrise' gets my vote as his best. Of the many fantastic silent films out there, in a list that includes 'Metropolis', 'The Crowd', 'The Last Laugh', 'Intolerance' and 'The Cabinet of Dr Caligari', 'Sunrise' is one of the very finest. Cannot say enough great things about it and Gaynor's Oscar win is easily one of the most deserving winners in the early years of the Academy Awards history (in a period with a fair share of questionable nominees).
In a period of exceptionally well made films and even for a director who was a visual master, 'Sunrise' looks exquisite. Not many films at the time and since had cinematography this level of stunning or full of wonder, with also a surprisingly witty style and chockful of images that actually tell a story. As always with Murnau, the sets are indicative of a lot of time, money and thought went into constructing them as they are very rich in detail and lavish. It is also one of the few films where back projection is used well and looks good, usually it looks cheap but here it is quite imaginative.
Murnau's direction was seldom more accomplished or more inspired than here in 'Sunrise', which is quite a feat from one of the more accomplished and inspired directors of the silent film era. A perfect example of why he is justifiably lauded in cinema. The music is beautifully done, it appeals on the ears and is not intrusively used or emotionally over-emphasised. 'Sunrise' is also sincerely written and doesn't ramble. The story is nothing short of timeless and of all the silent films in existence to me 'Sunrise' is the one that connects with me the most emotionally.
A lot of poignancy can be seen here and there are a fair share of memorable scenes, particular standouts being the hard hitting rowboat scene and the visually unforgettable trolley ride. It is one of the few rewatched films this year to uplift me and fill me with hope, sorely needed at a point where that was not felt very much. Simply put, 'Sunrise' is a masterpiece of complex range of emotion.
Wonderful acting can be seen here too, with Gaynor being perfectly cast and a revelation in the lead role, charming and deeply felt.
One can argue that masterpiece is thrown around a lot and too easily these days and personally have tried to avoid using it a lot, but 'Sunrise' deserves it. Amazing film and a fine example of a film that one should see before they die. 10/10.
This silent movie was absolutely amazing. It was so moving and technical and just well produced. Its amazing how a silent film can make you feel so many emotions without words. It was suspenseful and refreshing from all the movies I've seen that aren't silent. I can see myself watching more silent films because of this one.
While some film critics disagreed in the late fifties, giving the nod to Murnau's equally brilliant "Last Laugh," this in my view is the crowning achievement of the German genius. Many polls rank it as the greatest silent film ever made and many rank it very high on the all time list of great movies.
The plot is melodramatic, the acting in places heavy handed, and the action seemingly non-existent, at least in the eyes of the "Terminator 3" generation,yet "Sunrise" is so captivating a film that it can be watched over and over again and deliver the same punch every time. In fact, like the other greats,including "Citizen Kane," you can probably get something new out of "Sunrise" every time you watch it, no matter how many times you watch.
Murnau takes barren sets and dark, hallow rooms and turns them into treasure troves of lighting and nuance. He creates something as simple as a railway depot or a big traffic intersection and makes it a story all by itself.
"Sunrise" stands today as one of the most visually fascinating films ever made. Murnau's cinematographers, Charles Rosher and Karl Struss, got an Oscar for their work and surely deserved it. Janet Gaynor won the Best Actress award for her body of work that also included "Seventh Heaven" and also richly deserved the prize. Her face expresses her inner emotions so perfectly that some of her scenes are achingly beautiful.
And the film itself received an academy award for "Most unique and artistic production," an award never given out again, maybe because no picture could live up to the standard set by "Sunrise."
The new DVD version being marketed on the quiet by Fox is marvelous, with a wonderfully restored print that seems just as bright today as it must have in late 1927 when the film was released. The DVD includes an interesting commentary option by cinematographer John Baily and no film is better suited for this, since it tells its story brilliantly with pictures alone, so the commentary option is not a distraction.
One of the great tragedies of the cinema in my view is that few people alive today have seen "Sunrise." They have no idea what they are missing.
This one ranks among the five best films ever made.
The plot is melodramatic, the acting in places heavy handed, and the action seemingly non-existent, at least in the eyes of the "Terminator 3" generation,yet "Sunrise" is so captivating a film that it can be watched over and over again and deliver the same punch every time. In fact, like the other greats,including "Citizen Kane," you can probably get something new out of "Sunrise" every time you watch it, no matter how many times you watch.
Murnau takes barren sets and dark, hallow rooms and turns them into treasure troves of lighting and nuance. He creates something as simple as a railway depot or a big traffic intersection and makes it a story all by itself.
"Sunrise" stands today as one of the most visually fascinating films ever made. Murnau's cinematographers, Charles Rosher and Karl Struss, got an Oscar for their work and surely deserved it. Janet Gaynor won the Best Actress award for her body of work that also included "Seventh Heaven" and also richly deserved the prize. Her face expresses her inner emotions so perfectly that some of her scenes are achingly beautiful.
And the film itself received an academy award for "Most unique and artistic production," an award never given out again, maybe because no picture could live up to the standard set by "Sunrise."
The new DVD version being marketed on the quiet by Fox is marvelous, with a wonderfully restored print that seems just as bright today as it must have in late 1927 when the film was released. The DVD includes an interesting commentary option by cinematographer John Baily and no film is better suited for this, since it tells its story brilliantly with pictures alone, so the commentary option is not a distraction.
One of the great tragedies of the cinema in my view is that few people alive today have seen "Sunrise." They have no idea what they are missing.
This one ranks among the five best films ever made.
This is one of the few movies that fully deserves all the raves that it gets. Some movies are artistic masterpieces more to be admired than enjoyed, leaving the viewer feeling a little distant; other movies can be enjoyable and satisfying to watch, but with obvious artistic defects. "Sunrise" is a nearly perfect movie that is impressive in every detail, and it is also a joy to watch, offering moments of suspense and tension and other moments of humor and humanity.
The story provides a very thoughtful look at the importance and the fragile nature of human relationships. Janet Gaynor is wonderful as the wife - she is always believable, endearing, and completely sympathetic. George O'Brien is also good as the husband, and both of their performances are enhanced by director Murnau's use of their body language. There are also many minor touches in the settings and action that help guide the story and the mood, and it is all complemented by some fine camera work. The first time you watch the film, your attention is fixed on the leading couple, as you hope against hope that things will work out all right for them. Repeated viewings reveal many of the other fine details that make everything work so well.
The movie also has plenty of variety and a masterful structure. The first part and the last part are tense and full of suspense, but they sandwich a very enjoyable series of lighter vignettes in the middle, which make a perfect complement both to the story and to the tone of the movie.
It is very difficult these days to track down this movie, which is a real shame, and even when you do find it you generally have to make do with a rather fuzzy or defective print. But it is well worth the trouble, and "Sunrise" is highly recommended to any silent film fan or to anyone who can appreciate a movie made the way that movies ought to be made. It is not only one of the great masterpieces of the silent era, but is as good a film as any made since.
The story provides a very thoughtful look at the importance and the fragile nature of human relationships. Janet Gaynor is wonderful as the wife - she is always believable, endearing, and completely sympathetic. George O'Brien is also good as the husband, and both of their performances are enhanced by director Murnau's use of their body language. There are also many minor touches in the settings and action that help guide the story and the mood, and it is all complemented by some fine camera work. The first time you watch the film, your attention is fixed on the leading couple, as you hope against hope that things will work out all right for them. Repeated viewings reveal many of the other fine details that make everything work so well.
The movie also has plenty of variety and a masterful structure. The first part and the last part are tense and full of suspense, but they sandwich a very enjoyable series of lighter vignettes in the middle, which make a perfect complement both to the story and to the tone of the movie.
It is very difficult these days to track down this movie, which is a real shame, and even when you do find it you generally have to make do with a rather fuzzy or defective print. But it is well worth the trouble, and "Sunrise" is highly recommended to any silent film fan or to anyone who can appreciate a movie made the way that movies ought to be made. It is not only one of the great masterpieces of the silent era, but is as good a film as any made since.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
क्या आपको पता है
- ट्रिवियाF.W. Murnau hated to use title cards in his films, so in Sunrise: A Song of Two Humans (1927), the title cards become more and more infrequent as the film progresses and virtually non-existent by the end.
- गूफ़The number of bottles left on the table after the piglet bumps it changes between shots. There are five bottles when the piglet bumps it, but when the Man comes in and grabs the piglet there are seven bottles on it.
- भाव
[opening title cards]
Title Card: This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time.
Title Card: For wherever the sun rises and sets, in the city's turmoil or under the open sky on the farm, life is much the same; sometimes bitter, sometimes sweet.
- इसके अलावा अन्य वर्जनTwo major versions of the film exist - the version for the American market, and the version for the Czech market. While obviously the same basic film, the Czech version is about 15 minutes shorter and features alternate angles/takes for much of the movie - this was not uncommon in the days of silent films when marketing them abroad.
- कनेक्शनEdited into Histoire(s) du cinéma: Une vague nouvelle (1999)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Sunrise
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,000(अनुमानित)
- दुनिया भर में सकल
- $1,22,053
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- पक्ष अनुपात
- 1.33 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें