अपनी भाषा में प्लॉट जोड़ेंThe abandoned home of a wealthy man who supposedly committed suicide five years earlier is taken over by ghoulish figures - could they be vampires?The abandoned home of a wealthy man who supposedly committed suicide five years earlier is taken over by ghoulish figures - could they be vampires?The abandoned home of a wealthy man who supposedly committed suicide five years earlier is taken over by ghoulish figures - could they be vampires?
- निर्देशक
- लेखक
- स्टार
- Real Estate Broker
- (बिना क्रेडिट के)
- Gallagher
- (बिना क्रेडिट के)
- Real Estate Man
- (बिना क्रेडिट के)
- Burkes assistant
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
It also helps if you've seen Browning's remake of this same story called THE MARK OF THE VAMPIRE ('35) with its surprise ending being made much clearer than it is in this reconstruction where there is only one caption that even hints at what was going on with the theatrics.
I was captivated by the dark-haired beauty of MARCELINE DAY and appalled at the silent histrionics of CONRAD NAGEL who wore the same look of horror and disbelief in every shot. The ending was blunted without giving a full explanation for any of the doings, which is why seeing the '35 version is advisable for anyone who is still confused.
The '35 version had BELA LUGOSI, LIONEL ATWILL and LIONEL BARRYMORE in key roles and was extremely well worth viewing. This silent version, reconstructed with stills, appeared to be beautifully photographed with appropriately cobweb-covered interiors and intense B&W lighting for atmospheric effects.
Chaney's make-up appeared to be quite startling--for me it was even more so than his "Phantom" disguise--and his Inspector Burke seemed a very forceful creation judging from the intense finger waving stills.
Well done reconstruction except for the weak ending which missed making its point. The background score was fine.
In all likelihood, this movie will never be recovered but the reconstruction that was provided by "Turner Classic Movies," provides a good idea as to how the film looks.
Lon Chaney gives a truly frightening and un- nerving make-up job as the fake vampire. It is hard to judge how good a performance he gives but I'll wager it was very good - as he usually was.
This film was remade in 1935 as "Mark of the Vampire" (also directed by Tod Browning).
I hope someday London After Midnight does show up so Lon's detractors can eat their words. If you are unable to look beyond the greasepaint, putty, false teeth, and wigs, and see a truly remarkable characterization, the fault is yours, not his. Having seen every one of his films that survive, (nearly twenty) I can tell you that some of his most unforgettable roles used little or no makeup at all! Try watching Tell It To The Marines or The Penalty and see what you think...
Lon Chaney shall NEVER die! He will live in the hearts of his fans forever.
To say make up was his "gimmick",is ignorant at best, it was more of an extension of the man and the actor. For Chaney didn't limit himself to just one area, physically he performed acts that would later bring him a place in film history such as the con artist that fakes being crippled to be healed by a charlatan in the "Miracle Man." The scene had people swearing that Chaney was a contortionist or double jointed, when in fact it is more a credit to his acting skills. Also in the "Penalty", he actually had a harness that he wore to bind his legs behind him and tucked into leather stubs. The pain allowed him only to wear the harness for fifteen minutes at a shoot, but Chaney insisted no trick photography be used. In "The Unknown", he had his arms bound up in a harness as well, you only have to watch the film to see not only the weird twist the movie takes, but also Chaney's cleverness.
Lon Chaney died at the age of 47. It is ironic that his last movie was a "talkie", a remake of the silent classic "The Unholy Three" in which he did more than one voice. That of an old woman, a parrot and a ventriloquist. He proved to audiences that he was more than capable of transcending silent to sound.
At his death production was stopped at Hollywood to observe a moment of silence, the Marine Corp flew their flag at half staff. Wallace Berry flew over his funeral and dropped wreaths of flowers. He said, "Lon Chaney was the one man I knew who could walk with kings and not lose the common touch."
क्या आपको पता है
- ट्रिवियाIt is believed that this film existed until 1965. Inventory records indicated that the only remaining print was being stored in MGM's vault #7 which was destroyed by a fire that year. By that point in time, all other elements had been destroyed or were missing.
- भाव
Miss Smithson, the New Maid: Honest, Sir James... they're dead people from the grave! Vampires is what they are!
Sir.James Hamlin: Professor Burke is to be our house-guest, Williams. Have rooms prepared for him.
Professor Edward C. Burke: It's unnerving, Mr. Hibbs! The new maid swears to your Uncle that she saw living dead people in the Balfour house!
Sir.James Hamlin: Burke, I've called you in again because I believe these strange people leasing Balfour's house link up with his death.
Professor Edward C. Burke: We found his note... and his own pistol beside him! That's suicide, isn't it?
Sir.James Hamlin: Then what can it all mean? Mysterious people! Lights! Weird noises! And come... see this!
- इसके अलावा अन्य वर्जनAlthough live-action prints of "London After Midnight" are long lost, a reconstruction of the film made entirely from still photographs has been prepared by Rick Shmidlin for Turner Classic Movies. This reconstruction runs about 40 minutes and premiered on October 31st, 2002.
- कनेक्शनEdited into Goofy Movies Number Six (1934)
टॉप पसंद
विवरण
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बॉक्स ऑफ़िस
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- $1,52,000(अनुमानित)
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