The General

Johnnie Gray is turned down for military action, as his job as a train driver means he's an essential worker. He's forced to take drastic action to retrieve his train, aka The General, when it is stolen.

For many years I overlooked silent movies, I always thought they'd not be able to hold my interest, Sherlock Jr and The Great Dictator proved me wrong.

The latest masterpiece I checked out was this one, and The General is just that, a masterpiece.

I'm not quite sure what you'd class it as, a drama, a comedy, perhaps it's a combination of several different styles.

It's fast paced, engaging and pretty thrilling, I was stunned by Keaton's physical stunts, he definitely wasn't afraid to roll his sleeves up, and get do his own stunts, he took several chances, but they definitely paid off.

I love Sherlock Jr for its cleverness and the sheer imagination of it, I equally love The General for the effects, pacing and originality of it.

It's a classic.

9/10.

The locomotive majesty of silent motion pictures amplified tenfold by the genius of Buster Keaton.

THE GENERAL represents the greatest achievement screen comedy ever accomplished. From the brilliant gag construction to the sheer excellence of the filmmaking technique, THE GENERAL is a hilarious and amazing journey into comedy. Written and directed by Buster Keaton and Clyde Bruckman, Keaton brings brilliant gags into the story. The film begins when Keaton is told he is of no use to the South as a soldier, but as a train engineer. However, his girlfriend refuses to talk to him until he is in uniform. After the war has started, the girl is kidnapped by some Union raiders on Keaton's train, and so begins the greatest (and funniest) chase ever filmed. For the next 75 minutes, the viewer is in Keaton's world. His gags, routines and amazing slapstick serve to make this the greatest screen comedy ever filmed.

-Matt, age 16

Probably Buster Keaton's best film, and oddly enough, it's not even a straightforward comedy – it's actually an action film, with clever doses of romance and comedy tossed in for good measure. `The General', which is set during the Civil War, is about a train engineer named Johnny Gray (Buster Keaton, of course) who tries to enlist in the Confederate Army . . . and is turned down because the army feels he'd be much more valuable for the war effort as an engineer instead of a soldier. However, through a series of misunderstandings, both Johnny's family and his girl think he's a coward, and they refuse to speak to him until he becomes a soldier. Months pass, and Johnny, sad and alone, is piloting his train – the General – when it is stolen from him by the North. Johnny's efforts to recover the General – and to win back his girl's love – become an unbelievably funny and action-packed series of events, as Johnny tries to go from being a sad-sack buffoon to being a hero.

If you haven't watched many silent films, they demand a greater amount of attention than `normal' film – there are no audio cues; and volumes can be spoken with a simple facial expression. Buster Keaton is amazingly expressive, as he's fully capable of going from wildly happy to downtrodden and sad in the blink of an eye. While funny, Keaton is much more than just a clownish figure – he manages to evoke a lot of sympathy as well, and he genuinely becomes what can only be described as an action hero as well. His timing, whether for a joke or for a tender moment, is absolutely impeccable.

What's also great about `The General' is the sheer amount of stunts and physical humor – a movie like this couldn't be made today. No amount of insurance would cover it. Keaton does all his own stunts, and manages to perform a number of feats that are simultaneously hilarious and dangerous – he chases down `The General' with a bike, he sits on a moving cattlecatcher, knocking away railroad ties with a tie of his own. All these stunts are fantastic, but it's scary to think that any one of these probably could've killed Keaton if something even went slightly wrong.

`The General' is a lot more than slapstick. Personally, I think it's one of the first films to push the envelope of movies – it goes for action, romance, and humor, and it pulls all of those elements together into a terrific movie. If you've never seen Buster Keaton – or, for that matter, a silent film – go find this one and watch it. It's a classic. A+

This film flopped when it was released in late 1926 for several reasons. First, its premiere was delayed because "Flesh and the Devil" was such a sensation that it was held over an extra couple of weeks. Second, people came to the movies to see Buster Keaton the comedian, not Buster the filmmaker and director, which is more of the role he played here. The film was funny, but it was not gag after gag, like so many of Keaton's other films. Keaton plays a railroad engineer living in the South. A title card declares he has two loves - his girl and his engine. when the Civil War starts he tries to enlist, but is considered too valuable to be in the Army due to his profession. His girlfriend misunderstands, thinks him a coward, and says she won't speak to him again until he is in uniform.

Meanwhile, the Union forces have developed a plan to crush the South that involves stealing Buster's train. Unknown to Buster, his girlfriend is on the train at the time of the theft. Buster starts out in hot pursuit of the thieves to retrieve his train, still without the knowledge of his girl's captivity by the Union army.

Forgotten with the arrival of sound, the film revived - often cut up from its original length - in the 1950's because Buster didn't preserve his rights to the film and it fell into the public domain. That is the reason there are so many versions of The General out there today, often with poor video and hideous musical accompaniment.

Today The General is considered one of the best silent feature length films, and one of the few silent films to not only be on DVD but to get the Blu Ray treatment too. SHERLOCK, JR. is clever. OUR HOSPITALITY is hilarious. The General is both of these things. It's story driven, races to a climax, and is fueled by cute, clever, inventive gags.Buster recycled these gags when he was a writer for MGM years later in "A Southern Yankee".