Devushka s korobkoy

This movie is really cute. Unfortunately, that adjective has a rather derogatory connotation, especially when referring to a work of art. I certainly don't mean it that way. Frankly, I could use a little delight of the sort The Girl with the Hat Box provided me. It's an utterly charming story about a young girl who makes hats. The comedy of errors is complicated, and is not worth telling in whole.

Anna Sten stars in the lead. Does that name ring any bells? Well, I didn't recognize the name, but I clicked on it and read up on her. Apparently Samuel Goldwyn brought her over to the United States (surely based on her performance in Hat Box) to be the next Garbo in the early 1930s. She starred in Nana (Dorothy Arzner & George Fitzmaurice, 1934), We Live Again (Rouben Mamoulien, 1934; also starring Frederic March), and The Wedding Night (King Vidor, 1935, and she starred opposite Gary Cooper). All were enormous bombs, each more astronomical than the last. Afterwards, she appeared in several more Hollywood films in secondary roles. I really, really want to see any of her Hollywood films to see what her problem was. You'd never know there was one from The Girl with the Hat Box. She's gorgeous, charming, and very funny.

The male lead is played, also delightfully, by Ivan Koval-Samborsky, who had a major role in 1926's Mother by Pudovkin. He plays a homeless student whom Sten at first pities and tries to help, but they soon find love in each other. The villains in the film are played by Serafima Birman and P. Paul. They are both exceptional. The latter doesn't seem to have any other film credits, but the former later played Efrosinia, Ivan the Terrible's aunt in Eisenstein's Ivan the Terrible movies. I didn't recognize her, as this was 18 years earlier. Plus, in Ivan she is always covered in huge robes. But you can recognize her from the nose.

Natasha (Anna Sten) is a hat maker whose employer Madame Irene (Serafima Birman) is in trouble with the housing committee for falsely claiming that Natasha is renting a room from her. However when Natasha meets a young peasant called Ilya (Ivan Koval-Samborsky) and is then given a winning lottery ticket everything changes. Written by Valentin Turkin and Vadim Shershenevich, and directed by Boris Barnet this 1927 Soviet Russian silent feature film was made to promote the state loan and is an at times slapstick comedy set in a rather capitalist seeming Russia. One of Barnet's earliest films it has Moscow locations (cold looking ones) and an amusing performance from Pavel Pol as Madame Irene's money grubbing husband.

An enjoyable romantic comedy and an interesting window into its era, "The Girl With the Hatbox" is a pleasant and unusual feature. The characters are slightly exaggerated to just the right degree, and the story makes quite creative use of a couple of relatively simple situations. Anna Sten brings plenty of energy to the title role, and the supporting cast members work well with her.

The story is pleasantly offbeat, while never seeming forced. It's also quite interesting to see the portrayal of daily life in the USSR of the 1920's. Some of the bureaucratic encumbrances of the early Soviet era are used as plot devices, and it's noteworthy that the bureaucrats and their regulations are not depicted as frightening menaces, but as mere tools that the main characters use for their own purposes. At least a part of the movie's charm comes from the chance to get this kind of good-natured look at the era.

While it's primarily meant as light entertainment, it works very well as such. It's well worth the time to see.

I'm sure there are probably tons of Russian comedies, but for some reason it seems like most of the Russian movies that have achieved any kind of fame in the US are very heavy and serious, and usually fatalistic. Eisenstein had a great sense of fun, and his films often contain comedic scenes, but they tend to be high-minded and serious overall. I'm pretty sure the Girl with the Hat Box is the first pure Russian comedy I've ever seen. I loved it.

The story and the characters were extremely charming. Anna Sten was beautiful. The baddies were more comical than they were truly evil. And everything turns out happily in the end. It could have almost been a Hollywood movie, except the photography is better.

I'd like to see more Russian comedies.

9/10

Here's great fun. Sometimes a film, or any art I suppose, is targeted to a specific consumer — someone different than us. Then, perhaps we will find it and experience it in ways not intended, or intended effects are exaggerated.

For me, nearly any old film needs to be considered this way, and many from cultures other than mine, though these are rare these days.

This is a slight comedy of the type Hollywood would patent as screwball, but with the heavy dose of physical humor popular in silents. It was made in the Stalinist "union," for a contemporary audience. So you'll see Soviet commissars and effects of contemporary rules. Certain alien stereotypes, including Russian Jews from a Russian perspective.

What's common here with my world is a pretty girl, lust and greed, the stuff of a universal dynamo. But these are cast off kilter from the way you normally see them, so they seem fresh. It helps that the production values are very high, better it seems that your typical American or French film of the era.

Its light, but its placement makes it profound.

Ted's Evaluation -- 3 of 3: Worth watching.