Ben-Hur A Tale of the Christ

Subtitled "A Tale of the Christ", this mixture of piety & adventure was MGM's grandest silent picture. The story tells how a Hebrew prince defies his Roman masters by beating them at their own game, literally, while becoming increasingly aware that the young Carpenter he met in Nazareth is the very Son of God and how that knowledge changes his life.

Years in the making, with filming in Italy & California, and changes of script and leading man, BEN HUR could have been a disaster. Instead, it was a complete triumph, with the naval battle and chariot race scenes holding their own among the best ever filmed. This film should not be compared with the Heston remake; it stands completely on its own merits.

For decades, the only known prints of this film were 90 minutes long, in black & white. By great good fortune, in the 1980's an uncut version, over 2 hours and with the original tints and Technicolor scenes was discovered in Czechoslovakia. This is what we are able to enjoy today.

Ramon Novarro got the plum male role of the entire silent period . He was a very fine actor and is excellent as Ben Hur. Sadly, the rest of his film career, in which he was typecast in every sort of ethnic role, from Chinese to Polynesian to Arab to Navajo, is virtually forgotten today.

Since I was so impressed the the 1959 version of this film, I figured there was no way I could watch this 1925 version and not be let down by it. Not only is this original adaptation very good, but it stands very strongly next to the heralded remake. In some regards, I enjoyed this adaptation better than the remake. Romon Navarro makes an excellent title character. The highlight of this film for me is early on when the star of Bethlehem is formed. Eye-popping visuals especially considering the time they were produced. It blows away any CGI we have today.

The version I saw of this was the newly scored version by Carl Davis, who continues to impress me with his scores for silent films including those he has written for "Greed", "Safety Last", "The Crowd", "Intolerance", "The Phantom of the Opera", and "The Wind".

Nice silent rendition that still stands as the all-time silent classic , including marvelously staged battle ships and overwhelming chariot races . It packs impressive scenes that still look nice , in spite of age . Childhood friends , Judah Ben-Hur (Ramon Novarro) and Messala (Francis X Bushman) meet again one time grown-up . Now as experienced adults , this time Messala is a Roman officer , a tough conqueror against the Jews and Judah as a rich noble , though conquered , Israelite . When in Jerusalem takes place a Roman parade , spontaneously falling a brick that causes Judah to be sent off as a galley slave , his ownership confiscated and his mother and sister Tirzah (Kathleen Key) imprisoned at an impregnable jail . But the brave Ben Hur goes on his determination to stay alive and saves the Roman general Quinto Arrio when they are attacked by a pirate galleon , and he , then , becomes his fostered son . Several years later Judah goes backs his homeland . Unable to locate his mummy and sister, and believing them dead , he can think of nothing else than vendetta against Messala . Meanwhile , Ben Hur falls for Esther (May McAvoy) , daughter of Simonides (Nigel Of Brulier) .

The second movie of the acclaimed novel , being lavishly produced , stars Ramón Novarro and Francis X. Buxman as Messala . Novarro is good in the known role as wealthy Palestinan battling the Roman Empire . The chariot race required thousands of extras on sets constructed on lots of acres of backlot at Metro Goldwyn Mayer Studios . The MGM production costs were massive millions of dollars , as a lot of chariots were built , with half being used for practice . The race took various weeks to film . The known chariot scene was shot at what is now the intersection of La Cienega and Venice Boulevards in Los Angeles . Although problems lingered on the production and at a cost of over 4.000.000 dollars . The initial Italian set was eventually torn down and a new one built in Culver City , California . Attractive images , majestic set design , glamorous photography in black and white , evocative as well as rousing musical score subsequently added by the great composer Carl Davis combine to cast a spellbinding movie . The motion picture was stunningly realized by director Fred Niblo helped by Second-unit director B. Reeves Eason and Cliff Lyons ; being a hit smash at the box office . In 1931 , a shortened version was released . Rating : 8 , extraordinary and awesome , it ranked as the most expensive movie of its time and took years to end ; it is one of the greatest films in the genre "Epic". Ben-Hur still stands as the all-time silent classic .

Other retellings based on this vintage novel written by Lewis Wallace are the followings : The classic version ¨Ben-Hur¨ won a record 11 Ocars , directed by William Wyler with Charlton Heston , Stephen Boyd , Haya Harareet , Jack Hawkins , Sam Jaffe , Finlay Currie , Martha Scott , Cathy O'Donnell , in which stuntman Cliff Lyons worked a Stuntman/chariot driver in both versions : 1925 and 1959 ; cartoon version (2003) by Bill Kowalchuck with prologue by Charlton Heston and ¨Ben-Hur¨ TV series by Steven Shrill with Joseph Morgan , Stephen Campbell Moore , Kristen Krouk , Simon Andreu and Lucia Jimenez

I finally sat down to watch the 1925 silent version of this story, and from the very beginning I went in completely biased to the 1959 remake by William Wyler, as that is what I consider to be possibly the greatest film ever made. I have to give credit where it's due; the 1925 movie as directed by Fred Niblo is remarkable for its time. What stood out most for me was the cinematography, which really was ahead of many silent films I've seen. I didn't care for Ramon Navarro as a rather boyish Ben-Hur, though -- certainly not as compared to the iconic and magnificent Charlton Heston -- and comparisons are going to be inevitable in a case such as this. There were some amazing camera shots in this version, and most of the big sequences compare favorably to the 1959 film. The only scene which I might say comes close to actually topping the redo is the battle at sea. The chariot race is outstanding, but I'd have to give the nod of superiority to Wyler's version. I also thought the scenes with Judah running into Jesus Christ were much more prolific in the sound remake; not one of them in the silent version comes even close to capturing that emotion for me. In the final analysis, I'd say that I probably only truly enjoyed the Niblo film about three stars' worth personally (out of four) ... however, it deserves accolades for its vast achievements when considering the time in which it was made.

Before my generation's "Ben Hur" there was my grandmother's "Ben Hur: a Tale of the Christ," a 1925 silent film directed by Fred Niblo and starring Ramon Novarro as Judah, Ben Hur, Francis X. Bushman (a favorite of my grandmother's) as Messala, and May McAvoy as Esther. The extras became more famous than many of the leads: Gary Cooper, Clark Gable, Carole Lombard, John Barrymore, Joan Crawford, Douglas Fairbanks, Marion Davies, Clarence Brown, Sidney Franklin, and others.

"Ben Hur" is famous for being the "Cleopatra" of its day - an expensive mess that MGM finally got control of by bringing everyone home from Italy and filming in Hollywood.

Putting aside the expense and the loss of both human and animal life, it's a spectacular film, all the more sensational for having been done in 1925. The emphasis here is on the spectacle and not the characters, making the 1959 version more superior in that regard.

There is no in-depth look at the friendship between Messala and Ben-Hur in the earlier film; it's hard to believe, from Bushman's portrayal, that the two were ever friends (also the actors were 16 years apart in age). What the earlier film has that the 1959 lacks is the religious aspect - Mary and Joseph seeking shelter, the birth of the Christ, and the three Wise Men. The religious scenes were filmed in two-strip Technicolor. Most of the film is black and white, with a few sections sepia-toned.

Ramon Novarro, who would come to such a sad end, was 26 years old at the time of the film. He makes a passionate Ben-Hur, with Bushman (who worked until the day he died in 1966) a one-dimensional Messala. Of course, some of the acting seems amateurish by today's standards, and the heavy makeup on Novarro later in the film and on Bushman throughout is off-putting, but these things don't detract from the film.

As lepers, Ben-Hur's mother and sister looked like their skin glowed in the dark, a very interesting effect. Jesus is shown only as a lit hand in many scenes, and his face is revealed.

The chariot race is mind-boggling, as is the destruction near the end of the movie. Yet the best parts of the film for me were the simple, poignant scenes of Ben-Hur's mother and sister, all done beautifully.

In these days of CGI and so much available to film technicians, "Ben Hur: A Tale of the Christ" is a must-see for how much the early filmmakers were able to accomplish. Truly one of the great epics.