The Wizard of Oz

18-year-old Dorothy (Dorothy Dwan) lives on a Kansas farm, little knowing that she's actually the rightful Queen of the magical land of Oz, which is currently ruled by Prime Minister Kruel (Josef Swickard). After Kruel sends his minion Ambassador Wikked (Otto Lederer) to Kansas to try and steal the document that proves Dorothy is the queen, Dorothy and her friends are transported to Oz, where they meet the Wizard (Charles Murray) and the benevolent Prince Kynd (Bryant Washburn). Dorothy's friends are transformed into the Scarecrow (Larry Semon), the Tin Woodsman (Oliver Hardy), and the Cowardly Lion (Spencer Bell).

This was adapted, produced and directed by silent screen comedy star Larry Semon, a household name at the time, but almost entirely forgotten today. It's nearly half of the running time before Dorothy and her gang get to Oz, with much of the first half of the movie taken up by substandard comedy bits on the Kansas farm. It was strange seeing Hardy as the Tin Woodsman, and sad to see the Cowardly Lion, who spends most of the film as a stereotypical caricature named Snowball.

Semon was too extravagant with his budgets, and soon after declared bankruptcy. 2 years later he was playing supporting roles, like in von Sternberg's 1927 Underworld, before dying in 1928 at age 39 of lung disease.

This WIZARD OF OZ is merely a frantic slapstick showcase for LARRY SEMON, apparently a silent comedian who is unknown to today's audiences and who died at a young age (39). He had a hand in the production and even designed his own Scarecrow costume, but the film is a curio that starts with a toymaker (again, LARRY SEMON) who tells a little girl the story of Dorothy (DOROTHY DWAN) from Kansas who, it turns out, is heir to be ruler of The Land of Oz.

But the story he tells has nothing whatsoever to do with L. Frank Baum's story as we know it from the '39 version starring Judy Garland. And this Dorothy is a grown-up young lady of 18 who bats her eyelashes and puts a finger to her lips in a coy manner as though signifying youthful uncertainty.

The only connection to the Oz story Baum gave us is the tornado, the effects for which are very good for 1925, and the combination of the Tin Man, The Scarecrow and The Cowardly Lion. OLIVER HARDY is the Tin Man (before his screen partnership with Stan Laurel), SPENCER BELL, a black man, is the Cowardly Lion and LARRY SEMON hogs the whole show as The Scarecrow. The best I can say for Lemon is that his costume and make-up for the role is laudable.

But the fragments of story used here are all over the map, the key to everything being the chance to have all of the performers involved in slapstick stunts. Only MARY CARR as Aunt Em is spared this indignity.

There are a few well staged moments that one can appreciate but all in all it's a bit too much for any adult to watch and I have no idea what children thought of this bizarre exercise in slapstick comedy.

This is a strange, sometimes misogynistic, and sometimes racially stereotypical film, reflective of the time in which it was made. It fascinates on a historical level, and on a foundational comedic level. You can see the trademark Oliver Hardy gestures in development, and his interaction with Larry Semon foretells his film relationship with Stan Laurel. Some cute little animation effects (a bee enters one of Semon's ears only to exit from the other), reflective of Disney's contemporaneous mix of live action and animation.

The "digital" score and the use of a "narrator" (who horribly reads the subtitles...where did she learn to read???) is annoying.

All in all, cute, and worthy of 90 minutes.

While disappointing (to say the least), there are at least two interesting things about this version. One is to see someone who is not Buster Keaton or Charlie Chaplin (but is in fact Larry Semon, one of their contemporaries) trying to imitate them in what was clearly designed to be a star vehicle for him. It makes the work of the other two men seem that much more remarkable when you watch some of their competition.

The most interesting thing about this production, though, is perhaps the fact that the MGM version was made only 14 short years later. The world moves very fast sometimes.

I'm probably gonna get bashed by all you other Oz fans out there for writing this review, but who cares! I grew up watching the 1939 version and didn't know about this one until about 16 months ago. About 3 months ago, I got the DVD, I sat down, watched it, and laughed my fool head off. Okay! Okay! It doesn't follow the version we're all "used to watching". Anybody ever heard of a little variety? Well here it is.

There are a few downsides though. First off, there's no Toto, no "I don't think we're in Kansas anymore" line, no good witch/bad witch. Secondly, the DVD version has TERRIBLE music. But Jacqueline Lovell certainly adds something with her narration. If they were to at least add even a piano score, or organ score even, it would have sounded much better.

Otherwise, altogether, this version of the classic tale by L. Frank Baum is good. Drawn out very much at times, but NOT THAT BAD!!! See it at least once, but don't expect anything, because if you do, you're gonna ruin it for yourself. Also it's in heavy need of restoration, any takers?? Please! For the good of Oz?!