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Varieté

  • 1925
  • Passed
  • 1 घं 44 मि
IMDb रेटिंग
7.4/10
1.5 हज़ार
आपकी रेटिंग
Josef Fenneker in Varieté (1925)
Trailer for Varieté
trailer प्ले करें1:01
2 वीडियो
22 फ़ोटो
अपराधड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंPrologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap sid... सभी पढ़ेंPrologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap side-show that displays ''erotic sensations''. But he longs for his former glamorous life in ... सभी पढ़ेंPrologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story. "Boss", a former trapeze artist, and his wife own a cheap side-show that displays ''erotic sensations''. But he longs for his former glamorous life in the circus. When he meets the orphan Berta-Marie, he falls under her spell and leaves his ... सभी पढ़ें

  • निर्देशक
    • Ewald André Dupont
  • लेखक
    • Felix Hollaender
    • Ewald André Dupont
  • स्टार
    • Emil Jannings
    • Maly Delschaft
    • Lya De Putti
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    1.5 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Ewald André Dupont
    • लेखक
      • Felix Hollaender
      • Ewald André Dupont
    • स्टार
      • Emil Jannings
      • Maly Delschaft
      • Lya De Putti
    • 15यूज़र समीक्षाएं
    • 21आलोचक समीक्षाएं
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    • पुरस्कार
      • कुल 3 जीत

    वीडियो2

    Varieté
    Trailer 1:01
    Varieté
    VARIETÉ (Masters of Cinema) Trailer
    Trailer 1:00
    VARIETÉ (Masters of Cinema) Trailer
    VARIETÉ (Masters of Cinema) Trailer
    Trailer 1:00
    VARIETÉ (Masters of Cinema) Trailer

    फ़ोटो22

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 16
    पोस्टर देखें

    टॉप कलाकार17

    बदलाव करें
    Emil Jannings
    Emil Jannings
    • Boss Huller
    Maly Delschaft
    Maly Delschaft
    • Frau Huller
    Lya De Putti
    Lya De Putti
    • Bertha-Marie
    Warwick Ward
    Warwick Ward
    • Artinelli
    Alice Hechy
    Alice Hechy
    Georg John
    Georg John
    • Seeman
    Kurt Gerron
    Kurt Gerron
    • Hafenarbeiter
    Paul Rehkopf
    • Zuschauer auf dem Jahrmarkt
    Charles Lincoln
    • Spanischer Artist
    Georg Baselt
    Trude Hesterberg
    Trude Hesterberg
    • Zuschauerin imm Varieté
    Werner Krauss
    Werner Krauss
      The Flying Codonas
      • Acrobatic Ensemble
      • (as Die Drei Codonas)
      Alex Hyde and his Original New York Jazz Orchestra
      • Alex Hyde and His Original New York Jazz Orchestra
      Enrico Rastelli
      • Jongleur
      Gerhard Bienert
      Gerhard Bienert
      Etelka Maquita
      • Dancer
      • निर्देशक
        • Ewald André Dupont
      • लेखक
        • Felix Hollaender
        • Ewald André Dupont
      • सभी कास्ट और क्रू
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      उपयोगकर्ता समीक्षाएं15

      7.41.5K
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      फ़ीचर्ड समीक्षाएं

      6wes-connors

      It Isn't Over Until the Fat Man Swings

      In 1915 Germany, burly trapeze artist Emil Jannings (as Stephan "Boss" Huller) leaves his wife and partner for sultry young Lya de Putti (as Berta-Marie). Soon, the carnival performing pair are hired by famed trapezist Warwick Ward (as Artinelli), after his flying brother is derailed by a fall. The high swinging threesome is an immediate success. But, after his trimmer partners begin to take care of their mutual attraction, Mr. Jannings must commit the crime for which he serves ten years in prison - as revealed in the present-day prologue. No doubt, it's going to get nasty…

      Appearing decidedly middle-aged, and with his overweight figure impossible to disguise, Jannings is miscast to the point of ridiculous. But, he was so popular most viewers accepted Jannings as the trim athletic "catcher" flying high. For American consumption, Paramount left out Jannings' adulterous first act (and trimmed the remainder of the film). This softens Jannings' character, of course. The film cutters did leave in some flashes of female nipple. That, Jannings, and some great camera-work from Karl Freud made "Varieté" a critical and commercial success in the US.

      ****** Varieté (11/16/25) E.A. Dupont ~ Emil Jannings, Lya de Putti, Warwick Ward, Maly Delschaft
      7arfdawg-1

      Silly Story, Great Cinematography.

      The Plot: Prologue: The murderer "Boss" Huller - after having spent ten years in prison - breaks his silence to tell the warden his story.

      "Boss", a former trapeze artist, and his wife own a cheap side-show that displays ''erotic sensations''. But he longs for his former glamorous life in the circus.

      When he meets the orphan Berta-Marie, he falls under her spell and leaves his wife and young son behind.

      He makes Berta-Marie his partner in a new trapeze number. One day, the famous trapeze artist Artinelli takes note of them and engages them for his trapeze show in Berlin. Their salto mortale becomes an immediate sensation. Calculatedly and cold, Artinelli seduces Berta-Marie and destroys "Boss'" happiness.

      If you are watching a version shorter than 112 minutes, you are watching the edited version. My screening was 83 minutes so I know there were lots of scenes cut out.

      Still, it's an interesting movie. Yes, the story line is dated, but I assume that was not the case back in 1925.

      The direction is really good.

      I found interest in watching how people lived back then. Smoking all the time indoors, the luggage used, the different acts at the circus (which, BTW, was not a circus as we know it today, more a vaudeville show).

      All the guys wear suits and ties and hats. A different time and place.

      Anyway..it's true that the story is not complex. And it's also true that the female lead is not especially attractive. Nor is she slim. And Jannings is laughably overweight to be an acrobat.

      The guy who is is stunt double for the acrobat scenes is literally 80 pounds lighter!

      Despite all...watch it for the cinematography!
      8FerdinandVonGalitzien

      Expressionism Intertwined With Social Comment

      Among silent film conneisseurs Herr Ewald André Dupont is well-known for a trilogy of films; "Varieté" (1925), "Moulin Rouge" (1928) und "Piccadilly" (1929); they all explore troubled relationships against a background of twenties popular entertainment (music-hall, cabarets, vaudeville). Of these, "Varieté" is certainly the best and Herr Dupont's masterpiece, an excellent film that maintains intact its virtues and cinematic merits after so many years, This Herr Graf revisited it recently and found that it had lost none of its power.

      The love story involves Herr "Boss" Huller ( Herr Emil Jannings ) and the seductive orphan Frau Berta-Marie ( Fay Lya de Putti ) Once a famous trapeze artist, "Boss" has been reduced to managing a sordid fairground attraction together with his wife ( Frau Maly Delschaft ). He falls madly in love with Berta-Marie and seeks to start a new life with his lover, leaving his wife and child behind.

      The virtuosity in the dramatic use of the camera-work together with film narrative by Herr Dupont is simply great. Through the eyes of "Boss'", Dupont skilfully compares the young and vital Berta-Marie and the faded and worn wife. Later the camera shoots from behind Huller's back to depict a desperate man utterly defeated and broken. The expressive close-ups wherein hidden feelings are made transparent are also superb as is the portrait of the people of Berlin, inhabitants of a decadent but thrilling city. The frenzied nightlife of Weimar Berlin (Wintergarten, Vaudeville Theater, fairgrounds) is vividly captured by the camera-work of Herr Karl Freund und Herr Carl Hoffmann.

      The camera-work is especially impressive during the trapeze sequences wherein Herr Dupont, with the aid of optical special effects by Herr Ernst Kunstmann, employs many different camera angles to emphasize the riskiness of the trapeze act and the riskiness of the relationship between "Boss", Berta-Marie and their partner, the famous artist Herr Artinelli ( Herr Warwick Ward ) . The tension builds during the performance because we know that Herr "Boss" has discovered that Berte-Marie and Artinelli have become lovers.

      The actors are splendid, specially Herr Jannings who, when properly directed , can express powerfully the most inner and divergent human feelings, Frau Lya de Putti, is no femme fatale type at all but that certainly is the point; she's attractive enough but common, someone easily charmed by a stylish man like Herr Artinelli.

      "Varieté" is an exemplary work wherein all the achievements and virtuosity of German cinema of that time are on display. You have Expressionism intertwined with social comment, a fascinating portrait of the times. Dupont's wavers a bit at the end and allows a minor concession which is forgivable and by no means fatal to the film as a whole.

      And now, if you'll allow me, I must temporarily take my leave because this German Count must refuse a splendid offer to be a fairground attraction.
      8christopher-underwood

      fascinating glimpse into the 'variete' scene in 20s Berlin.

      We are privileged that technology allows us to view such films as this, that are almost 100 years old, in such clarity. The print now available on Blu-ray is stunning and even if, after the first few minutes, one becomes used to this, when the setting switches to Berlin nighttime street scenes, our jaw drops again. Vintage photographs of amazing clarity come alive as buses, taxis and crowds of people jostle as the neon shines brightly in the sky. The vaudeville scenes of the 'Codonas', standing in for our film stars, fly through the air with the greatest of ease and demonstrate their infamous 'triple somersault' with only the excited crowd below. Throughout the film there are wondrous shots of the streets, the circus, the fairground and more intimate cabaret, but also there is a tale to be told. Emil Jannings is our star, seemingly too old for the part and looking more like a builder or truck driver than a trapeze 'catcher' but he was such a popular performer back in the stage and silent film days in Germany, this slight oddity would have gone unnoticed. Even more noticeable is the beautifully strange Lay De Putti who plays the love interest here. or should I say, 'sex interest' for this is a surprisingly saucy and frank portrayal of the natural and obvious appeal of such a young and pretty and half naked dancer and trapeze artiste. Not over long, remarkably involving and most fascinating glimpse into the 'variete' scene in 20s Berlin.
      8frankde-jong

      Breathtaking cinematography

      As the name already indicates "Variety" is situated in a vaudeville setting. It is about trapeze artists who regularly change partners (both in business and in love). Emil Jannings plays a man who leaves his wife for a younger woman but gets very jealous when he is at risk of receiving the same treatment.

      The film portrays the decadence of the roaring twenties in Germany. See for example the scene in which the artists have their own afterparty after the show.

      The story however is somewhat flawed. The Emil Jannings character has the possibility to take revenge in a way that looks like an accident. Why he does not choose to do so remains unclear.

      Above all "Variety" has earned his place in film history due to the dynamic camera movements during the trapeze scenes. In this way the film is more a cinematographer's film than a director's film. Especially Karl Freund would remain a leading cinematographer in decades to come.

      कहानी

      बदलाव करें

      क्या आपको पता है

      बदलाव करें
      • ट्रिविया
        American humorist S. J. Perelman was so taken with this movie he wrote about it 40 years later in an essay entitled "And, in the Center Ring, That Stupendous Death-Defying Daredevil..." He said "Alfredo Cordona, the wizard of the flying rings, and his partners doubled for the actors. I saw the picture four times, reacting so volcanically to Cordona's forward triple somersault that I almost rent the chair in front of me to matchwood."
      • कनेक्शन
        Edited into Prisoner of Paradise (2002)
      • साउंडट्रैक
        Vaudeville
        Theme song for British release

        Music by Vivian Ellis

        Lyrics by William Helmore

      टॉप पसंद

      रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
      साइन इन करें

      विवरण

      बदलाव करें
      • रिलीज़ की तारीख़
        • 27 जनवरी 1926 (हंगरी)
      • कंट्री ऑफ़ ओरिजिन
        • जर्मनी
      • भाषाएं
        • जर्मन
        • अंग्रेज़ी
      • इस रूप में भी जाना जाता है
        • Jealousy
      • उत्पादन कंपनी
        • Universum Film (UFA)
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      बॉक्स ऑफ़िस

      बदलाव करें
      • US और कनाडा में सकल
        • $7,09,613
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      तकनीकी विशेषताएं

      बदलाव करें
      • चलने की अवधि
        • 1 घं 44 मि(104 min)
      • ध्वनि मिश्रण
        • Silent
      • पक्ष अनुपात
        • 1.33 : 1

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