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Up the Ladder

  • 1925
  • 1 घं 1 मि
IMDb रेटिंग
6.4/10
70
आपकी रेटिंग
Holmes Herbert, Margaret Livingston, Forrest Stanley, and Virginia Valli in Up the Ladder (1925)
Drama

अपनी भाषा में प्लॉट जोड़ेंJane secretly funds her husband's company, and all goes well until success makes him stray.Jane secretly funds her husband's company, and all goes well until success makes him stray.Jane secretly funds her husband's company, and all goes well until success makes him stray.

  • निर्देशक
    • Edward Sloman
  • लेखक
    • Grant Carpenter
    • Owen Davis
    • Tom McNamara
  • स्टार
    • Virginia Valli
    • Forrest Stanley
    • Margaret Livingston
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    70
    आपकी रेटिंग
    • निर्देशक
      • Edward Sloman
    • लेखक
      • Grant Carpenter
      • Owen Davis
      • Tom McNamara
    • स्टार
      • Virginia Valli
      • Forrest Stanley
      • Margaret Livingston
    • 2यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो13

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 7
    पोस्टर देखें

    टॉप कलाकार10

    बदलाव करें
    Virginia Valli
    Virginia Valli
    • Jane Cornwall
    Forrest Stanley
    Forrest Stanley
    • James Van Clinton
    Margaret Livingston
    Margaret Livingston
    • Helene Newhall
    Holmes Herbert
    Holmes Herbert
    • Robert Newhall
    George Fawcett
    George Fawcett
    • Judge Seymour
    Lydia Yeamans Titus
    Lydia Yeamans Titus
    • Hannah, Jane's Old Nurse
    Priscilla Moran
    Priscilla Moran
    • Peggy
    William V. Mong
    William V. Mong
    • Richards
    Olive Ann Alcorn
    Olive Ann Alcorn
    • Dancer
    Percy Williams
    Percy Williams
    • Servant
    • (बिना क्रेडिट के)
    • निर्देशक
      • Edward Sloman
    • लेखक
      • Grant Carpenter
      • Owen Davis
      • Tom McNamara
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं2

    6.470
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    8JohnHowardReid

    Another Little Jewel from Universal-Jewel

    The stage play opened on Broadway at the Playhouse on 6 March 1922 and ran a fairly successful 120 performances. Doris Kenyon and Paul Kelly starred for director Lumsden Hare.

    However, the plot and devices of the Owen Davis play are so far removed from those of the movie that what we have here is virtually an original rather than an adaptation.

    Although Virginia Valli registers smoothly as the heroine, our hero, alas, is played by dull-as-ditchwater Forrest Stanley. Admittedly, Mr Stanley starts well, but then goes to water, allowing everyone else in the cast, including even minor players like precocious Priscilla Moran, ho-hum Holmes Herbert and woebegone William V. Mong to steal every one of his scenes.

    Fortunately, the biggest scene-stealers of all are none other than that wonderful vamp of vamps, Margaret Livingston, and a man who always makes his presence felt and literally lights up the screen, George Fawcett.

    In fact, the movie is well worth seeing just to catch Miss Livingston alone. Fawcett is an added pleasure and it's a pity his role was not combined with that played by Holmes Herbert. That would have been movie dynamite!

    As for technical credits, they also are very deft indeed.
    8I_Ailurophile

    A solid classic, enriched with some fine detail

    While not all are equal, there's nevertheless a tireless charm to many silent films. For lack of sound or verbal dialogue the visual experience is necessarily emphasized and heightened, including not just actors' performances but also our perception of the production design, art direction, and costume design. Sometimes it feels like we're able to appreciate such aspects all the more when our eyes aren't distracted by our ears - an appreciation made all the more delightful by the relative simplicity of the entertainment that is afforded. Whether a reflection of degraded or incomplete prints, insufficient equipment, old-fashioned film-making techniques, or other possible factors, there's often a brusque directness that characterizes much of the silent era, as well as curt editing; scenes and stories are light and fluffy no small amount of the time, owing to very different social values but also to the demands of film censors. And so on, and so on: in some measure watching pictures from the earliest years of cinema means stepping into another world just as much as if we're watching high fantasy.

    Themes and story ideas that even now continue to be relevant to real life are nonetheless given an almost otherworldly air to them as the drama is softer, the humor is more airy, and the fundamental presentation is in one way or another more stripped down compared to what modern viewers are accustomed to. Yet all these words are still but pretense to delineate the nature of the feature. 'Up the ladder' can most assuredly be described in many (though not all) such terms, but stopping to consider it in and of itself, it remains solidly engaging and enjoyable. Indeed, all those behind the scenes made fine contributions to establish the look and feel of every setting and character, and the title at large. The cast do a fine job of bringing their characters to life even within the limitations of the medium at the time; far be it from me to single anyone out, but star Virginia Valli makes an especially strong impression, and even in just a secondary supporting part, young Priscilla Moran adds much to the already considerable charm of the production.

    Edward Sloman demonstrates a firm grasp of the medium, exercising his role as director to ably guide the movie and realize the screenplay; shot composition plays a surprisingly important role here, and the filmmaker shows a delicate touch to accomplish it. And Tom McNamara and Grant Carpenter's adaptation of the stage play is unexpectedly vibrant, slowly baking a drama that's a little smarter and sharper than I first assumed. By all means, it's not unusual for lighthearted frivolity to transition into more serious social turmoil, yet there's a cutting intelligence here to how that shift occurs that well exceeds no few of this title's contemporaries. To that end, as sturdy as the overall narrative is, I dare say it's the tight scene writing that does the most to make 'Up the ladder' as vivid an experience as it is. Such splendid, flavorful detail goes into the revelation of secrets - a twist of finesse so important to the course of events - and this facet alone makes the movie a minor joy.

    When all is said and done I won't particularly hold it against the feature that it begins so blithely; the growing tension leading to the climax is a blast, and well makes up for any prior sense of commonness. I'm more put out by the very last few minutes - the ending that is entirely too straightforward, abrupt, and easy; this feels like a conjuration of Movie Magic, or perhaps the rigors of censors who required a specific kind of resolution. Even at that, however, while this is imperfect, I can honestly say that it's better than some of its brethren. 'Up the ladder' is not so outstanding a silent drama as to make it essential; there are plenty of other titles that should be of higher priority for one exploring the era. Yet if you have the chance to watch, and are looking for a film in the upper middle in terms of quality and impact, then this a classic well deserving of recognition and viewership.

    इस तरह के और

    The Iron Horse
    7.2
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    5.7
    The Mountaineer's Honor
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    7.0
    Don Juan

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The invention and practical use, as a plot device, of a "tele-vision-phone" in a contemporary, as opposed to futuristic, setting, in a film produced in 1924, and released in 1925, is nothing short of remarkable.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 मई 1925 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
    • भाषाएं
      • नोने
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • O Último Degrau
    • फ़िल्माने की जगहें
      • Universal Studios - 100 Universal City Plaza, Universal City, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Studio)
    • उत्पादन कंपनी
      • Universal Pictures
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 1 मिनट
    • रंग
      • Black and White
    • ध्वनि मिश्रण
      • Silent
    • पक्ष अनुपात
      • 1.33 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Holmes Herbert, Margaret Livingston, Forrest Stanley, and Virginia Valli in Up the Ladder (1925)
    टॉप गैप
    By what name was Up the Ladder (1925) officially released in Canada in English?
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