The Red Kimono

"The Red Kimona" is a social commentary film that in some ways is very, very, very old fashioned and hokey. Interestingly, on the other hand, it also manages to be very modern in its sensibilities as well! This odd combination of the old and new make for a film that is interesting to watch but not exactly a must-see as far as silent films are concerned.

The film is a piece of social commentary. The subject of the film is a young woman who comes from a horrible home. Her mother and father are wretched jerks and she's longing for love. When she meets a man who says he loves her and wants to marry her, she's thrilled--not knowing that he has no such intentions. Instead, he forces himself on her and then keeps her as a virtual slave. She eventually escapes and later kills him when she discovers he's about to do this same thing to another woman. All this happens early in the film and most of the plot actually involves her life after these tragedies--and how society often fails women like this--treating them like lepers instead of victims. In fact, it's rather frank discussion of this is quite shocking for the times and must have raised a few eyebrows! The movie is interesting due to its social advocacy as well as the sensationalistic actions. However, despite this, the movie also is very preachy (with lots of Biblical references that seem a bit out of place and heavy-handed) and very conventional--like a 19th century play. As a result, it's interesting more as a curio than for its dramatic structure.

Overall verdict--it's worth seeing if you are a fan of silents, but otherwise it's skippable. Not bad, but not great.

"The Red Kimona" is a film created to explore a social evil; it's one of a series of pictures made for that purpose in the early days of cinema. (See the work of director Lois Weber for additional examples.) It's not a movie for everybody--viewers looking for pure entertainment will prefer the slapstick comedies or adventure stories of the silent era--but for those interested in social history, and able to take the picture on its own old-fashioned terms, it's a very watchable if melodramatic film, with excellent production values and a fine cast. (In fact, I didn't mean to watch the whole thing in one sitting, but had trouble turning it off.)

I loved Priscilla Bonner in the main role (she's best known today for a supporting part in Clara Bow's "It," but also does one of the most heartfelt close-ups I've ever seen on film in Harry Langdon's "The Strong Man"). Her character changes convincingly as the story goes through several years--at one point Bonner seems to age before the audience's eyes as her character faces a tough choice. The camera-work and lighting are very striking, and certainly work to help Bonner's performance. A few sequences make good use of on-the-spot locations, like the Giant Dipper roller coaster at (I believe) the Venice, CA amusement pier, and the downtown streets of Los Angeles. The supporting players all look interesting and do well. I agreed with another reviewer that the costumes were a little confusing, since they appear to be from the early 1920's although the film is set in 1917. They don't all quite look like the fashions of 1925, when the film was released, but they don't seem totally pre-war either. (The title refers to a dressing gown the heroine wears.) But period costume authenticity was something that wouldn't really be established until later in film history.

Modern viewers may have difficulty with some details of the plot, as I did. Because of the censorship laws of the time, the filmmakers presumably weren't allowed to mention the word "prostitution," so it took me a little while to figure out exactly what was going on. But it eventually became clear.

The Kino DVD release has a pleasant, low-key piano soundtrack by Robert Israel that I really enjoyed.

This silent was extremly racy for it's time. The director was known for making controversy with her films. The movie takes a look at a woman who is a prostitute. There is some wonderful acting performed in this film & it's one that should never be forgotton...but thats what true art is all about. Classic scene's between Priscilla Bonner & co-star Nellie Bly Baker(former secretary of Charlie Chaplin.) I give this movie a 7.

I just saw this film as part of TCM's Women Pioneers in Film series. I have heard a lot about Dorothy Davenport Reid's moral crusade, and was expecting a dry and preachy kind of film. However, the film hardly ever bogs down into preachiness and has enough dramatic momentum to move things along at a good clip. Priscilla Bonner, whom I had only seen in "It", does an excellent job as Gabrielle--we feel sympathy for her plight but she never bogs down in pathos.

A melodramatic story based on a real woman, whose (oops) identity wasn't changed nor her approval sought, resulting in a lawsuit afterwards. Nonetheless it's pretty cool that this was written, directed, and produced by women (Dorothy Davenport for the latter two), and I liked the visual effect with the red overlays on clothing and streetlights, and orange in a brief scene showing WWI.

The film supports "fallen" women in the sense that it says they're a victim of circumstance, are sympathetic characters, and can be redeemed, which I believe are the reasons the film was banned in some places (kind of surprising when you watch it now). At the same time, it also implies they're tainted, need a white knight figure to make them honest, and need to work hard to be worthy of happiness, all of which seems dated now. Overall though, there is empathy, and out of several Biblical allusions, it picks a good one in "he that is without sin among you, let him first cast a stone at her."

The pace of the film is on the slow side as it plays itself out, told partially in a flashback, so I don't think it's one I could truly love. On the other hand, it has a pretty good performance from Priscilla Bonner, and various street scenes and carnival rides, and while those seem to appear rather often in films from this era, they always work for me. It's decent enough to take a look.