The Lost World

More than 80 years after its release, the first adaptation of "The Lost World" remains as one of the most influential silent films ever, due to Willis O'Brien pioneer advances in the field of special effects, as it showcases the first time stop motion animation was used to create creatures on a feature length film. These innovation was of huge importance for this and future films, and earned Willis O'Brien and his dinosaurs a place in history as an iconic image in film history, only surpassed by another of O'Brien's creations: King Kong.

Based on Arthur Conan Doyle's novel of the same name, "The Lost World" is the tale of Prof. Challenger's (Wallace Beery) epic quest looking for the living dinosaurs who supposedly live in the deep Amazonic jungle, according to the journal of his fellow explorer Maple White, who disappeared in his last exploration. Maple's daughter, Paula (Bessie Love) joins the expedition looking for her missing father, as well as Sir John Roxton (Lewis Stone), an experienced hunter friend of Challenger. Prof. Summerlee (Arthur Hoyt) goes as well, hoping to prove that Challenger is a fraud, and finally, reporter Edward Malone (Lloyd Hughes) joins the expedition, hoping to prove his girlfriend Gladys (Alma Bennet) that he is brave enough to face death.

Cleverly adapted by Broadway playwright Marion Fairfax (who also adapted in 1922 another of Conan Doyle's works, "Sherlock Holmes"), the film is an excellent mix of action and adventure that even when it's not entirely faithful to the novel, keeps the spirit of wonder and fascination with the unknown. From the obsessive Challenger to the incredulous Summerlee, every character is very detailed and for the most part well constructed, giving each one of them a defined personality and a certain degree depth absent in many silent films.

However, the film's best remembered characteristic is the incredible special effects by Willis O'Brien, who after mastering his craft in short films got his first work in "The Lost World" and changed special effects forever. His imagery is very vivid, and very detailed considering the limited resources he had. Sadly, Harry O. Hoyt's direction takes zero advantage of Fairfax's story and O'Brien's effects, and delivers a simplistic and unoriginal work that adds nothing to the whole work and seems to let the cast and crew do their job. It's not a bad direction as a whole, but it feels uninterested on the many possibilities a film like this posses.

The cast is quite effective, and really does a great job with what they have, starting with legendary Wallace Beery, who as Prof. Challenger delivers one of the best performances in a silent film. Without the aid of sound, Beery shows a wide range of emotions in his complex character and is great in both drama and comedy. Lloyd Hughes is very good as the cowardly Malone, and showcases a talent for comedy as well as a romantic figure, as his character shows interest in Paula White, played by Bessie Love, who makes a fine counterpart to Hughes and delivers a natural, and fresh performance. Lewis Stone completes the cast and his dignified performance as Sir John Roxton is very effective.

It's safe to say that "The Lost World" owes more to O'Brien and Fairfax than to O'Hoyt, and that probably with a more experienced director the film would had been even better. However, the film's real problem has nothing to do with the way it was made, but with the way it was preserved during most of its history. Nowadays there is not a complete version of the movie, most home video versions are of the 64 minutes version, while one (Image) is of a 93 minutes reconstruction. And while probably that version is the closest we can be to the original runtime of the film, it sadly has modernized the dialogs, to the point that some lines are rewritten to fit our modern standards.

Hopefully, one day we'll be able to see "The Lost World" as it was intended to be, but meanwhile, we can still appreciate the enormous importance of its amazing special effects, and how it forecasts films like "Jurassic Park" in many ways. This epic tale of action, adventure and horror has probably not seen a better adaptation than this, the movie that set everything for the arrival of King Kong and changed special effects for ever. 8/10

Modern audience members won't exactly be scared or thrilled by the living, breathing dinosaurs in this 75 plus year old classic. They will see a visually amazing silent classic. THE LOST WORLD tells of an exhibition that finds mammoth dinosaurs on a plateau in the Amazon. A brontosaurus is brought back to London. Willis O'Brien's stop-motion animation is rather fluid, (as compared to the short animated comedies he made around 1918) There are also neat uses of matte work, rear screen and double exposures.

The recent DVD re-issue of LOST WORLD is a keeper. It even has LOST WORLD animation out-takes with single frames of O'Brien and his assistant accidently caught on film. Requied viewing for the student of cinematic special effects.

Willis O'Brien made some early shorts utilizing his unique concept of special effects, but it was this film, The Lost World, that made his vision first come to life so to speak. O'Brien makes the lost world full of dinosaurs that seemingly do everything. They eat, fight, move, and generally live on screen. The film is a fairly good adaption of Doyle's book, with Doyle even having a cameo in the film. A raging professor named Professor Challenger, played with gusto by Wallace Beery, says that dinosaurs live on a plateau somewhere off in the Amazon. He is disbelieved by all concerned, and he, with the help and support of a rich adventurer, a cynical zoologist, a newsman, and a daughter of a lost professor on a previous journey, sets out to prove that dinosaurs do indeed exist on Earth still. The film has a nice, quick pace and is very entertaining. Beery, Lewis Stone, and Bessie Love all do fine jobs acting. The film has a new marvelous score to go with its silent action. Best of all...the film boasts the special effects of O'Brien's genius. A fine, fine film.

In this 1925 silent era film, a Professor Challenger (Wallace Beery) leads a group of British explorers to South America, to prove to the civilized world that there exists a land of living prehistoric creatures. What the explorers find is exactly that ... a rugged Amazon plateau inhabited by all kinds of dinosaurs. It's a wonderful film concept befitting Sir Arthur Conan Doyle's adventure novel. The dinosaurs were brought to cinematic life via stop-motion animation, the first time that the then new technique had been applied, on such a grand cinematic scale. For its visuals alone, "The Lost World" is an important film.

The problem I have is not with the film, but with the way the film has been mishandled in the eighty years since it was released. Much of the original film was lost or cut out, a sad commentary on the way our culture has underestimated the value of silent films. Recently, the film has been at least partially restored. That, in turn, has led to confusion as to the extent to which the film being watched reflects the original.

My understanding is that there is or was: (1) an original full length version, no longer available; (2) a thirty-two minute version shown as a short film; (3) a sixty-three minute original DVD version; and (4) a ninety minute restored, extended DVD version complete with soundtrack and commentary. None of these versions are exactly alike, and there may be other versions as well.

The version I watched was on DVD, and was sixty-three minutes in length; there was no soundtrack, no commentary. Since this version is vastly different from the original, and different from other versions, a conventional critique would be unfair. All that I can do is to make a couple of general observations.

The special effects were impressive for their time. But what I most liked was the film's sense of three-dimensional scale, as shown in many scenes, the tree bridge to the plateau, for example, or the rope ladder hanging down the side of the cliff with a person climbing down. Such scenes convey a sense of distance and height, important to any physical adventure or risk. What I found disconcerting was the scenes of dinosaurs detached from the characters. Most of the time, but not always, these dinosaur scenes were shown from the POV that would be optimal for the cinematic viewer, rather than from the POV of the characters. In other words, the dinosaurs were usually shown out of context to the film's narrative.

"The Lost World" (1925) is an important contribution to early cinema. Although the film may be somewhat tedious to watch and technically crude by today's standards, depending on version, the film will most surely be appreciated by film historians and by technicians interested in the evolution of cinematic special effects.

Although the existing versions all have missing portions, and although the film is obviously old-fashioned in several respects, the original "The Lost World" is still a fine film and very entertaining. It has an exciting and interesting story with some good characters and acting, and the dinosaur action, terrific for its time, is still quite watchable.

Besides the adventure story about dinosaurs and other prehistoric creatures, there is also some decent human drama with a few interesting characters. The earnest young journalist out to prove himself, the bad-tempered but brilliant scientist, the devoted daughter searching for her missing father, and the rest, are all slightly exaggerated, but most also contain some real substance. There is a good cast to bring these characters to life.

Naturally, the animals are the big stars, and although the special effects do not compare with what is done today, the dinosaur action is still creative, entertaining and worth watching. There are also some good shots of live animals living in the Amazon area where the expedition takes place.

This is certainly recommended for those who enjoy silent films. It would also be interesting viewing for those who are more used to modern films of the genre - you'll see a lot of the ideas that were later used in films that are more familiar today.