Cabiria

This is one grand looking and made movie, with plenty of mass sequences, impressive sets and costumes and a story that just screams epic.

It's pretty nice to see how some early film-makers got influenced by this movie. Film-makers such as Fritz Lang, D.W. Griffith, who were also all pioneers by themselves. They were obviously inspired by some of the sequences, its scale, sets and compositions, since this movie in some of its sequences show some definite similarities to some sequences in movies such as "Metropolis" and "Intolerance: Love's Struggle Throughout the Ages". Only in that regard you can already call this movie an innovative and important movie. Its sets, compositions and just overall way of story-telling were all quite new and innovating for its time. It's also the first ever movie to use a dolly-track system, which provides the movie with a couple of nice moments as well.

The movie its story is very epic, since it's set at many different locations, with also many different characters. It features historical well known figures such as Hannibal, Hasdrubal, Scipio, Archimede, Massinissa, which makes the movie real interesting but is also one of its weaker points, since it makes the movie and its story-telling a bit disjointed at parts.

It perhaps also makes the movie feel overlong in parts, even though the movie is only about 2 hours long (well, depending on which version you'll watch), which is actually quite short for an epic movie, especially for one that got made early in the 20th century. 4 hour epics from the same time period are no rarity. The movie just goes on for a bit too long with some of its sequences. After a while you get the point but the scene will just go on and on. It doesn't always makes this an easy but pleasant movie to watch.

But overall the movie of course is pleasant as well as impressive, not only because of its visuals but also because of its story that is actually quite adventurous, as long as it knows to focus on the movie its key players. It's adventurous in the same way as a movie like "Ben-Hur" for instance.

Also especially when you realize that this is an 1914 movie, it's a real excellent, innovative and interesting, fun movie to watch.

8/10

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This was a confusing, yet highly important, one to watch. I have to say that I haven't watched a silent film in a long time so adjusting to the many, many differences was a struggle. I found the captions to be really lacking in clarity. I appreciate the beauty of their writing but I'm not really trying to decode poetry when watching a silent epic, you know? It's not even that, really, it was the constant introduction of new names without describing who they were or what the hell their problem was. I was under the impression that the captions would describe what was about to happen, but really they just introduced it, which meant that I understood a bit of what was happening before their mouths kept moving and their arms started flailing and fights started happening and I was lost again. I definitely wish I had a historian in my room just quietly explaining where these ancient cities were and why everyone was so upset all the time. I could Google it while watching but I have a strict rule against touching my phone while a movie is on. Try to read up on the context surrounding the story before watching if you can.

Anyway, the sets were grand even by today's standards and that impressed me a lot. Even the special effects they utilized were outstanding, because at that time in cinema, they weren't special effects as much as they were visual tricks that the filmmakers had to figure out and pioneer on their own essentially. I really liked the Maciste character and I wasn't surprised to find that he was extremely popular when this movie came out, too. The naked children everywhere and live birds flying around a set that is actively crumbling and in flames was bananas! It made me wonder how many people/animals died on sets back before there were regulations. The story had many complexities to it and that was cool. It definitely deserves it's title as an epic. It is not an easy watch, but it is a worthwhile one. No doubt it was piloted by a strong plot. I agree with the many others who have said that this is a must-see for people who truly love film. I definitely recommend it and am happy to have it in my movie collection.

...that was a huge worldwide hit and began more than one cinematic trend. Circa 300 B. C., Cabiria (Carolina Catena), the young daughter of a wealthy Roman family, is thought lost after an eruption of Mt. Etna. Instead she was rescued by servant Croessa (Gina Marangoni) who takes her to Carthage where they fall into the evil hands of the Temple of Moloch. Luckily two Roman spies, Fulvius (Umberto Mozzato) and his musclebound slave Maciste (Bartolomeo Pagano), in Carthage to keep an eye on the activities of Hannibal (Emilio Vardannes), learn of the child and attempt to rescue her.

This was said to have inspired Griffith to make Intolerance into the epic it became, and the sets here are truly awe inspiring, especially in comparison to other films of the time. The Temple of Moloch is one of the great screen images of the silent era. The supporting character of Maciste, played by Pagano, was a breakout hit, the first screen muscleman hero, and led to a series of over 20 movies with Pagano as the character, as well as dozens more in the 1960s with a variety of stars. The history on display is dubious, but how many movies have Romans, Carthaginians, Numidians, Phoenicians, and even a Greek running around in the same story? Recommended.

An engrossing historical melodrama with all the trimmings, "Cabiria" would be rather impressive if it had been made in the mid- or late- 1920's, and the fact that it was made in 1914 is astounding. While it was widely known in its time, and apparently was once given full credit for its influence on other film-makers, it has been largely forgotten today, for no good reason. The story is involved and ambitious, the settings and scale are lavish and creative, and the historical scenario comes from the fascinating (if today little-known) period of the Punic Wars between Rome and Carthage. It's all very good in its own right, and it's even more of a success when you consider the new ground they had to break in bringing it all together so well.

The story blends together several fictional and several historical characters, centering on the adventures and misfortunes of the girl Cabiria. As in any melodrama, there are some implausible developments, yet it rarely seems overly forced. The historical setting is used creatively, both to drive the action and to provide interesting settings and characters. While it is clearly fiction, it takes fewer liberties with history than do many other movies with historical settings, since it is designed for entertainment rather than to promote a particular viewpoint.

And as entertainment, it delivers handsomely. This is well worth the trouble to find for anyone who enjoys watching silent movies. It is also worth seeing if you have even a passing interest in the development of cinema, because few movies have ever been so creative in using and improving upon the means available in their own era.

Three hundred years Before Christ, the volcanic Mount Etna erupts during an earthquake, destroying the Sicilian palace and estate where little "Cabiria" (Carolina Catena) lives. The young heiress manages to escape through a secret stairway leading underground, carried by nursemaid Gina Marangoni (as Croessa). When the dust clears, little "Cabiria" is believed to be dead and buried in the ruble. After escaping the devastation, she and Ms. Marangoni are sold as slaves, in Carthage.

Next, "Cabiria" is to be sacrificed as a burnt offering to "Moloch", a brazen God who likes to eat children.

Nurse Marangoni tries to save the girl, but is whipped for her efforts. She enlists help from Roman patrician Umberto Mozzato (as Fulvius Axilla) and his loyal dark-skinned slave Bartolomeo Pagano (as Maciste). With the muscular Mr. Pagano leading the charge, they rescue "Cabiria" from the fiery jaws of death. Obviously, this makes the God and his minions angry. The trio hideout at an inn while the plot thickens. Shuttled once more, "Cabiria" grows into a beautiful young woman, Lidia Quaranta (as Elissa).

Written, produced, and directed by Giovanni Pastrone, "Cabiria" is a classic early spectacular.

Most famous was Mr. Pastrone's use of camera tracking shots; this movement of camera increased the scope, and excitement, of motion pictures. He likes screen movement, as you'll see. This film also features Mr. Pagano's star-making role as the long-running character "Maciste". In fact, Pagano and Mr. Mozzato are the real "stars" of this story; after they save "Cabiria" from sacrifice, you care more about seeing them - especially "Maciste" - than you do about the frequently disappearing "Cabiria".

******* Cabiria (4/18/14) Giovanni Pastrone ~ Umberto Mozzato, Bartolomeo Pagano, Lidia Quaranta, Italia Almirante-Manzini