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Cabiria

  • 1914
  • Not Rated
  • 2 घं 28 मि
IMDb रेटिंग
7.1/10
4.2 हज़ार
आपकी रेटिंग
Cabiria (1914)
EpicAdventureDramaHistoryWar

अपनी भाषा में प्लॉट जोड़ेंCabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rom... सभी पढ़ेंCabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.Cabiria is a Roman child when her home is destroyed by a volcano. Sold in Carthage to be sacrificed in a temple, she is saved by Fulvio, a Roman spy. But danger lurks, and hatred between Rome and Carthage can only lead to war.

  • निर्देशक
    • Giovanni Pastrone
  • लेखक
    • Gabriele D'Annunzio
    • Titus Livius
    • Giovanni Pastrone
  • स्टार
    • Italia Almirante-Manzini
    • Lidia Quaranta
    • Bartolomeo Pagano
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    4.2 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Giovanni Pastrone
    • लेखक
      • Gabriele D'Annunzio
      • Titus Livius
      • Giovanni Pastrone
    • स्टार
      • Italia Almirante-Manzini
      • Lidia Quaranta
      • Bartolomeo Pagano
    • 43यूज़र समीक्षाएं
    • 26आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • फ़ोटो38

    पोस्टर देखें
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    टॉप कलाकार23

    बदलाव करें
    Italia Almirante-Manzini
    Italia Almirante-Manzini
    • Sophonisba - Hasdrubal's Daughter
    Lidia Quaranta
    Lidia Quaranta
    • Cabiria - also called Elissa
    Bartolomeo Pagano
    Bartolomeo Pagano
    • Maciste - Axilla's Slave
    Carolina Catena
    • Cabiria da piccola
    • (as Catena)
    • …
    Teresa Marangoni
    Teresa Marangoni
    • Croessa - Cabiria's Nurse
    • (as Gina Marangoni)
    Dante Testa
    Dante Testa
    • Karthalo - the High Priest
    Umberto Mozzato
    • Fulvio 'Fulvius' Axilla
    Raffaele di Napoli
    • Bodastoret - the Innkeeper
    Emilio Vardannes
    • Hannibal
    Edoardo Davesnes
    • Hasdrubal
    Alex Bernard
    Alex Bernard
    • Siface 'Syphax' - King of Cirta
    • (as Alessandro Bernard)
    Luigi Chellini
    • Scipione 'Scipio' - the Consul
    Vitale Di Stefano
    • Massinissa - the Numidian King
    Enrico Gemelli
    • Archimede
    Ignazio Lupi
    Ignazio Lupi
    • Arbace
    Francesca Bertini
    Francesca Bertini
    Giuseppe Ferrari
    Soava Gallone
    Soava Gallone
    • निर्देशक
      • Giovanni Pastrone
    • लेखक
      • Gabriele D'Annunzio
      • Titus Livius
      • Giovanni Pastrone
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं43

    7.14.1K
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    फ़ीचर्ड समीक्षाएं

    8richardchatten

    The Template for the Historical Epic for the Next Half-Century

    Without Gabriele D'Annunzio's florid commentary this film would have been substantially shorter, while the hammy "silent film" acting and melodramatic storytelling lags far behind Scandinavian cinema of this period. But technically this super-production from Italy otherwise blazes a colossal trail that plainly led the way for the silent spectacles of Griffith, DeMille and Lang; while the sense of fun of the action scenes (particularly a scene depicting the formation of a human pyramid to scale a wall) anticipates Fairbanks at his jauntiest.

    Beginning with the eruption of Mount Etna (and a lot of toppling pillars) the pace never lets up. Next comes a truly hair-raising scene depicting infants cast into the flaming maw of a statue of Moloch (whose Temple - with three round windows that make it's façade resemble the face of an enormous spider - is one of the many deliriously stylised designs that obviously later inspired Lang and others during the early twenties); while later we see Archimedes gleefully incinerating the Roman fleet with history's first death ray during the Siege of Syracuse. Throw in the boisterous crowd scenes and graceful tracking shots director Pastrone innovatively employs throughout (far more elegant than Griffith's work of the same period) and we have the template for the historical epic as it existed for the next half-century.

    'Cabiria' also displays a major advance in the use of special effects that marks a decisive break with the trick films of Georges Méliès. Skillful use is made throughout of double exposures to make the action and the locations look even grander in scale than they already are (such as Hannibal crossing the Alps). And there is an additional bonus in the form of an extraordinary dream sequence that anticipates by ten years Walter Ruttmann's 'Falkentraum' sequence in Lang's 'Die Nibelungen'.
    7arneblaze

    Fascinating early feature film epic worth a look

    It is a little known fact that the feature film was born in Italy - that is, a film longer than the standard one or two reels in length -ten to twenty minutes. It is the crop of early Italian features, all epics, birthed in 1914, that influenced America's Griffith and DeMille. The length of CABIRIA is staggering - originally 2-1/2 hours in Italy and just over two hours here - considering most audiences were used to sitting and concentrating on a plot for only twenty minutes at most.

    Were there Oscars then, the extraordinary art direction and special effects would have garnered noms - they are outstanding. The cinematography is unique in using early scanning and dollying techniques heretofore unknown in film. The plot becomes very hard to follow because the title cards are history lessons of alliances and battles that have little meaning for us and often we are aware of the cut 22 minutes in the surviving USA version as symbols and relationships which have great dramatic meaning for the players leave us baffled.

    The print used by Kino and Grapevine video as well as Turner Classic Movies is impeccable - crystal clear and sharp.

    For all fans of epic movies and for all film historians, this is a must see.
    7akash_sebastian

    Cinema's First True Epic

    Giovanni Pastrone's grand-scale storytelling of a lost princess, her journey from being kidnapped to almost being offered as a child sacrifice and then ending up as a slave, 'Cabiria' is cinema's first true epic. Pastrone made several films, and the scope and spectacle of his films inspired directors like Griffith and Fellini, but 'Cabiria' is the only one which has stood the test of time. And since the story is set almost 2000 years ago, the aged quality of this 100-year-old film only adds to the feel of the time.

    Like Griffith's 'Birth of a Nation', 'Cabiria' too was shrouded in controversy for its biased depiction of races, places and cultures. Like 'Birth of a Nation' propagated Ku Klux Klan's nobility and agenda, 'Cabiria' tried to legitimize Italy's distant past, and tried to promote and inspire themes like 'wars of conquest', Roman salute, racial nobility and virtue, etc. I mean, all the non-Roman characters in the film are depicted in negative light.

    Whatever the controversial history the movie might have, if one is ready to ignore those aspects and try to acknowledge the feat it tries to achieve in the medium of filmmaking, it's an enjoyable journey. The movie offers many fascinating sequences, like, the child offerings at Temple of Moloch, Princess Sophonisba's pet leopard and even her spectacular arrival for her almost wedding, soldiers and elephants crossing the Alps, the pyramid formed by soldiers and shields in one continuous shot, and few others.

    The original version is said to have been three hours long. I saw the truncated 1993 restoration, which is two hours long. In this itself, the number of characters and events seem too many, a few of them almost unnecessary; I wonder what the extra 60 minutes had in store. Better editing (I mean, even shorter than two hours) could have made the story tighter, more interesting and compelling.

    Overall, it's an interesting story and a well-made film, and personally, I liked it much more than the overrated 'Ben-Hur'.
    8Boba_Fett1138

    Early epic's visuals makes up for the movie its flaws and weaker points.

    This is one grand looking and made movie, with plenty of mass sequences, impressive sets and costumes and a story that just screams epic.

    It's pretty nice to see how some early film-makers got influenced by this movie. Film-makers such as Fritz Lang, D.W. Griffith, who were also all pioneers by themselves. They were obviously inspired by some of the sequences, its scale, sets and compositions, since this movie in some of its sequences show some definite similarities to some sequences in movies such as "Metropolis" and "Intolerance: Love's Struggle Throughout the Ages". Only in that regard you can already call this movie an innovative and important movie. Its sets, compositions and just overall way of story-telling were all quite new and innovating for its time. It's also the first ever movie to use a dolly-track system, which provides the movie with a couple of nice moments as well.

    The movie its story is very epic, since it's set at many different locations, with also many different characters. It features historical well known figures such as Hannibal, Hasdrubal, Scipio, Archimede, Massinissa, which makes the movie real interesting but is also one of its weaker points, since it makes the movie and its story-telling a bit disjointed at parts.

    It perhaps also makes the movie feel overlong in parts, even though the movie is only about 2 hours long (well, depending on which version you'll watch), which is actually quite short for an epic movie, especially for one that got made early in the 20th century. 4 hour epics from the same time period are no rarity. The movie just goes on for a bit too long with some of its sequences. After a while you get the point but the scene will just go on and on. It doesn't always makes this an easy but pleasant movie to watch.

    But overall the movie of course is pleasant as well as impressive, not only because of its visuals but also because of its story that is actually quite adventurous, as long as it knows to focus on the movie its key players. It's adventurous in the same way as a movie like "Ben-Hur" for instance.

    Also especially when you realize that this is an 1914 movie, it's a real excellent, innovative and interesting, fun movie to watch.

    8/10

    http://bobafett1138.blogspot.com/
    7carljessieson

    A Tremendous, Epic Accomplishment for Cinema

    This was a confusing, yet highly important, one to watch. I have to say that I haven't watched a silent film in a long time so adjusting to the many, many differences was a struggle. I found the captions to be really lacking in clarity. I appreciate the beauty of their writing but I'm not really trying to decode poetry when watching a silent epic, you know? It's not even that, really, it was the constant introduction of new names without describing who they were or what the hell their problem was. I was under the impression that the captions would describe what was about to happen, but really they just introduced it, which meant that I understood a bit of what was happening before their mouths kept moving and their arms started flailing and fights started happening and I was lost again. I definitely wish I had a historian in my room just quietly explaining where these ancient cities were and why everyone was so upset all the time. I could Google it while watching but I have a strict rule against touching my phone while a movie is on. Try to read up on the context surrounding the story before watching if you can.

    Anyway, the sets were grand even by today's standards and that impressed me a lot. Even the special effects they utilized were outstanding, because at that time in cinema, they weren't special effects as much as they were visual tricks that the filmmakers had to figure out and pioneer on their own essentially. I really liked the Maciste character and I wasn't surprised to find that he was extremely popular when this movie came out, too. The naked children everywhere and live birds flying around a set that is actively crumbling and in flames was bananas! It made me wonder how many people/animals died on sets back before there were regulations. The story had many complexities to it and that was cool. It definitely deserves it's title as an epic. It is not an easy watch, but it is a worthwhile one. No doubt it was piloted by a strong plot. I agree with the many others who have said that this is a must-see for people who truly love film. I definitely recommend it and am happy to have it in my movie collection.

    इस तरह के और

    Quo Vadis?
    6.1
    Quo Vadis?
    Intolerance: Love's Struggle Throughout the Ages
    7.7
    Intolerance: Love's Struggle Throughout the Ages
    L'inferno
    7.0
    L'inferno
    Broken Blossoms or The Yellow Man and the Girl
    7.2
    Broken Blossoms or The Yellow Man and the Girl
    The Birth of a Nation
    6.1
    The Birth of a Nation
    Der Student von Prag
    6.4
    Der Student von Prag
    Ingeborg Holm
    7.0
    Ingeborg Holm
    Fantômas I: À l'ombre de la guillotine
    6.9
    Fantômas I: À l'ombre de la guillotine
    Judith of Bethulia
    6.2
    Judith of Bethulia
    The Avenging Conscience: or 'Thou Shalt Not Kill'
    6.4
    The Avenging Conscience: or 'Thou Shalt Not Kill'
    The Regeneration
    6.8
    The Regeneration
    Det hemmelighedsfulde X
    6.8
    Det hemmelighedsfulde X

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This was the first film to use a dolly-track system, the effects of which were pegged "Cabiria movements" in the industry.
    • इसके अलावा अन्य वर्जन
      Eighteen Frame, Inc. copyrighted a version in 1990 with a piano music score based on the original score by Manlio Mazza, and performed by Jacques Gauthier. Intertitles were translated by Charles Affron and Mirella Jona Affron. It was distributed by Kino Video and runs 125 minutes, but there is also a two-minute introduction.
    • कनेक्शन
      Edited into Bellissimo: Immagini del cinema italiano (1985)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल13

    • How long is Cabiria?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 18 अप्रैल 1914 (इटली)
    • कंट्री ऑफ़ ओरिजिन
      • इटली
    • भाषा
      • इतालवी
    • इस रूप में भी जाना जाता है
      • Cabiria I: Cabirias ring
    • फ़िल्माने की जगहें
      • FERT Studios, ट्यूरिन, पीडमोंट, इटली(interiors)
    • उत्पादन कंपनी
      • Itala Film
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • ITL 10,00,000(अनुमानित)
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 28 मिनट
    • ध्वनि मिश्रण
      • Silent
    • पक्ष अनुपात
      • 1.20 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Cabiria (1914)
    टॉप गैप
    By what name was Cabiria (1914) officially released in India in English?
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