Alice in Wonderland

The remnants of this silent movie was added to Jonathan Miller's Alice DVD as a Bonus.It has to be viewed as an historical document and hardly for entertainment value. But May Clarke deserved a better fate than being called "ugly".I have a photo of her on one of my Alice sites and she's at least attractive enough. This was the final film of the 3 she made,all before 1904 so there's no evidence of what her speaking voice was like. In answer to that rather ignorant remark I don't think any movie studios at this time employed children but the age of Alice should not be brought into question when you realize many older actreses played her.The child star was yet to be invented and all actors came from the stage When you think of it this Alice silent is now over 100 years old

Much in the same way as 'The Blacksmith Scene' from 1893, the first filmed version of 'Alice in Wonderland' from 1903 plays out more as a curious look into the history of film making at that time and the importance of film preservation for today, than a credible film adaptation of the book. However, in its initial release to the public, the film was popular, and at a staggering eight minutes in length, it was the longest movie to date. There are some nifty special effects of Alice shrinking and growing in the doll house, and there's an excellent commentary track on the DVD that talks about the people involved in the production of the film. However, through years of neglect and the natural decline of the nitrate on the film, there are more gaps, breaks and white scratches on the film that make its viewing somewhat difficult. No copies of the film have survived through time, the one used for the DVD is the original and it's in terrible shape.

You can find this movie, warts and all, on the DVD of 'Alice In Wonderland' from 1966 directed by Jonathan Miller, who's version while clean, starring a stellar cast, and looking beautiful, could also be described as viewing that is 'somewhat difficult'.

I'm giving the movie a 9/10. It was a 3, but I took this pill and it grew to a 9.

Clark Richards

British film pioneer Cecil M. Hepworth ("Rescued by Rover" & "The Egg-Laying Man") teamed-up with fellow film pioneer Percy Stow for the first big screen adaptation of the classic children's book by Lewis Carroll which has since been innumerably remade.

Alice (May Clark) follows the White Rabbit down the rabbit-hole to Wonderland where she shrinks and grows, gets directed to the Mad Hatter's Tea-Party by the Duchess's Cheshire Cat and disrupts the Royal Procession in a series of entertaining early effects.

Production secretary May Clark never entirely seems at ease in the role and is outclassed by the professionalism of co-stars Cecil M. Hepworth, Mrs. Hepworth, their cat and first British film star Blair the dog ("Rescued by Rover").

The film-makers have done a surprisingly successful job of brining the original illustrations by Sir John Tenniel to life with some truly pioneering effects and although much was lost when the original reels were melted down by the receivers there is still plenty to enjoy.

"Until she remembers the magic fan."

Cecil Hepworth is a vitally important figure in Britain's early cinema, but his achievements were compromised by the fact that he was a poor businessman and poor planner. Prints of his most popular films -- such as "Comin' Thro the Rye" and "The Joke that Failed" -- were sold outright to exhibitors, causing Hepworth to wear out the original negatives. In order to meet continuing demand for new prints, he was forced to re-shoot these movies in their entirety! Hepworth probably deserves credit for filming the first remake.

Charles Dodgson (better known as Lewis Carroll, author of 'Alice in Wonderland') died in 1898, in the very earliest years of Britain's cinema, and there is no surviving record of him ever having seen a movie. (Dodgson's vast archive of correspondence was burnt by his family after his death, and his diary was censored: there may well have been a movie review in there someplace.) Yet I'm 100% certain that Dodgson would have been a cinephile. He was an expert and enthusiastic amateur photographer, he had a deep love of the theatre, and the 'Alice' books contain several devices which seem more cinematic than literary: Alice is subjected to the shot change, the jump cut, the dissolve, and so forth.

Cecil Hepworth's 1903 film version of 'Alice in Wonderland' -- apparently the first movie version of that oft-filmed book -- was made barely five years after Dodgson's death. Scantly nine minutes long, this crude 'trick' movie necessarily shows only a few fragments of the novel. The uncredited production designer (Hepworth himself?) has clearly made considerable effort to base the sets and costumes on Sir John Tenniel's beloved illustrations, so it's strange that the central character looks nothing at all like Tenniel's Alice: the actress cast here has long black hair, and her pinafore is nearly ankle-length.

Quite impressively, Alice actually falls into a genuine hole in the ground. To show her plunging vertically (as in the novel) would have been technically difficult to stage, so we see her creeping through a slanting shaft, in an impressive cutaway shot (the cinema's first)? Some of the special effects are achieved through simple jump cuts, much less flamboyant than what Georges Melies was doing in France at this time. Alice's growth spurt in the White Rabbit's house is amusingly staged by placing the actress intentionally too close to the camera, in an undersized set.

I was impressed by one elaborate bit of pageantry in an exterior shot. Alice stands on a broad greensward (apparently a partial matte shot) while the 52 members of the pack of cards parade past her, one suit at a time.

The print which I viewed had neatly typeset intertitles, but was an acetate print several generations removed from the original ... so I can't tell if these titles date back to Hepworth's original 1903 production, or were added later. Oddly, the opening title makes a point of telling us that Alice's adventure is a dream: this was only implied in the first chapter of the original novel. More significantly, the dominant figure at the Mad Tea Party is identified in a title here as 'the Mad Hatter'. This usage is now quite common, but it never appears in Carroll's original novel: nowhere in the text of 'Alice in Wonderland' is the word 'Hatter' immediately preceded by the word 'mad'. The expression 'mad as a hatter' refers to the fact that 19th-century hatters often developed nervous tics from exposure to the highly toxic vapours of mercuric nitrate. Men's hats in Victorian times were made of felt; 19th-century hatters cured the felt by a process called 'carroting' which left a carrot-coloured residue. Since the Hatter in Carroll's novel is never explicitly cried 'the Mad Hatter', I'm surprised to find evidence that this popular mis-usage may have been in place as early as 1903. I wish I could establish the origin of these title cards.

Hepworth's production of 'Alice in Wonderland' is extremely crude by modern standards, and leaves out most of the plot of Carroll's book, as well as the wonderful wordplay. But this film was an extremely ambitious undertaking for its time, and it achieves nearly all of what it set out to accomplish. I'll rate it 9 out of 10.

A lovely film. For its status of historical document, for precise and wise sinthesis of the book , for touching special effects and for the air of innocence , very useful in the time of blockbusters. Sort, a seductive surprise and good opportunity for discover , again, the talented Cecil Hepworth and his special work.