The Rink

Charlie plays a waiter with a penchant for roller skating in this very funny short. There isn't much of a plot in this film, but it generates a great many laughs nonetheless. The scenes featuring Charlie as a waiter are amusing enough, particularly as he mixes a drink, but Chaplin really shines in the skating scenes. Although he was always an agile and physical comedian, few of films display his skills as fully as "The Rink." He was so good on skates that one regrets he didn't put them on more often - though he did to great effect in "Modern Times."

The Rink, one of Chaplin's most charming early short comedies, starts out with the little tramp working as a waiter, and there is a hilarious short scene where a customer calls him over for his check, and Charlie comes over and writes up the bill based on the food that the guy has spilled all over himself. It seems to me that this was the film that inspired parts of Modern Times, especially the skating and the kitchen scenes. There are some wonderful uses of the IN and OUT doors leading to the kitchen, which do not seem repetitive even after I've seen Modern Times five or six times.

One of the most charming scenes in the whole movie is a short piece where Charlie goes behind the bar to mix someone a drink (shaken, not stirred…). It's one of the famous scenes from Chaplin's early career. When Charlie gets off work, he changes back into his famous outfit and heads out to the bus stop. While he is sitting on the bench next to a woman, he pulls off some truly vintage Chaplin behavior that is so spontaneous and so well acted that it makes me think of Chaplin just goofing off in real life. This is what I imagine he was really like a lot of the time.

With The Rink, it is easy to see that longer, and more genuine stories are slowly evolving in his early films. It is not a deep story by a long shot, and there is still plenty of high-action physical slapstick comedy, but there is much more here than at most of his previous films.

But most of all, the feature skit of the film is the skating scenes in the second half, which are outstanding. It's amazing to me how good Chaplin was on skates, and some of the skits he pulls off here (such as the bouncing up and down on the fat woman) are truly brilliant pieces of slapstick. I have to say that I wish I knew where exactly the film's closing shot was filmed, since it's an outdoor shot and I am always curious to know what parts of Los Angeles are being shown. Excellent show!

There isn't a lot of subtlety to "The Rink", but it does have some entertaining slapstick and some traces of some of Chaplin's favorite themes. The first part in the restaurant has both good moments and routine stretches, and then things liven up when everyone gets their skates on - the action combines tangled relationships with tangled limbs. Although he has his character take a good assortment of slips and falls, in so doing Chaplin also demonstrates his physical skill, and his performance anticipates his more famous roller skating scene in "Modern Times". It's probably not among his best short features, but all the same it's one that Chaplin fans will want to see.

Chaplin is a waiter in a chaotic restaurant. After he work he visits a skating rink for roller skates where he meets a girl but upsets plenty of others. She invites him to a skating party later – but can he win her heart whilst avoiding others?

Based on a sketch this short required Chaplin to expand the set-up to cover the longer running time and it occasionally shows. The restaurant scene is good but the real meat is in the two skating scenes that are fast and well choreographed to be amusing and skilfully done.

Chaplin is good as the little tramp and is even better when called on physically in the skating scenes. He shows his talent in those scenes much more than the others, however the actual plot needed a little more of the relationship in the wings even if it is just a short film.

Fans, however, will enjoy it regardless.

Chaplin was almost always amusing but it occurred to me while watching this story of a waiter who woos a girl at a skating rink that in his earlier films he was more often the perp than the vic.

This was released in 1916 and Chaplin is a rude waiter who humiliates guests and steals money. If a stranger happens to be bending over and fastening a lady's roller skate, Chaplin can't help giving him a swift kick in the pants when he passes by. There's nothing here about "the little people." If the tramp is little, it's because that's his most comfortable social niche.

Ten years later, in "The Gold Rush," Chaplin had introduced humanity into his character, an innocent who is more sinned against than sinning.

Ten years after "The Gold Rush", he was sending social messages about worker alienation. (That's what happens when your work permits you to take no pride in having done it well. Anyone up for McDonald's Chicken Nuggets?) But in movies like "Modern Times," the milieu is only a peg from which to hang gags that are more hilarious than ever. And movies about poverty in 1936 were hardly uncommon anyway.

The gags here are sometimes spectacular, and always speedy. The tramp could certainly skate well.