The Virginian

so I watched this with a couple of friends and I don't know if Demille did it on purpose, but it has got a high value of comical performances. actors are portraying this silent as if they were the main characters in a Shakespeare play. sometimes they overact so much it becomes silly and even stupid. that's why my friends and I enjoyed it so much. they were telling each other what the persons in the movie must have been thinking. things as 'get that gun out of my ass' and 'don't you touch my horse' came spontaneously out of our minds, which made the old movie funnier to look at. it was generally stupid. I broke a finger while watching this movie and that did hurt a lot, more than I enjoyed the picture.

Aside from the film "The Squaw Man", "The Virginian" is about as good and well made western as you can find from the silent era. It is a quality production throughout and I strongly recommend this Cecil B. DeMille film.

Dustin Farnum stars as the title character--a fun-loving cowboy from Virginia who is the hero of this tale. The Virginian's friend is Steve--a guy described as weak in the intertitle cards. You see this weakness when Steve succumbs to the villain, Trampas, and joins in with his gang of baddies. The Virginian is friends with Steve---but he's also on the side of justice and eventually you know this will bring him into conflict with Steve and eventually with the dreaded Trampas. In addition, there is a new school mistress, Molly Wood, who both admires and is annoyed by the Virginian's rough and tumble ways. So what becomes of all these folks? See the film.

While folks who see this film today might not be that impressed by it, for 1914 it IS an incredibly well done film. The acting (aside from one instance where Molly does overact), direction and look of the film actually are way ahead of their time--as most 1914 films were much more primitive in style and look. In essence, this film helped to establish a prototype for later westerns and the only thing it had that was sadly missing in many 1930s and 40s westerns was the use of REAL Native American tribesmen-- something that shows that the studio and director tried to get the look right instead of just painting up white guys to look like Indians!

First of two silent versions, this one is directed by C. B. DeMille, stars Dustin Farnum as the Virginian, and runs just under an hour. Compared to the 1929 Gary Cooper version, this one isn't bad, although Farnum probably could have dropped a few pounds. Still, he's a likable hero. This version contains the "baby swap" sequence, as does the 1929 version; in each case, I don't get why this is even in the film, since it just seems too stupid and a waste of time. I guess it's supposed to be funny, but I didn't see the humor. The hanging sequence is over pretty quickly; we get to see the shadows of the hanged rustlers, and that's an effective scene. In the final shootout, Farnum shoots his gun like he is swatting at flies. I've seen this weird motion in other silents, and wonder who came up with this, because I can't figure out how someone could aim while doing this.

Cecil B. DeMille's second feature film was this oldest of westerns where a whole lot of what became cliché was original. Owen Wister's novel The Virginian was the first of the adult western fiction that spawned the careers of such writers as Zane Grey and Louis L'Amour. Previous to that the penny dreadfuls of the 19th century from such hack writers as Ned Buntline covered that field.

A lot of the principal players from DeMille's first film The Squaw Man carried over into The Virginian including star Dustin Farnum who played The title role and his wife Winifred Kingston who played the first of westerns crinoline heroines schoolmarm Molly Wood. A cliché in the making.

The story is familiar to everyone. Kingston has come west out of boredom with the east and becomes the new school teacher in a rough and very rural part of Wyoming territory. The mysterious man known only as The Virginian is your cowboy hero with a bit of rough humor to him. There's a scene here about how he and his playful pals switch babies in a make shift nursery and how couples at a square dance all go home with the wrong babies. Can't see Gary Cooper or Joel McCrea doing that.

But the basic plot we know is there. The Virginian's pal Steve after a warning from Farnum gets caught cattle rustling and Farnum is forced to hang him. He also swears to get Trampas played by Billy Elmer and Trampas who already has a grudge against The Virginian is out to get him as well.

It turns out like you would expect, but this was the mold they all came from.

Dustin Farnum is "The Virginian", a cow-puncher who arrives to settle in Bear Creek, Wyoming; where, he meets, and falls in "lov" (sic) with newly arrived schoolteacher Winifred Kingston (as Molly Wood). His life is complicated when his best friend Jack W. Johnston (as Steve) gets involved with town gangster William 'Billy' Elmer (as Trampas).

The part, early on, with Mr. Farnum and Hosea Steelman (as Lin McLean) exchanging guests' babies while they dance and drink whiskey, is amusing. There are some interestingly set-up outdoor shots from director Cecil B. DeMille. The story is sometimes odd; for example, Mr. Johnston takes up with Mr. Elmer, it's stated, as Farnum "neglects" him to be with Ms. Kingston. Later, Johnston writes something on a newspaper - "good by (unreadable) i couldn't speak to you without (unreadable) the baby Steve". I watched it with my finger on still, and still couldn't figure it out. Among the featured players. Johnston delivered the best performance. Farnum and Kingston, who had just co-starred in "The Squaw Man" (1914), would later marry.

***** The Virginian (9/7/14) Cecil B. DeMille ~ Dustin Farnum, Winifred Kingston, Jack W. Johnston