IMDb रेटिंग
7.6/10
16 हज़ार
आपकी रेटिंग
डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.डेविड बॉवी की रचनात्मक और संगीत यात्रा की खोज करने वाला एक सिनेमाई ओडिसी. दूरदर्शी फिल्म निर्माता ब्रेट मॉर्गन से, और बॉवी एस्टेट द्वारा अनुमोदित किया गया.
- 2 प्राइमटाइम एमी जीते
- 15 जीत और कुल 51 नामांकन
David Bowie
- Self
- (आर्काइव फ़ूटेज)
Trevor Bolder
- Self
- (आर्काइव फ़ूटेज)
Ken Fordham
- Self
- (आर्काइव फ़ूटेज)
Mike Garson
- Self
- (आर्काइव फ़ूटेज)
John 'Hutch' Hutchinson
- Self
- (आर्काइव फ़ूटेज)
Geoff MacCormack
- Self
- (आर्काइव फ़ूटेज)
- (as Geoffrey MacCormack)
Mick Ronson
- Self
- (आर्काइव फ़ूटेज)
Brian Wilshaw
- Self
- (आर्काइव फ़ूटेज)
Mick Woodmansey
- Self
- (आर्काइव फ़ूटेज)
Carlos Alomar
- Self
- (आर्काइव फ़ूटेज)
Gui Andrisano
- Self
- (आर्काइव फ़ूटेज)
Ava Cherry
- Self
- (आर्काइव फ़ूटेज)
Robin Clark
- Self
- (आर्काइव फ़ूटेज)
Dennis Davis
- Self
- (आर्काइव फ़ूटेज)
Greg Errico
- Self
- (आर्काइव फ़ूटेज)
Herbie Flowers
- Self
- (आर्काइव फ़ूटेज)
Richard Grando
- Self
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
David Bowie Moonage Daydream. 2hours 18 mins of Bowie, it's not your usual " talking heads" bigging up some old/ dead/ has been rock star who has a reissued album to flog. It's just Bowie, well it isn't? It's a beautifully compiled fast edited montage of Bowie, his music, visuals, interviews both on screen on audio and various clips of his many many influences. What I learnt about Bowie, he was constantly striving for his art, he was some times lost (mainly during his successful periods) and like all of us he wished could have more time towards the end. Most importantly he was really happy at the end of his life both emotionally, creatively and spiritually. There are loads of previously unseen clips and lots of unheard mixes of songs. Ps I love Bowie, 1980 I bought my first Bowie album on the day of its release (Scary Monsters) and I never looked back. If your not a fan I don't know how you'd take it, it's a fascinating work of art and totally enthralling so I'd give it 10/10 if your not a fan give it a watch and perhaps you'll see why people where heart broken when he passed away. Listen out for "Cygnet committee" there's a lovely choral version at the end, and watch until the end of the credits, David will speak just to you.
As a huge Bowie fan I really wanted to like this.
Unfortunately the movie is quite flawed:
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
Unfortunately the movie is quite flawed:
- asynchronous storyline or not? Footage from different eras are mixed throughout the movie, but the director is also trying to tell a story of different periods.
- focus on only 3 periods only. The 3 periods in the storyline are basically Ziggy/ Aladin Sane, Berlin & Commercial 80's. Nothing about pre-Ziggy, soul period (young Americans), or after '85 (1.outside, tin Machine, hours, reality/heathen, the quiet period after heart attack that nobody really knows anything about, or comeback/ next Day/ Blackstar/ death. The movie is 2,5 hours long, so you would expect some more attention to the lesser known work & periods.
- doubling footage. Some footage shown multiple times, like the elevators in Japan. Why? Is there not more different footage available?
- lack of new footage: many scenes already shown in multiple Bowie documentaries, e.g. Amstel Hotel and the interview with the English bloke. Again; is there really nothing new of less known to find about one of the most famous guys of the last decades?
- footage of influences. A lot of footage of movies Bowie apparently liked, like Voyage to the Moon, Nosferatu, Metropolis. However without source or any explanation or even context and in overabundance.
As a Bowie fan I appreciate that a story is not always linear, and I appreciate artistic & weird movies too. But this one felt too much like a lazily put together collage of footage that was most easily found.
'Moonage Daydream' is a not-really-documentary about David Bowie, as it doesn't follow the traditional talking heads of friends, family and colleagues. It's also not a concert film, although it does have some live concert footage, apparently much of it previously unseen. Directed by Brett Morgen (who did 'Montage of Heck' about Kurt Cobain and 'Crossfire Hurricane' about The Rolling Stones), it's also not wall-to-wall songs - I'd say there were only ~10 songs played in full, with lots of others used as transitions.
The film does well to show his impact on his fans, with bits and pieces from outside shows and plenty of crowd closeups during the live bits. There's plenty of archival Bowie interviews, much of it overlaid with other visuals of him or with the psychedelic "screensaver"-type CGI. It's edited well, so it feels like he's talking directly to you, rather than an interviewer. Lots of his other art - paintings, video-snippets, dance - edited in too.
It's sort-of chronological, starting in ~'72 and the Ziggy Stardust era, covering up to the early '90s, but some of the interviews jump to an older Bowie, so he can juxtapose himself and some of the comments/views from his younger self. He was certainly a bit of a mystery and for a lot of the film comes across as someone just trying to find his place in the world. Good to see some of his reasoning around certain things and his genius definitely shines through. Hard to believe he's already been gone almost 7 years.
The film does well to show his impact on his fans, with bits and pieces from outside shows and plenty of crowd closeups during the live bits. There's plenty of archival Bowie interviews, much of it overlaid with other visuals of him or with the psychedelic "screensaver"-type CGI. It's edited well, so it feels like he's talking directly to you, rather than an interviewer. Lots of his other art - paintings, video-snippets, dance - edited in too.
It's sort-of chronological, starting in ~'72 and the Ziggy Stardust era, covering up to the early '90s, but some of the interviews jump to an older Bowie, so he can juxtapose himself and some of the comments/views from his younger self. He was certainly a bit of a mystery and for a lot of the film comes across as someone just trying to find his place in the world. Good to see some of his reasoning around certain things and his genius definitely shines through. Hard to believe he's already been gone almost 7 years.
Epic and opulent like the man's life and career, "Moonage Daydream" splashes a kaleidoscope of sounds and colors celebrating David Bowie's legacy. Eschewing the traditional chronological narrative director Brett Morgen with excellent editing paints a collage of images and music using live gigs, music videos and interviews throughout Bowie's time in the limelight ornamenting them with clips from films and acted scenes. Bowie comes across as handsome, intelligent and articulate as he expresses himself conveying his one of a kind talent. I would have preferred a traditional kind of documentary to set the basics on what made Bowie great. The loose style of the film barely reveals the man's importance except for fans. Clocking in at over two hours long the way the film is made leads to tediousness and slow parts which does this fascinating and eclectic artist a disservice. No surprise the great music buoys this up from start to finish. Timely and a fitting tribute "Moonage Daydream" is one for fans and to those who want to know why back in the day Rock was everything.
There's much to like here. Visually interesting and it gave me a deeper appreciation of Bowie as a person. Some very sage quotes and sound bites. At one point I felt quite sad and thought Bowie was quite lonely/dissatisfied with life, but then the film ended with some brilliant statements from the man himself.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
But. It was a bit of a mess with the story telling. Jumped about quite a bit and I can't help but feel it missed the last 15 years of his life? I also think it was too long and could've been easily less than 2 hours.
Interesting watch but not one I'd go back to. Definitely a one-time experience.
क्या आपको पता है
- ट्रिवियाThe documentary includes a lot of David Bowie's unpublished personal material, including photos, home videos and some interviews on TV. Director Brett Morgen talked in person with Bowie's widow, top model Iman, for asking permission to use the material as tribute to Bowie. Although in a first moment she was reluctant to this idea, she was convinced by Morgen's previous works Cobain: Montage of Heck (2015) and Jane (2017) about singer Kurt Cobain and scientist Jane Goodall, where Morgen used personal material from each other to create artistic collages as tribute to them, instead to use in the way to make a classic biographic documentary.
- कनेक्शनFeatures Das Cabinet des Dr. Caligari (1920)
टॉप पसंद
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- How long is Moonage Daydream?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $42,18,925
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $12,30,145
- 18 सित॰ 2022
- दुनिया भर में सकल
- $1,30,95,781
- चलने की अवधि
- 2 घं 15 मि(135 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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