Post Mortem

Despite the actors and the never clear plot, especially at the end where it gets lost in big confusion, the whole entertains quite well.........................

I really, REALLY wanted to like this movie. It had my kind of description, my kind of look and feel, and ... my kind of story. Several of the actors are competent, (not many, but several), and, on THIS budget (which appears to be about 59¢), the director did a "passable" job. Now, don't get me wrong ... I really love when a director has to make a shoestring budget work (i.e. George Romero).

Not to give anything away, but, when lead character Tomás is rescued from death in war and becomes a photographer of the dead for poor families in the early 1900's Europe ... I got excited! THAT plot line had a lot of possibilities. Tomás goes to a small, war torn village to photograph family members with their dead, in really kind of "macabre" family portraits, and the hijinks ensue.

Look for little Anna, Tomás's village "helper", who also does a credible acting job.

Saw this film at the Science plus Fiction festival of Trieste. I really loved it. The story and pacing are good. The historical setting is very well done and immerse the viewer in the era and location, the supernatural element has a nice crescendo, it reminded me of a good ghost story around a fire that people would narrate to others during a long winter night. The atmosphere is palpable. The two main actors (the young girl and the photograper) were phenomenal. I would suggest to do not miss this one if you like good ghost stories.

Hungry's official entry to 2022's Oscars is an okay horror. It has a beautiful gothic atmosphere. Production design is nice. But the story is stupid and ridiculous. Screenplay is messy and confusing as well. It's a well made movie with a nonsense plot.

The Hungarian thriller is not bad. In a time of such shortage of non-progressive movies, a good movie is a preciousness, climbs the concept for "great."

It is a thriller with horror and mystery biases, perfectly decent - it is possible to watch it with the children present in the room. Good photography, empathic characters, good decoration of scenarios and clothing characteristics of the time (early twentieth century). The film leaves to desire in the originality and, also, in the ending of the story. As for the latter, I recognize to be something that few filmmakers know how to do.

Who likes Thriller, will not regret watching it.