एक ऐसे समय में जहां दोषियों को उनकी सजा को कम करने के लिए चिकित्सा अधीन के रूप में स्वयंसेवक होने का मौका दिया जाता है. प्रेम की भावनाओं को उत्पन्न करने में सक्षम एक नई दवा का एक ऐसा अधीन अप... सभी पढ़ेंएक ऐसे समय में जहां दोषियों को उनकी सजा को कम करने के लिए चिकित्सा अधीन के रूप में स्वयंसेवक होने का मौका दिया जाता है. प्रेम की भावनाओं को उत्पन्न करने में सक्षम एक नई दवा का एक ऐसा अधीन अपनी भावनाओं की वास्तविकता पर सवाल उठाने लगता है.एक ऐसे समय में जहां दोषियों को उनकी सजा को कम करने के लिए चिकित्सा अधीन के रूप में स्वयंसेवक होने का मौका दिया जाता है. प्रेम की भावनाओं को उत्पन्न करने में सक्षम एक नई दवा का एक ऐसा अधीन अपनी भावनाओं की वास्तविकता पर सवाल उठाने लगता है.
- निर्देशक
- लेखक
- स्टार
Daniel Booko
- Air Traffic Controller
- (बिना क्रेडिट के)
Elliot Chenery
- Inmate
- (बिना क्रेडिट के)
Jordyn Curet
- Vocalist - Youth Choir
- (बिना क्रेडिट के)
Michaela Da Costa
- Inmate
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The premise is great but it could have done much more with these themes, being very predictable on his structure. Chris Hemsworth is great on this one and there is a fantastic soundtrack to listen. However, it feels much longer than it is, being a bit repetitive at times. There is a reasonable number of fun and inspired moments though.
Colorful cinematography and spirited editing contrast with the characters' tragic backstories. In the end its a morality tale, one that goes too far and too fast.
An intriguing premise alone isn't enough to push this film into "good" territory. You keep waiting for something really interesting to happen, but it just sort of fizzles out near the end without ever reaching a satisfying crescendo.
Hemsworth's charm is on display and is the highlight for sure. Teller is fine, as are most of the other cast members. The story seems to be building towards some big twist or crazy moment, and while there isn't nothing, I feel it didn't quite justify the two hour expenditure.
Hemsworth's charm is on display and is the highlight for sure. Teller is fine, as are most of the other cast members. The story seems to be building towards some big twist or crazy moment, and while there isn't nothing, I feel it didn't quite justify the two hour expenditure.
Spiderhead banks heavily on its lead performers, and both Hemsworth and Teller deliver the goods when the plot struggles to. Very early on, you smell a lighter version of Ex-Machina (replace the robot with mind-control drugs), with several random tonal shifts. The writers (Rhett Rheese & Paul Wernick) are known for tickling the funny bone, but I think this film would have benefited from a more serious, psychological approach - which, credit where it's due - it did to some extent. The romantic subplot, while nice to see, ended up being exploited (such a cliché) as expected. The conclusion isn't all that exciting, because by then, Spiderhead has fully embraced its weirdness and is unfortunately stuck between making viewers care and giving closure to the plot.
Your enjoyment levels of 'Spiderhead' are going to require some suspensions of disbelief. You're going to have to accept Chris Hemsworth as a scientist, you're going to have to accept Miles Teller as a prisoner and you're going to have to accept possibly the most unrealistic prison environment ever put to screen. If you can get past those things you should have a decent time.
The premise was a bit of a let down for me. In theory there are some interesting concepts stemming from it that they could've explored, but they seemed intent on not straying too far. The script really does get the bare minimum out of the idea.
Teller and Hemsworth are what keep this afloat. Even if their casting may seem a little silly, their charisma makes up for it. At least one of the them is on screen in every scene. I can see this film totally falling flat without their star-power in the lead roles.
I didn't hate this film, I just wanted more. There was a point where I thought it was actually setting itself up nicely to have a dark and twisted turn. But it never came and what played out was pretty forgettable and uninspired. It's not a terrible watch but don't go in expecting anything game-changing. 6/10.
The premise was a bit of a let down for me. In theory there are some interesting concepts stemming from it that they could've explored, but they seemed intent on not straying too far. The script really does get the bare minimum out of the idea.
Teller and Hemsworth are what keep this afloat. Even if their casting may seem a little silly, their charisma makes up for it. At least one of the them is on screen in every scene. I can see this film totally falling flat without their star-power in the lead roles.
I didn't hate this film, I just wanted more. There was a point where I thought it was actually setting itself up nicely to have a dark and twisted turn. But it never came and what played out was pretty forgettable and uninspired. It's not a terrible watch but don't go in expecting anything game-changing. 6/10.
क्या आपको पता है
- ट्रिवियाRogan (played by Nathan Jones) is reading a book titled "Tenth of December" by George Saunders and first published in book-form on January the 8th, 2013, by Random House. It contains the short story "Escape from Spiderhead" on which this movie is based.
- गूफ़At the start when the seaplane arrives at the jetty 2 staff come out to secure the seaplane to jetty. But it is already fastened despite having just arrived.
- साउंडट्रैकThe Logical Song
Written by Roger Hodgson and Rick Davies (as Richard Davies)
Performed by Supertramp
Courtesy of A&M Records
Under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Spiderhead?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La cabeza de la araña
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- चलने की अवधि1 घंटा 46 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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