Sharp Corner

Greetings again from the darkness. Purchasing a home is often called 'The American Dream.' For Josh and Rachel, it's even more special when their son, 6-year-old Max, refers to their new place as "a mansion". Sometimes (especially in movies) dreams turn into nightmares, and that's exactly what happens in this film from writer-director Jason Buxton (his first feature since his debut BLACKBIRD, 2012). Adapted from the short story by Russell Wangersky, this film is billed as a psychological thriller - which it is, yet it's also an enigmatic character study.

Ben Foster (HELL OR HIGH WATER, 2018) plays Josh. Only this isn't the Ben Foster we've come to expect. His usual high-intensity and simmering danger-on-edge is replaced by a mild-mannered man who is even a bit meek whether dealing with his wife or the new manager he once trained at work. Cobie Smulders (Maria Hill in the Marvel Universe) plays his wife Rachel, and their first night in the new house leads to one of the worst cases of coitus-interruptus in history. A car tire comes flying through the living room window just after the loud crash of a car hitting the tree in their front yard. The horrific wreck leaves a young man dead, and the family stunned.

As you might have guessed from the film's title, their new home is located on a dangerous curve. The only warning sign for drivers is mostly blocked by overgrown vegetation. Josh's reaction to the wreck amplifies his struggles at work, while also creating tension with Rachel. He wants to talk about it, and she wants to ignore it. A second wreck has Josh trying to comfort the driver. The wreck convinces Rachel it's time to move, while it simultaneously convinces Josh he could have saved the man's life. Clandestine CPR lessons follow, while family therapy exposes all we need to know.

Rather than a curve, Josh and Rachel come to a fork in the road ... and take different paths. While Josh becomes obsessed with waiting for the next wreck so he can save a life. Rachel simply wants to protect herself and her son, and avoid the obsessed Josh. He's a man who desperately wants to be a savior to strangers, when the best thing he could be is a father/husband. Foster's performance is unlike anything we have seen from him, and it can't help but make us feel uneasy. Director Buxton gives us an early sneak peek at the curve, but mostly we are confused as to why a speed bump or protective/reflective barrier hasn't been installed. Sometimes a movie leaves us feeling like it should have been more interesting, more entertaining, ... more something ... than it was. Foster keeps us watching, yet the whole thing feels a bit hollow.

Opens in select theaters and VOD on May 9, 2025.

Great directing, editing however terrible story. The wife wanting a divorce as if the husband was some abusive, drug addict loser.

There didn't seem to be an ending, did the guy become the hero of the town? Did he work his issues. Just to cut off like that it was breaking for commercials is just sloppy.

You have to wonder why the transport authority didn't do anything to investigate the high number of accidents? At least install a speed limit or even speed bumps.

A movie like this is going to be watched by grown ups so it needs to be grounded in reality.

If the creators of this movie get a decent script they could create a classic.

Dramatic thriller "Sharp Corner" charts the descent of average family guy Ben Foster (fine actor) from hating his job, thru leaning on booze, to sheer insanity via the titular accident blackspot outside the new home he's bought with wife Cobie Smulders and their young son. As cars repeatedly crash, and folk die, on his front yard, Foster becomes obsessed with the victims and on prepping to 'help' future ones, rather than preventing them and/or addressing his family's trauma. Writer / director Jason Buxton's second film is original, clever, well performed - tho also slow & implausible at times, with an ending that'll irk some. That said, generally, it's a good film.

I just want to point out two scenes, first when the accident happened and the tire ended at their home at a very difficult moment where it showed how accidents begin to change their lifestyle as soon as they enter their intimacy. The second is when he ruined the traffic lights and the street as if he was the one imposing death and granting life, giving his obsession the maximum extent, free from any controls. I think the movie revolved around these two scenes where Josh's obsession began to grow in a way that destroyed his family life and this obsession surrounded him and took him out of any moral criterion. I thought his obsession was saving lives until the last moment when he destroyed the traffic light and the street to impose what he thought was his ability.

I first heard about Sharp Corner in one of those "upcoming trailers" things you see on YouTube and it stood out as something unique, so I kept a note to watch it. The trailer was somewhat misleading, as there's not a whole lot of action to the movie, but it is an extremely tense psychological "thriller", a word people will debate. I was actually impressed! Ben Foster has gotten very good at playing weirdos.

There are a lot of moments of just someone standing around, looking around, sitting and thinking, but it never actually felt boring to me. There was always a building tension, the feeling that something might happen at any moment, because that's what the family was feeling. I was impressed with how well they did with a very minimal movie. I have a few complaints. The major standout was the CGI, which was only for a five second scene but it just didn't hold up to modern film standards. I also felt like the couple just...never felt like a couple. I also get annoyed by kids in movies, they rarely ever feel authentic, but that's a personal gripe.

Maybe I'm being a little generous, but I'm giving the movie an 8. It's much better than I was expecting.