Treasure

After the loss of her mother, Ruth decides to make a pilgrimage to Poland and learn about her parents' past. Her father, Edek, decides to join her and make it a daughter-father's trip. As Ruth and Edek travel through Poland, they learn and relive the Jewish people's history and experience how things are in the present. As they travel together, Edek and Ruth learn more about each other, share their burdens, and grow closer.

This film is based on the true story of the child of two Auschwitz death camp survivors and her journey to learn about her family. The story is approached delicately. While the subject is heavy, the story is told simultaneously in a manner that is both serious and lighthearted. The story develops slowly, making the audience feel the nearly two-hour runtime. This film has multiple themes the audience can focus on, and by the end, it is a very gratifying watch. This is a decent watch once it is available to stream.

This is a better , rawer version on Auschwitz travel.

Daughter drags dad, an actual survivor to seeing the the most remembered place of modern history. The opening is a good sample of what to expect, a daughter who actively researched the actual Nazi scripts on how the Jews are to be treated, and a Dad , a survivor who does not want to be there.

The contrast is extremely well handled through the few days of this journey. In contrast to the much acclaimed RESL PAIN, this story actually ventures into their old home taken away by force, with previous things , hence the title. You can't stop the burst of tears when the Dad hugs and reminisces the tragedy with his father's jacket. And the china, a crisp reminder of how well the community lived before being trashed. The best scene was when the dad calls of a mistake in the guide's narration of where the victims arrived , and finds the actual submerged rail tracks. Really heart-wrenching, if you are well into the story and the backdrop itself I wish this one more celebrated than the relatively shallow depiction in real pain,

I thought I wouldn't like it because of the Stephen Fry insert in such a serious movie. But boy was I wrong, and quick to judge!

If you're rating this less than a 6, I can only assume you're either a soursop or someone who prefers mass-market pop movies like those churned out by Marvel. This film offers so much more than surface-level entertainment; it has depth, originality, and craftsmanship that deserve recognition. While it might not cater to mainstream tastes, it's a refreshing alternative for those who appreciate cinema with substance and a unique voice. Don't overlook its brilliance just because it's not what you're used to seeing in big-budget blockbusters.

It challenges viewers to think deeply and engage with its narrative, rather than passively consume flashy visuals. This is a film made for those who appreciate cinema as an art in its purest form.

The movie is very moving. It shows the different facets of the victim and repression and the urge to protect the children from it, but also the daughter's point of view, who wants to know and understand what her family had to go through. In addition, the relationship between two adults who have the role of child and father is palpable. Both characters only want the best for each other, even though they appear to be mutual. The story doesn't feel like a movie you're watching. You are emotionally taken along on the journey and can experience some of the poignant moments. Beautiful and sad at the same time, it shows the resilience of a person who has experienced tragedy and can still experience joyful moments at the same places.

My husband is Polish and I've been to Poland many times. We saw the premise, and that it starred Stephen Fry, and so we decided to watch the film, as an opportunity to laugh at Stephen Fry. My husband is very particular when judging foreigners pretending to be Polish. When he saw Sophie's Choice he enquired who was that foreigner trying to pretend to be a Lithuanian? (Meryl Streep), but he was impressed with Fry's spoken Polish 'only a wift of a foreign accent' he says. He was less impressed with Fry's Polish accent when speaking English, but beggars can't be choosers. Personally I think it would have been better to cast a Polish actor in the lead role and I'm not sure if Lena was best cast in her role either. But I find that it's the kind of film that is made the more fascinating and memorable by its flawed and surprising casting. The cinematography is intelligent and carefully done without ever being pretentious or patronising and the script is unnerving; a little messy and flitting from genre to genre - just like real life (the Polish supporting cast are also great.) I found this film to be one of those golden nuggets that hangs around me afterwards. I find myself thinking about this film a lot. There is plenty of nuance in this film; a lot of depth and realism and details that are easily missed if you watch this film in the wrong mood or have too narrow an expectation of what a film of this subject matter ought to be. Watch the film with an open mind and laser focus, and you will get the most out of it.