Threshold

This movie sure made a lot for itself, from great character development, to a nice plot, little pieces of mystery and the promise of horror.

Now the latter one arrives at the end mark, it has a nice touch but doesn't qualify the movie as horror so if you're genre hunting, look elsewhere. It acts beautifully as a drama, perhaps, just a tad bit, a psychological edge as well, but even tho it presents itself quite lovely and has a nice flow to it, the ending made it feel incomplete. We get to know a lot about the characters, and for a low budget horror I must add that they were not annoying ones, which was a surprise, you even get to root for them, yet the feeling of always expecting for the action to start, for more plot to develop stays with you and never gets satisfied.

So all in all, a great little film that is not a horror. It seems like a made-for-tv production, cute way to spend your time, I doubt that it even has an age limit really.

Cheers!

Lots of nice dialogs, some great landscapes, not much of a horror, thou... still a good movie.

Watched randomly as it was streaming on the Arrow app. Had no idea what I was watching and just put it on to fall asleep to. Instead I ended up riveted to the screen. The chemistry between the 2 lead actors was amazing, especially when I learned that the dialogue was entirely improvised by the actors themselves. The film was shot on an iPhone which also surprised me as it looked quite polished and professional. The ending was somewhat abrupt and left me wanting more but all in all I was amazed at what they were able to accomplish with so little. The female lead is definitely someone I hope to see in more roles.

Artists are ok but the script is not interesting at all.

A brother obeys his mother's call to bring his troubled sister to rehab, but the journey leads down an unexpected road ...

Road trip as psychic horror, in the company of two characters who gradually flesh out their relationship piece by piece through off the cuff conversations. The performances are as good as you could hope for, with intimate little barbs thrown in to show a real past shared by the damaged siblings.

This is pitched with sophistication, messing up the story technique to get at deep truths, but I'm not sure it succeeds. It starts out to explore what underlies addiction, with an interesting side angle on the closed circuit of the rehab cult, but by the end includes the brother too without giving a clue on the broadened picture. They both end up confronting the same phenomenon, but it's impossible to say why they should each have suffered the same damage.

I liked this a lot, from the way it introduces the story with incomplete information, scenes that skew reality without going all trippy, pared down scenes that let the audience fill in the details, and the well judged score. The phone camera works well, although it wasn't used much for queasy close-ups. For some reason the back seat angles just reminded me that I couldn't see the characters' faces, and I wondered why not just use the fixed point trick from the bank heist in Gun Crazy, which really gives the audience the sense of eavesdropping on the characters in the front seats.

Some reviews say this isn't a horror, but it does what the best horror does: to put characters who think they have an explanation for what's happening up against the deadly reality, and see how they react. It's just that I couldn't make out the pattern or if there was closure in the end.

I compare this to Unsane, a movie that also uses the phone camera to provide a psychic take on an everyday experience - but in a way that remains aware of what it's trying to convey, and that actually makes the camera - or the view point - part of the story telling.

Overall: Very interesting, but maybe the film makers lack the experience to let the initial theme play itself out.