The Amusement Park
- 1975
- 53 मि
IMDb रेटिंग
6.3/10
3.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare.An elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare.An elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare.
फ़ीचर्ड समीक्षाएं
This is an educational film about elder abuse shot by Romero in 1973 (early in his career) and not released until a couple of years ago. After seeing it, it's obvious why the film was shelved: it's a pure nightmarish trip, original and fresh, and very educational, but clearly not in the conventional way. Romero has in his career, until the early 80s, a maverick style of filming: very independent, rough and dirty, close to documentalists like Frederick Wiseman, and this is a great almost lost example of that period.
First I have to set this review up. Back in the 80's I was iving in the Village, NYC and going to NYU. On the east side was an old movie theatre called The Variety Photoplays. I think it was built in the early 1900's. It's been featured in a Woody Allen movie and in a horror movie called Varety, which used it as the set.
By the 1980's it had taken a turn and the theatre alternated between straight movies and adult films -- every other week. One day I walked by and there was a poster for this movie outside acclaiming "From the director of Night of the Living Dead!" I had to see it.
The ticket booth was actually a stand alone booth outside of the theatre and the guy inside it was really creepy.
Walk in and to the right was the concession stand which only sold candy and you'd give your ticket to this big heavy bruiser who had a motorcycle chain around his neck (I'm not kidding). I think he was "armed" to protect the women (more on that in a minute).
So I go into the theatre and -- this is the 80's -- the audience was mostly cigar smoking old men. The place stunk of cigars.
You could tell that back in the day this was a beautiful ornate movie theatre, complete with a balcony, mezzanine and orchestra seating.
So I sit down toward the back. Maybe 5 minutes before the film starts, skantily clad girls come walking down the two aisles saying "Last call. Last call." One guy gets up and goes with one of them thru an exit door next to the screen. He never came back. I'm assuming these were "working" gals and hence the bruiser, in case of trouble with the Johns.
Anyway this movie finaly came on and it was pretty short so they followed it with another film that had a splice toward the end and turned into a totally different movie!
What a place!
I had totally forgotten about this movie until it re-surfaced for streaming. It's a weird movie, shot with no money, but still captivating. Made supposedly as a public service sort of film about elder abuse.
How this actually got made under that premise is astounding. I'm surprised the money people didnt sue for getting something they didnt expect.
It's well done, but a bit repetitive, given it's short length.
I also don't consider this a true horror movie. It's a surreal drama for sure, but not horror.
Worth a watch -- especially for those Romero fans out there.
And parentetically, in the 90's the Variety Photoplay was gutted and turned into an off off broadway live theatre, without the for hire glas. It should have been restored and considered a landmark in the area. Today that's gone too and now it's a bunch of condos.
By the 1980's it had taken a turn and the theatre alternated between straight movies and adult films -- every other week. One day I walked by and there was a poster for this movie outside acclaiming "From the director of Night of the Living Dead!" I had to see it.
The ticket booth was actually a stand alone booth outside of the theatre and the guy inside it was really creepy.
Walk in and to the right was the concession stand which only sold candy and you'd give your ticket to this big heavy bruiser who had a motorcycle chain around his neck (I'm not kidding). I think he was "armed" to protect the women (more on that in a minute).
So I go into the theatre and -- this is the 80's -- the audience was mostly cigar smoking old men. The place stunk of cigars.
You could tell that back in the day this was a beautiful ornate movie theatre, complete with a balcony, mezzanine and orchestra seating.
So I sit down toward the back. Maybe 5 minutes before the film starts, skantily clad girls come walking down the two aisles saying "Last call. Last call." One guy gets up and goes with one of them thru an exit door next to the screen. He never came back. I'm assuming these were "working" gals and hence the bruiser, in case of trouble with the Johns.
Anyway this movie finaly came on and it was pretty short so they followed it with another film that had a splice toward the end and turned into a totally different movie!
What a place!
I had totally forgotten about this movie until it re-surfaced for streaming. It's a weird movie, shot with no money, but still captivating. Made supposedly as a public service sort of film about elder abuse.
How this actually got made under that premise is astounding. I'm surprised the money people didnt sue for getting something they didnt expect.
It's well done, but a bit repetitive, given it's short length.
I also don't consider this a true horror movie. It's a surreal drama for sure, but not horror.
Worth a watch -- especially for those Romero fans out there.
And parentetically, in the 90's the Variety Photoplay was gutted and turned into an off off broadway live theatre, without the for hire glas. It should have been restored and considered a landmark in the area. Today that's gone too and now it's a bunch of condos.
Answer: The Amusement Park, an hour-long film on the terrible way society treats the elder commissioned by the Lutherans and directed by the great George Romero in 1973 but not seen until now. I can only imagine that the investors, upon seeing it, said, "WTF did we pay for???"
While it is what it is--a public service film on ageism--there's no mistaking that Romero directed it. (He even shows up as a nasty patron of the park's bumper cars.) It's extremely avant garde, humorless, and depressing. But it's well done on its nothing budget and still has a lot to say on the subject today. No, it's not so terrible or unfinished that it couldn't have been released back in the day. It's was just too much. (And kudos to George's widow and the George A. Romero Foundation for doing a nice job restoring it from a couple of faded 16mm prints.) It's worth a look as a weird curio and footnote to the career of the greatest horror director who ever lived.
While it is what it is--a public service film on ageism--there's no mistaking that Romero directed it. (He even shows up as a nasty patron of the park's bumper cars.) It's extremely avant garde, humorless, and depressing. But it's well done on its nothing budget and still has a lot to say on the subject today. No, it's not so terrible or unfinished that it couldn't have been released back in the day. It's was just too much. (And kudos to George's widow and the George A. Romero Foundation for doing a nice job restoring it from a couple of faded 16mm prints.) It's worth a look as a weird curio and footnote to the career of the greatest horror director who ever lived.
An old geezer wanders around an amusement park for 50 minutes. There's something about it that feels hypnotic and intriguing though. Many of Romero's directorial flourishes and styles are rough and recognisable here, and there's a Horror/Nightmarish vibe to the whole thing. That being said, I kind of needed more from it to give it higher than an alright watch. Not a bad little lost project though, and there's at least a purpose to the whole picture.
5.5/10.
5.5/10.
When I first heard this was being released I was excited and the more i heard about it, the more excited I got. And let me say this, it truly lived up to my expectations. It's depressing how something that came out all the way back in 1973 is still relevant. How we mistreat elderly and are so cut to the point with them and not giving them time to think or give them equal opportunities.
The symbolism, from the white suit he wears getting dirtier to elderly people selling of clocks, will burn into your memory. The visuals progressively get more and more distressing.
It truly is the scariest thing Romero has ever directed. Maybe even one of his greatest films.
The symbolism, from the white suit he wears getting dirtier to elderly people selling of clocks, will burn into your memory. The visuals progressively get more and more distressing.
It truly is the scariest thing Romero has ever directed. Maybe even one of his greatest films.
क्या आपको पता है
- ट्रिवियाAn organization called the Lutheran Society hired George A. Romero to create a movie about elder abuse and the importance of showing respect to older people. When Romero presented the society with his surreal and frightening take on the subject, they were so shocked and horrified by what they saw that they hid the film and never showed it to anyone. It would be 45 years before the film would be seen again.
- गूफ़The sign for requirements to go on a ride says riders can't have "hardning of arteries" instead of "hardening of arteries".
- कनेक्शनFeatured in Half in the Bag: 2021 Movie Catch-Up (part 1 of 2) (2022)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- El parque de diversiones
- फ़िल्माने की जगहें
- West View, पेंसिल्वेनिया, संयुक्त राज्य अमेरिका(West View Park)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $37,000(अनुमानित)
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