Allagash

After seeing previous recent Berenger films I was beginning to think he had lost a bit of his Platoon sparkle but after watching this I can still say there is life in the old dog yet.

The film is your basic casino heist and search for for the cash in the winter mountains of Allagash but what makes this rise above the usual drivel is Berengers performance. Now either he is old , weak and frail in reality or he portrayed the role with perfection. You almost feel every step he takes, every wheeze that comes out of his mouth as he slowly and lugubriously makes his way through the carnage and you really feel for the character, I was egging him on; you just want the pace to move faster but it does not and that is its strength not its weakness as some other reviewers have pointed out. It feels like you the viewer are walking through molasses with him and that is a great achievement for any actor. The movie may be too slow for a lot of the crash, bang, wallop brigade but stick with it as it pulls no punches.

Stir in some zero mercy / zero compromise action which is rather unexpected in these days of political correctness and the despatch of the bad guys is carried off with Platoon-like viciousness which adds to the movies allure, it does not have the usual Hollywood happy ending which is always a bonus and gives the viewer a deft little twist at the end which I always like to see.

It is not going to win any oscars but it does prove that Berenger is still a force to be reckoned with and it gets a solid 6.5/10 from me as I thoroughly enjoyed it and so should you if you stick with it to the end.

Tom Berenger really does a good job of an old, slow dying man who limps his way through his final few days.

As for the movie... if this had been a 'Nordic' film with a Nordic cast this would probably have been better received... as it is, it's an American film, so the jury haven't been so kind.

It's a film of two halves and the first half is brilliant. A great sense of atmosphere and the cold, FREEZING outdoors! The direction jumps around quickly to set up the location and the characters.

The second half turns into a routine slugfest between the good guy (Tom) and some silly men who are after some stolen money. It's a wonder how they pulled off this heist at all, given that they are all stupid and all prone to make stupid decisions!

I saw it through to the end because it started off so well, and I like Tom... but by the end I was a bit annoyed.

Underused Throughout His Film Career, Berenger is Still Willing to Step-Up and Brave the Harsh Shoot During a Winter in Maine.

He Carries this Modest Thriller Single-Handedly Disposing of Four Robbers and Murderers.

It's a Not-Bad Character Study with the Weather-Beaten Face and Body of the 71-Year-Old Thespian.

His Character is Next-to-Death Battling Lung-Cancer, Alcoholism, and Devastating Guilt of Killing His Daughter in a Drunk-Driving Accident.

He Fights His Demons as well as the Bad-Guys with Ex-Marine Gravitas.

Worth a Watch for Berenger's Performance and a Good Cat-and-Mouse Game within the Snow-Covered Mountains.

You must have a great listening skill and memory to like this movie. It has to do with the law of attraction. I think you will agree with me if we are on the same page after you have watch the movie. Its 1 of those movies that you should not be distracted when watching.

Yeah, I know what you thought when you checked the title. "Another Berenger sell-out." How I loved to hate him in Platoon - he is, after Gregory Peck, the greatest living Ahab (as of this writing). So, for this film... you will be pleasantly surprised.

Mr. Berenger (Jim Reed) actually gets to carry the bulk of the movie! That's right, you only get the glammy sell-out corn near the end, and even then only for a few scenes (essentially, wherever the dialog is overpowered by the f-bomb - I'm no prude, but - come on - get a thesaurus!).

So, you actually get Mr. Berenger at an advanced age playing a somewhat suitable character. While I believe the role is still perhaps ten years ago for most actors, Mr. Berenger plays it eloquently (with just the proper count of sighs, groans, and moans - take this from an old guy). I believe him, and I see echoes of Sgt. Barnes in his demeanor.

If the powers-that-be of this film had allowed Mr. Berenger to play it straight, in character, to the end, they might have had an "art film" on their hands. Such a shame.

Still. Bravo, Maestro. Bravo.

-S