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First Cow

  • 2019
  • PG-13
  • 2 घं 2 मि
IMDb रेटिंग
7.1/10
23 हज़ार
आपकी रेटिंग
लोकप्रियता
4,783
1,544
First Cow (2019)
From director Kelly Reichardt and starring John Magaro, Orion Lee, and Toby Jones. First Cow - March 6, 2020.
trailer प्ले करें1:54
4 वीडियो
81 फ़ोटो
Classical WesternPeriod DramaDramaWestern

एक कुशल रसोइया ने पश्चिम की यात्रा की है और ओरेगॉन में फर ट्रैपर्स के एक समूह में शामिल हो गया है, हालांकि उसे केवल एक चीनी आप्रवासी के साथ सच्चा संबंध मिलता है जो अपने भाग्य की तलाश में है.... सभी पढ़ेंएक कुशल रसोइया ने पश्चिम की यात्रा की है और ओरेगॉन में फर ट्रैपर्स के एक समूह में शामिल हो गया है, हालांकि उसे केवल एक चीनी आप्रवासी के साथ सच्चा संबंध मिलता है जो अपने भाग्य की तलाश में है. जल्द ही दोनों एक सफल व्यवसाय में सहयोग करते हैं.एक कुशल रसोइया ने पश्चिम की यात्रा की है और ओरेगॉन में फर ट्रैपर्स के एक समूह में शामिल हो गया है, हालांकि उसे केवल एक चीनी आप्रवासी के साथ सच्चा संबंध मिलता है जो अपने भाग्य की तलाश में है. जल्द ही दोनों एक सफल व्यवसाय में सहयोग करते हैं.

  • निर्देशक
    • Kelly Reichardt
  • लेखक
    • Jonathan Raymond
    • Kelly Reichardt
  • स्टार
    • Alia Shawkat
    • John Magaro
    • Dylan Smith
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.1/10
    23 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    4,783
    1,544
    • निर्देशक
      • Kelly Reichardt
    • लेखक
      • Jonathan Raymond
      • Kelly Reichardt
    • स्टार
      • Alia Shawkat
      • John Magaro
      • Dylan Smith
    • 181यूज़र समीक्षाएं
    • 197आलोचक समीक्षाएं
    • 90मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 21 जीत और कुल 141 नामांकन

    वीडियो4

    Official Trailer
    Trailer 1:54
    Official Trailer
    First Cow
    Trailer 1:39
    First Cow
    First Cow
    Trailer 1:39
    First Cow
    First Cow
    Trailer 1:39
    First Cow
    Innovative Films the 2021 Oscars Missed for Best Picture
    Clip 3:00
    Innovative Films the 2021 Oscars Missed for Best Picture

    फ़ोटो80

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 75
    पोस्टर देखें

    टॉप कलाकार35

    बदलाव करें
    Alia Shawkat
    Alia Shawkat
    • Woman with Dog
    John Magaro
    John Magaro
    • Cookie
    Dylan Smith
    Dylan Smith
    • Trapper Jack
    Ryan Findley
    • Tapper Dame
    Clayton Nemrow
    Clayton Nemrow
    • Trapper Clyde
    Manuel Rodriguez
    • Trapper Bill
    Orion Lee
    Orion Lee
    • King-Lu
    Patrick D. Green
    Patrick D. Green
    • Russian Trapper
    Evie
    • The Cow
    Ewen Bremner
    Ewen Bremner
    • Lloyd
    Jared Kasowski
    Jared Kasowski
    • Thomas
    Rene Auberjonois
    Rene Auberjonois
    • Man with Raven
    • (as René Aubergenois)
    Jean-Luc Boucherot
    Jean-Luc Boucherot
    • Sailor in Saloon
    Jeb Berrier
    Jeb Berrier
    • Cribbage Player
    John Keating
    John Keating
    • Heckler in Saloon
    Don MacEllis
    • Brilliant William
    Todd A. Robinson
    Todd A. Robinson
    • Fort Trapper
    Kevin Michael Moore
    • Fort Trapper
    • (as Kevin-Michael Moore)
    • निर्देशक
      • Kelly Reichardt
    • लेखक
      • Jonathan Raymond
      • Kelly Reichardt
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं181

    7.123.3K
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    फ़ीचर्ड समीक्षाएं

    TxMike

    Catchy title, interesting movie that moves slowly and seems overlong.

    The movie begins with a modern day scene, we know the period only because we see a modern ship on the river. Then soon a skull is discovered and then two adult skeletons laying side by side in either a shallow grave, or maybe just covered by debris over the past 150+ years.

    Most of the story is in the 1800s as explorers travel west to build a new life and perhaps find some of that gold. Gradually two men become friends, one a Chinaman the other a man from Maryland trained as a cook after being orphaned. When the first cow shows up, owned by a wealthy man, the two hatch a plan to form a business.

    It is a nice story of friendship and cooperation to overcome obstacles, but as the period would dictate the men are dirty, the scenes are unattractive, and the story often moves quite slowly. It is almost 2 hours and I found myself wishing it had been 80 to 90 minutes.

    The user reviews are quite polarized, many love it while many hate it. I can understand both extremes, I am somewhere in the middle.

    My wife and I watched it at home on BluRay from my local library.
    8Quinoa1984

    Kelly Reichardt's film is another in a line of carefully paced studies of humanity

    It may be because of how I watched this - First Cow and Reichardt's films in general call for seeing it in a cinema if at all possible, she simply has that eye and ear for the minutest details and for the time she takes with every shot and many scenes to draw out the feeling of a place as well as for the actors to settle in, that you want to sink in to this film as a sensory experience, and instead I saw it at home where (I don't know about you but) I have too many distractions, not least of which the phone on a busy weekday - but it took me about fifteen to twenty minutes or so to get into the mood of this film. I wasn't sure if it might go anywhere really, as it follows the Cookie character as he is part of this fur trapping outfit (or almost on the outside, just barely with it, but enough to be in it without, say, getting into scraps/fights like the others), and it was frankly slow-going.

    But then the story, as much as it is, kicks in and it becomes this very simple tale of a friendship and what may be a fairly minor crime in the grand scheme of things - taking milk from a cow that isn't there's so they can make oily cakes, basically the 1820's rural Oregon equivalent of what I assume is Krispy Kreme - and how it gets tested and firms as they become more successful and gain the employ of the wealthiest man in the area (Toby Jones), who... also happens to own the cow that they've been milking. It's so engrossing because of its simplicity, the delicacy and yet the immediacy of the world that Reichardt has recreated for us. Like all the best period filmmakers, she and her collaborators bring this part of America/the Pacific North-west to life in almost a humble sort of way: it isn't ostentatious, it's just... what it was, and that makes it special.

    Aside from the performances themselves from these two, I have to wonder if the power of this film comes from something that maybe Reichardt was conscious of or maybe she wasn't, but this story makes me think about filmmaking itself, especially of the independent kind (or art creation in general). You have to assemble the right ingredients, and it most often takes some tenacity for it to all come together like it should (and how many times have you heard of someone on an indie movie shoot "going guerilla" or "stealing a shot" from some such and such a location they didn't have a permit for, etc). It feels like a story that Reichardt has lived at some point in her life, and she gets to deepen on the themes she worked in on Old Joy, also about a male friendship that gets tested by cirumstance.

    And what's fascinating is how because of the slow-burn-ness of the pacing, by the time it gets to the last half hour or final quarter, it has some real suspense as we wonder how our two great lawbreakers will get out of this as they get hunted down. It's not quite to the same level of poetic grungy-frontier depiction heights as a McCabe & Mrs. Miller, but it has that same looseness and understanding about humanity, and if anything is less pessimistic about equality between people of different backgrounds and races. What happens after the end credits start to roll? I don't know, and I don't need to is the point - they've gotten through some s***, and they're together.
    9pesilat64

    Don't watch if you are easily bored

    Thanks to constant mental stimulation due to social media, cell phones, and online content always being available, the majority of people now have an extremely short attention span. If that sounds like you, then don't watch this.

    I personally consider myself to be a very patient person, and if you are willing to just be patient and actively appreciate the film you will find this film to be a rich cinematic treat. The cinematography is exquisite, meticulously framed in a 1.33:1 aspect ratio. The performances are extremely watchable - these characters could easily have been rather dull or boring but the brilliant actors elevate them to near-mythological status. The plot, while cliched, is supported so well by the aforementioned elements that it feels like a completely new experience to the other films that have similar plots.

    If you only watch films for a quick dopamine hit, this is not the film for you. In order to get anything out of this film, you must put in some of your own thought. Under the surface, the film is rich with ideas about capitalism, the American Dream, and especially male friendship. It's left up to the viewer to interpret the work for themselves, which is what I appreciate most about Kelly Reichardt - she doesn't try to force a message down your throat, she just lets you interpret her films however you want to. But you need to be patient if you want to get a good experience, which many people, especially on this website, don't quite seem to understand.
    7theredsky

    First cow Review

    The film's visual style is impressive but it's story and pacing is what really drags this film down for me. The cinematography is the one aspect I found to be excellent. The framing is on point and impressive and it adds a lot to the film's style. The production design and costumes are also really good here too. These characters look and feel as if they in the 1820s. The performances are also great too. Each character feels believable and works to help tell the story of the film. Although I like all that, the pacing is not very good. It feels incredibly long and tedious without any real majorly satisfying payoff. It's a 2 hour movie that feels like it goes on for 2 and a half hours. If they had cut down some of the scenes, this issue wouldn't be as major as it is. There were some elements of the story I enjoyed and some I found to be pointless. If you like A24 then check it out but don't have your hopes incredibly high for it.
    gortx

    Reichardt's latest is quiet but impactful

    Not to put too fine a point on it, but Director Kelly Reichardt doesn't do plot driven movies. Still, FIRST COW is a feature where one has to be observant from the very first shot to the final one.

    Reichardt's method of expression is to create a setting and fully immerse the viewer in it. Even though it's based on a novel by Jonathan Raymond (who also co-wrote the screenplay with the Director), FIRST COW isn't concerned with telling a tight knit tale, indeed the characters themselves seem to be exploring and creating their own "plot". They're own history. It's 1820s Oregon and two drifters, Cookie (John Magaro) and King-Lu (Orion Lee) end up in a small town with little at their disposal but some vague hope to keep on moving until they find themselves. The title animal comes to town and the pair find some short-term opportunity to use it's precious milk. Toby Jones is the owner of the Cow - and the richest man in the hamlet.

    As is Reichardt's manner, the pacing is deliberate, her camera mostly steady (the movie is framed in the old fashioned 1:37 ratio) and the editing stately. She seems averse to making even the most intense situation palpable to the audience (her previous film, CERTAIN WOMEN, probably had cinema's least dramatic hostage sequences). Reichardt depicts the situation, and the viewer must create their own drama. It doesn't always work (WENDY AND LUCY), but, here as in OLD JOY, there is a vividness in the depiction that makes it worthwhile, if still not entirely satisfying.

    Reichardt is an interesting talent and FIRST COW is an immersive dive into the old frontier (there is talk of going south towards the promised land of California and its emerging cities) even if it never quite strikes deep enough.

    इस तरह के और

    Wendy and Lucy
    7.1
    Wendy and Lucy
    Certain Women
    6.4
    Certain Women
    Meek's Cutoff
    6.5
    Meek's Cutoff
    Old Joy
    6.8
    Old Joy
    Showing Up
    6.3
    Showing Up
    Night Moves
    6.1
    Night Moves
    River of Grass
    6.5
    River of Grass
    Owl
    5.5
    Owl
    Bronx, New York, November 2019
    6.2
    Bronx, New York, November 2019
    The Settlers
    6.9
    The Settlers
    La chimera
    7.3
    La chimera
    Never Rarely Sometimes Always
    7.4
    Never Rarely Sometimes Always

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      "Slow Elk" was suggested as an alternate title, as that's how cattle were known to Oregon's First People. Also, "slow elk" is still a slang term for cattle used by big game hunters in some Western states; for example, "That out-of-stater shot a slow elk by mistake."
    • गूफ़
      Cookie mentions he would like to have a business in San Francisco. The film is ostensibly set in the 1820s, when the city had not officially been named San Francisco. However, the name had been in use since the 1590s and could have been used at the time the film is set.
    • भाव

      King-Lu: History isn't here yet. It's coming, but we got here early this time. Maybe this time, we can be ready for it. We can take it on our own terms.

    • क्रेज़ी क्रेडिट
      The Cow - Evie
    • कनेक्शन
      Featured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
    • साउंडट्रैक
      Hog of the Forsaken
      (uncredited)

      Written by Michael Hurley

      Performed on fiddle by Stephen Malkmus

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल20

    • How long is First Cow?Alexa द्वारा संचालित
    • Going by Box Office Gross it looks like this was released in the US only. Anyone know why? Why not Canada. Maybe Australia.

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 10 जुलाई 2020 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड स्टेट्स
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      • A24 (United States)
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      • A24
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $1,01,068
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $81,323
      • 8 मार्च 2020
    • दुनिया भर में सकल
      • $13,80,888
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

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      • 1.37 : 1

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    First Cow (2019)
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    What is the streaming release date of First Cow (2019) in Brazil?
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