Merankorikku

Newbie director/writer came with an splendid and fresh idea but he served it raw. What a shame! Actors played well their parts but the screenplay is shy developed and no ambition in directing either. It has nothing to do with the low budget/independent kind of movie this is. It's just, it needed condiments and a fancy plates.

This unemployed typical japanese shy guy starts working at a neighborhood bathhouse, after running into an old female classmate there. Turns out the place also serves as a yakuza killhouse at night. From here on we get an interesting combination of something reminiscent of the TV show Dexter and a romance/comedy. While the subject matters is a little dark, it's quite a mellow and warm movie and the characters are all quite likeable. I enjoyed it.

The acting is fantastic by all the main characters. Some typical plot developments but a good story line.

Great job by the director to keep a movie about killers without much killing interesting. Not for a moment did I find myself wishing the movie would be shorter.

The ingredients for a good movie are all there: interesting and fresh ideas, compelling story. The movie mixes comedy, action and drama efficiently. The characters' evolution is believable and it is easy to root for them, because we really get to know them: who they are, which is their story, which are their emotions. The pace may be slow for some, but I liked that the director took his time to tell his story. I was hooked from the beginning. Acting is overall good, nothing extraordinary, but the cast did the job properly, even though some interactions felt very forced, especially between Kazuhiko and Yuri.

With all these positive elements, I wondered how the director could wrap the movie so roughly, without a proper climax. The ending is extremely disappointing and generic. I was expecting a big plot twist or a scene that would leave me speechless, but unfortunately this does not happen. The movie is very raw and unpolished, especially in the editing department. There are cuts that interrupt a scene abruptly, creating a lot of confusion. I had to come back a couple of times in order to understand the link between one sequence and another. Not a big deal, but it is still an issue, because in some parts the story does not flow at all. The shaky camera technique in my opinion is used way too much, even during some dialogues.

"Melancholic" is not a bad movie, but needed more work to be completed. Well, this is the very first film of Seiji Tanaka, and I am pretty sure that if he keeps working on his craft, he will improve both as a writer and director.

At the beginning, you'd likely assume this would be one of those that you've watched countless times, but at some point, you must be betrayed in a way that you have never imagined. It is safe to say that it's a film noir in which you can find some contagious problematic situations among youth in Japan, namely high percentage of non-permanent employment being accompanied by depressive idleness, parasitic relationships with parents, machismo exaggerated in a way widely observed in a relationship in working places out here. All the actors played so naturally that I could feel I'm in the world parallel to the one they had created. Worth watching.