Effigie - Das Gift und die Stadt

I found the film captivating due to its psychological thriller elements, which kept me engaged and on the edge of my seat. My husband, on the other hand, was particularly impressed by the film's dedication to historical accuracy, evident in the detailed costumes and authentic set designs. This movie provides a wealth of discussion topics, thanks to its rich array of subthemes including technological progress, the evolution of women's rights, psychological intricacies, and the nuances of crime investigation. Beyond its compelling narrative, the film stands out for its artistic cinematography. It possesses a unique, tranquil quality, juxtaposed with the stunning beauty of its landscapes, which adds depth to the visual experience. The way the film weaves tension through various layers of the story, from subtle interpersonal dynamics to overarching societal conflicts, contributes to an immersive and thought-provoking viewing experience.

Two strong women play convincing roles in the foreground of this real life story.

If the murderess and her plot had been invented, this would hardly be credible, it would simply appear overdone. So the disturbing thing is that this apparently gentle but crafty woman, who poisoned around 15 people over several years before being caught, really existed in Bremen. I watched the film in a cinema in a city in Germany, not far from Bremen, and friends from there know the story from local history.

In the film, the murderess appears to envy the skills and social standing of her opponent, the young law clerk Cato Böhmer.There are a few understandable interpretations of the killer's motivation and psychological disposition, but by and large her actions remain a mystery, so you get something to ponder about afterwards. Why did she kill so many people and at the same time portray herself as a caring person?

The dialogues are enjoyable acoustically, in contrast to many current films, where it is apparently cool to mumble or to accompany the dialogues with loud background noises or music.

The specially produced film music, performed by a 40-piece orchestra, is wonderfully composed and fitting to the whole atmosphere of the film.

The criminal case is integrated into the technical and economic developments of the era around 1830. You learn about railroad construction in Northern Germany together with impressive historical backdrops. As an interesting detail, the use of a kind of mechanical copier is also shown (a device completely unknown to me).

It is a film well worth seeing, not only for fans of historical dialogues. I am already waiting for the next film from Udo Flohr and hope that he will continue to employ such powerful actors.

In this gripping real-life narrative, two formidable women deliver compelling performances at the forefront.

The tale's authenticity lends credence to its chilling plot: in Bremen, a seemingly meek yet cunning woman, responsible for poisoning about 15 individuals over several years, truly existed. I viewed this film in a German cinema near Bremen, where locals are familiar with this historical incident.

The movie portrays the murderer as jealous of her adversary, Cato Böhmer, a young law clerk, reflecting on her motivations and psychological state, yet her actions largely remain enigmatic, leaving the audience with lingering questions. Why did she commit multiple murders while maintaining a facade of compassion?

The film stands out for its clear, enjoyable dialogue, a refreshing change from many modern movies that often use mumbled lines or drown conversations with loud music or background noise.

The original score, masterfully executed by a 40-member orchestra, beautifully complements the film's mood.

Set around 1830, the plot intertwines with the technological and economic progress of the time, including railroad construction in Northern Germany and historical settings. An intriguing aspect is the depiction of a mechanical copying device, unfamiliar to me.

This film is a must-watch, not just for enthusiasts of historical narratives. I eagerly anticipate Udo Flohr's next creation and hope for the continued casting of such dynamic performers.

The fact that this movie draws its inspiration from actual events significantly enhanced my enjoyment and appreciation of it. The filmmakers deserve commendation for their ability to present a narrative that not only engages but also incorporates a strong feminist perspective, executed both artfully and convincingly. The performances were exceptional, particularly those of the actress portraying the female serial killer and her counterpart, the nemesis character. Their portrayals were both compelling and immersive, adding depth to the storyline.

Additionally, the music score of the film was a standout feature. It complemented the mood and tone of the movie beautifully, weaving seamlessly with the narrative to enhance the overall experience. On the other hand, the subplot, which aimed to enrich the film by providing political context, fell somewhat short for me. Although it was an interesting addition, I found it somewhat elusive and challenging to fully grasp as an average viewer. This aspect didn't diminish my overall enjoyment of the film but was a noticeable contrast to the otherwise engaging storytelling.

Looking forward, I am genuinely excited and eagerly anticipating more work from the director, Udo Flohr. His unique approach to storytelling and his ability to bring complex characters to life are truly commendable, and I am keen to see how his future projects unfold.

I liked it because is is a psychological thriller. My husband liked it because of the detailed historical accuracy in costumes and set! It gives you a lot to talk about, with several compelling subthemes (progress, women's rights, psychology, crime investigation). It is also a beautifully filmed movie, with a strangely quiet feel and gorgeous scenery. The tension is on many levels.