1950 के दशक के लंदन में, एक विनोदी सिविल सेवक गंभीर निदान प्राप्त करने के बाद जीवन का अनुभव करने के लिए काम से समय निकालने का फैसला करता है.1950 के दशक के लंदन में, एक विनोदी सिविल सेवक गंभीर निदान प्राप्त करने के बाद जीवन का अनुभव करने के लिए काम से समय निकालने का फैसला करता है.1950 के दशक के लंदन में, एक विनोदी सिविल सेवक गंभीर निदान प्राप्त करने के बाद जीवन का अनुभव करने के लिए काम से समय निकालने का फैसला करता है.
- 2 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 49 नामांकन
John Mackay
- Jones
- (as John MacKay)
फ़ीचर्ड समीक्षाएं
Over the years Bill Nighy has become one of my favorite actors. My earliest recollection of him was 20 years ago in "Love Actually", where he played Billy Mack, a washed-up musician who makes a hit Christmas recording. He has a certain style and it resonates with me.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
During this filming he was 71 or 72. Here he is the main character, Williams, who is the long-time boss of a small group in the London County offices in the early 1950s. All the men wear Bowler style hats. Williams is always very quiet and very polite, he keeps an arms distance from his crew, not even riding in the same train car to and from work.
As he grew into an adult all he really aspired to was being a Gentleman. Traditionally, an English gentleman was the lowest rank of the gentry, similar to the French nobleman. He worked diligently, was friendly to everyone, but seemingly had no interests outside work. He even had a distant relationship with his married son who still lived with him.
Then he received the diagnosis, he only had a few months to live. His first reaction was to make up for lost time, to meet strangers and have fun. But that was an empty exercise. Of note, during the "fun" a lady stole his Bowler hat, he replaced it with a Fedora, a new style for him, which was a sign of his new perspective. He would do something meaningful before he was gone, he would push through a community project that had been pigeonholed for too long.
So it is really a character study of this simple but complex man, Williams. It works very well. It is a remake of the highly regarded 1952 Kurosawa movie "Ikiru". My wife and I enjoyed it at home on DVD from our public library.
Before watching this, I have often thought of Brief Encounter as the quintessential film on English repression.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
I have to add this. And it (openly, honestly) echoes the Lean classic in other ways, including a piano classical piece alongside steam engine imagery in the first act.
And what a lead performance. I've never been blown away by Nighy before. This is incredible. Every crushing moment, every unspoken word, every flinch. I was right there with him.
The closing imagery is beyond beautiful. And stay for the credits, with a beautiful rendition of a song that features in the story (and breaks your heart).
If you ever feel untethered, purposeless, this may mean an awful lot to you. It does to me.
I had no preconceptions or expectations when I went to see this film. I left the cinema feeling deeply moved, alongside a range of emotions including sadness and joy, amidst a sense that I had just been immersed in one of the best cinematic works of art in a very long time. In the jaded world of today's cinema where nothing is really new anymore, and movies peddle the Incredible, with disappointing over the top drama, this film's simplicity was its outstanding and defining feature. Accompanied by a haunting soundtrack, it tells the very human story of a man (Nighy) who has six months left to live and how he chooses to make his mark and get satisfaction from celebrating the ordinary and achieving a modest but much loved and celebrated goal. The performances were outstanding in their subtlety (who knew Nighy had such a beautiful singing voice), and the direction by Hermanus was perfect - designed to tell a simple story and get the best from the actors without being obtrusive or distracting. The setting in 1950s London, portraying a world of grey bureaucracy mirrors today's corporate, health, and social care world's perfectly, with the final message to embrace and accept that which "doesn't quite fit" sending a humorous yet pointed message to us all.
Definitely bring the tissues - but celebrate it too as one of the best films in years.
Definitely bring the tissues - but celebrate it too as one of the best films in years.
You've lived a life within the bounds of expectation, conformed to all the codes, rules, regulations, mastered the art of the transaction, never looking for reaction, played the game to par, avoiding altercations; but the hand you've just been dealt has caused confusion, as you realise you're living an illusion, blindly going through the motions, without feelings for devotions, now it's time to make a stand, faced with conclusions.
A wonderful performance from Bill Nighy that might get you thinking about your own mortality and whether your direction of travel is taking you where you want to go. A remake of Ikiru, it also reminded me of Bergman's Wild Strawberries.
A wonderful performance from Bill Nighy that might get you thinking about your own mortality and whether your direction of travel is taking you where you want to go. A remake of Ikiru, it also reminded me of Bergman's Wild Strawberries.
A little slow paced for my taste, but I can't deny that Bill Nighy displayed a masterclass in subtle acting. Also I found it quite interesting that he took the role after sharing a taxi ride with the screenwriter Kazuo Ishiguro who pitched him right in the spot. That's pretty confident of Nighy to accept the role after such an encounter, but yeah, what a great decision on his part. Other standouts on the performance end of things include Aimee Lou Wood and Alex Sharp. They have a bright future ahead of them and I can't wait to see what they choose next. Also shout out to the musical score which helped bolster the emotions and kept me awake.
क्या आपको पता है
- ट्रिवियाThe production designers went to a great deal of trouble to make this film look like it was made in the era it was set, including avoiding quick edits, softening the colour palette and using a relevant font for the film credits.
- गूफ़If you leave Waterloo Station to walk to the Greater London County Council (GLCC) you don't walk across Westminster bridge. They're on the same side South Bank.
- कनेक्शनFeatured in 2023 EE BAFTA Film Awards (2023)
- साउंडट्रैकTempo di Valse
Written by Antonín Dvorák
Performed by Berliner Philharmoniker, Herbert von Karajan
Courtesy of Deutsche Grammophon GmbH
Under licence from Universal Music Operations Ltd
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Living?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Vivir
- फ़िल्माने की जगहें
- Worthing, West Sussex, इंग्लैंड, यूनाइटेड किंगडम(conversation in the Lido Cafe between Mr. Williams and Sutherland)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $30,38,113
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $22,784
- 25 दिस॰ 2022
- दुनिया भर में सकल
- $1,23,70,485
- चलने की अवधि1 घंटा 42 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.48 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें