Birth/Rebirth

"Birth/Rebirth" offers a unique and thought-provoking cinematic experience, deserving of a 7-star rating. The film delves into the complex concept of identity and existence with a fresh perspective.

Set in a world where individuals can undergo a mysterious process of rebirth, the narrative navigates the consequences and moral dilemmas that arise from such technology. The plot is layered and keeps you engaged throughout.

The film's strength lies in its talented cast and their ability to convey the emotional weight of the story. Performances are commendable, particularly in scenes that require deep introspection.

Visually, "Birth/Rebirth" is a treat, with striking cinematography and a hauntingly beautiful atmosphere. The film's score complements the eerie tone, adding depth to the viewing experience.

While the film explores profound themes, it occasionally leaves questions unanswered, which might frustrate some viewers. However, it also encourages discussion and contemplation, making it a conversation starter.

In summary, "Birth/Rebirth" is a modern exploration of identity that challenges the boundaries of science fiction. It may not provide all the answers, but it certainly raises intriguing questions that will linger in your thoughts long after the credits roll.

There was the movie The Influencer from Shudder I watched recently and now this one. Its cool to see the streaming service evolve over a short time, and now producing some of the best horror movies coming out in recent years.

The two things which sold this movie to me, was one the medical research detail, and secondly the special effects. Although bringing someone back to life is pretty implausible, this movie goes as far as it can do to sell the idea to those (like my self) who are not medically trained.

The medical sequences do look very realistic, and the story does get dug in to the science and procedures, where most other dumbed down horror modern movies fear to tread.

It was pretty good.

It's a solid psychological horror movie with an interesting concept, strong direction and good performances from Marin Ireland and Judy Reyes. Throughout, the camerawork and production design is pretty good as it helps add the creepy atmospheric tones. The direction and writing from Laura Moss was pretty good as Moss was able to provide strong direction and interesting writing concepts into the narrative that were interesting and engaging to observe. Alongside some pretty solid uses of some horror gore and blood moments.

As mentioned, the performances are pretty good and even the child actor had some pretty good moments as well. The narrative definitely is influenced by Frankenstein or something from David Cronenberg as the narrative, while at times could improve, does explore some fun territories. The dialogue is pretty good as well and the characters were interesting to observe. Some of the pacing could have been improved and the characters were interesting although I wish there was a little more to the characters.

Overall, it's a good Midnight movie. There were some pretty good blood and gory looking moments.

It is not a true horror, but it is medically graphic, so be warned. Both lead actors do a good job, taking their respective characters in two long gradual arcs. One from an emotionally cold, socially marooned, savant existence, to eventually showing some small instances of warmth and connection, possibly even yearning?

The other, from a warm, caring, nurse, mother, to being morally complicit in their dubious scheme to cheat death.

Tension is driven along by good editing and an idiosyncratic, edgy soundtrack, that draws you in to the point where you yourself feel complicit, as you root for the pair, in their dastardly, if well intentioned, endeavours. It is however broken at a few points with some, I am sure, deliberate humour.

It could have had the last 8 minutes or so cut off to make a tidy 90 minutes. As by this time it had tailed off into borderline nonsense.

It's not often that the horror genre throws up an original idea these days, but this film is a rare example demonstrating that it is still possible. It is a twisted and disturbing tale that avoids falling into established genre cliches. Not an easy film to watch, especially for the squeamish, with lots of blood and body parts on display. But for those with strong constitutions, the story is gradually revealed, drawing the viewer ever more deeply into the twisted plot and the increasingly mad behaviours of the two lead characters. The acting is very good, somehow managing to engage the viewer whilst at the same time revealing the repellent nature of their actions.