Dispatches from Elsewhere

So as of yet, I don't know what to think of this one. As to what star rating I'd give this, my place holder is a 7. I hope it turns into something interesting and different, but I don't know right now. Watching this, for me, is like making a wrong turn down a road I've never been and seeing some interesting things that are a bit off and make absolutely no sense.

Do I turn back, or do I keep going? That's sort of how I feel after watching the first episode. I think I'll keep going a bit further and see where this leads.

If the story delivers, or doesn't, I'll re-edit this review. But I'll watch the next episode and see where that leads. If you like off-beat fantasy type stuff you might like this one. It's certainly off-beat. It kind of reminds me of movies like The Imaginarium of Doctor Parnassus, Brazil, and maybe even a little bit like a modern take of Alice in Wonderland thrown in. At this point. I can't decide if that's a good thing or a bad thing just yet. The writing is ok, and the story is at least intriguing, the characters are somewhat cookie-cutter at this point, but hey Sally Fields is in it playing Sally Fields again, so there's that.

I need to confess that I've put off writing a review of this limited series because I'm really conflicted about how it is crafted. It begins with a decidedly sinister narrator (or is that just the real life vibe of Richard E Grant?) telling us that they are going to break all the rules of storytelling in a limited series. The first character is written and performed to be emotionally flat and yet we are told to identify with him. Once I got to the relationships, I began to enjoy it (Eve Lindsey's and Sally Field's characters and performances are fantastic) but the last episode turns everything on it's head when it breaks the fourth wall (again) and turns into the creator's existential catharsis, which really unravelled the whole experience for me. (FYI, the series was inspired by a 2013 documentary called THE INSTITUTE about a group of people who fashioned this alternate reality game in San Francisco.which was also a trippy experience) I give the six episodes in the middle of this series an 8 (great) out of 10, but the others a variety of 5 (meh), 6 (fair) and 4 (poor). {Fantasy Drama Mystery} >See why this was a difficult review to write<

Jason Segal is one of the most fascinating "creatives" in the entertainment industry. He is constantly re-inventing himself and his career, from "Freeks & Geeks" to "How I met your mother," from "Forgetting Sarah Marshall" to re-inventing The Muppets. This is his latest, a limited series based on a mysterious ARG that popped up in San Francisco a few years back (and then, just as mysteriously disappeared.) It's anything but safe. It's funny, clever, disturbing and very addictive. It's anything but boring, concerning 4 people who find themselves caught up in a strange company by the name of The Jejune Institute. A company which may or may not be real and may or may not contain the answers we all seek. Starting created, directed and written by Segal. Co-starring Sally Field, Richard E. Grant and Andre Benjamin (3000). Really interesting, highly recommended.

Now that I have had the opportunity to see the first few episodes, I must say I am properly hooked. The feel of the show is something novel. Dispatches From Elsewhere is also extremely confusing and wildly unpredictable. The main plot often feels impossible to pin down. It's difficult to even describe the series to someone who hasn't watched it in a way that even remotely encompasses what it's about. But the ultimate effect of all this? A sort of narrative alchemy that leaves me wanting more, even as I admit that I'm not entirely sure what it is that I've been watching.

The story of four people brought together by something that's larger than themselves. Granted, we don't know what, precisely, that thing is just yet.

All around, Dispatches from Elsewhere is brilliantly cast. Jason Segel is perfect for the character of Peter, who has been plugging through the doldrums of life and "work stuff." Eve Lindley's Simone gives us an entry point more laden with anxiety. There's Fred Wynn (Andre Benjamin), an awkward genius with an eye for clues and patterns, but no understanding of people or social interactions. There's Janice (Sally Field), a cheery retiree struggling to process her own problems .

It's a whole lot of fun to enter into this world. I'm excited to explore it more and to see where this quirky narrative is going. Innovative storytelling and intriguing, fully-rounded characters make it a must-watch.

If you look at the breakdown of voting for this show, you will see sharp divisions between people who thought it was wonderful versus terrible. Lots of folks gave it a perfect "10" and lots gave it the worst possible "1". That's exactly the kind of show or movie I seek out. It shows the filmmaker is taking huge chances to make something truly unexpected and different. I love to see filmmakers NOT playing it safe.

Did this experiment work? I can't say it's the best thing I ever saw. But I was definitely entertained, and I looked forward to each episode. It would help, by the way, to go seek out the documentary about the real "Jejune Institute". I found it on Amazon Prime.