HellKat

This has to have been done before, right? I claim no perfect knowledge in any regard, but the concept sounds so much like a videogame, a more extreme rendition of 'Mortal Kombat,' that I find it hard to believe 'Hellkat' is truly the first piece of media to explore the notion of a fighting tournament in the underworld. With that said, even though I had low expectations to begin with, the idea sufficiently caught my attention to warrant a view. Yet the warning signs were clear, and I should have known better: This is most distinctly not a good movie.

In a runtime of only 78 minutes we're treated to basically 20 minutes of exposition - arguably more - before any especially noteworthy narrative elements begin to manifest. We're subjected to absolutely far more character background than is necessary, tawdry dialogue (mind the pointless, casual homophobic slurs), sparing but highly questionable special effects (even smoke rising from a car engine is obvious CGI), and a wealth of passing scenes that are totally superfluous. This is all well before the promised "death tournament" is even mentioned - just under halfway through the movie.

And the centerpiece of the film is a "tournament" in name only: There are no spectators in an unadorned basement with bare walls. The roster of spotlighted fighters is a mere handful, each entering the same ring one by one to face their opponents. Some of the choreography looks great, but at other points it's difficult to assess since the sequences are sometimes shot so haphazardly as to minimize what we actually get to see. Makeup looks fine so long as it's employed simply as part of a character's appearance, or visualizing wounds, but when embellished and used more elaborately in conjunction with prosthetics and masks, the result is appallingly unconvincing. And the music, accordingly credited to "20Six Hundred," is so dull, middling, and lacking that the composer should be ashamed of themselves for such a halfhearted, dispassionate contribution.

Sadly, those latter words rather describe 'Hellkat' as a whole. The cast's roles are underwritten, and their performances are characterized by stilted, disinterested, or otherwise dubious delivery; uninspired expression; and otherwise uncaring acting that makes it seem like being in this movie was nothing more than a job, and not something they believed in. Lighting, used to add atmosphere, is so overdone as to negative the intended effect. Without even considering its value, the sheer abundance of material inserted into the movie before and between the fighting begins makes me question just how much anyone was really invested in the production. It's as though the filmmakers actively disregarded their own concept to deemphasize the hand-to-hand combat.

The movie alternately feels like an effort to realize a promising, enticing notion, a passion project, without any resources to meaningfully do so; an action-horror flick in which every worst impulse has been indulged to an extreme; and or a film that only some of those involved wanted to succeed, while others were actively working to sabotage the endeavor. The root premise is outstanding, one I would love to see brought to life, and there are lots of swell ideas in the screenplay. But the execution is in so many ways simply a mess, and fails to excite or engage us in any way. This is another instance in which the poster crafted to market the feature drastically oversells the content.

I wanted to like this. I had low expectations but high hopes. That hope has been my undoing. No matter what prospectively draws a viewer into this feature, there is no aspect of it that is brought to fruition to any degree of satisfaction. I'm not surprised, but disappointed nonetheless, and I can't imagine any situation in which I could I recommend 'Hellkat.'

While the start had some questionable scene and continuity, it was quickly redeemed by the performance of the actors with the limited resources they clearly had, I wasn't expecting an A list film, but I was pleasantly surprised by the grit and effort put in by the cast.

As a major fan of dark, gritty stories, Hellkat delivered on just that. This movie took me back to when I first watched the Mortal Kombat movie from 1995, with it's compelling villain (the tournament host) and it's simple, but engaging plot.

Hellkat doesn't rely on a gore gimmick like a lot of lower budget movies I've seen. It has substance; I loved the satire on evangelicalism. Instead of the hell setting being portayed as an inferno, it's more grounded and subtle.

I HIGHLY recommend checking this out if you're looking for an over-the-top martial arts movie. Despite it's serious moments, you can have a lot of fun watching Hellkat.

Initially it looked like a solid film and I appreciate the weird but the special effects were horrible along with the fighting choreography. If you subtract that, you're left with a plot parallel to mortal kombat mixed with bad B-rated horror film. It was so bad Nick Cage decided not to do it lol! Could it possibly be better? Maybe but I would rather watch a Steven Segal low budget staring Jean Claude before I recommend this disappointment.

I had the opportunity to sit down and watch "HellKat", as written by writers Michele Pacitto and Jordan Rockwell, but I have to admit that I wasn't really expecting much from the movie, given its rather ludicrous synopsis. But still, it being a movie that I hadn't seen, of course I sat down to watch it.

Needless to say that the movie's title and its cover/poster definitely served as a focal point to lure in the audience. And it worked as intended.

And well, let me just be the first to say that "HellKat" delivers what to be expected, but nothing more, nothing less. So don't believe yourself in for a grand moment of cinematic masterpiece here, when you watch the movie from directors Scott Jeffrey and Rebecca Matthews.

As for the storyline told in "HellKat", well it was simplistic, I will say that much. Actually it was so devoid of any deeper writing that you could essentially watch the first 15 minutes, leave the movie, and come back to watch the last 15 minutes, and you wouldn't have missed a beat. The writing in the movie was just so bland and mundane, which left very little enjoyment to be had from sitting down to watch "HellKat".

The acting in the movie was adequate, but there is no doubt about that the movie was singlehandedly carried by the performance of Ryan Davies, playing Jimmy Scott. His performance was the most memorable and outstanding of all the performances in the movie, and he really made the character come to life and gave it so much personality with his performance.

Visually then "HellKat" was semi-adequate. The special effects were sort of adequate, although bordering on being lousy at times. So don't expect to be blown away by a grand display of over-the-top CGI and effects.

All in all, then "HellKat" is a movie that you will watch once, provided you manage to get through the entire ordeal the first time around. I managed to watch it, but weren't overly entertained or impressed with the movie. My rating of "HellKat" lands on a mere three out of ten stars, as the movie was bland, mundane and lacking a properly written storyline.