M3gan

Solid and, at times, actually entertaining. Like other reviewers have mentioned, this strikes me as another version of the 2019 Childs Play; a fun, doesn't-take-itself too-seriously movie. Nonetheless, it added its own spin to the horror/comedy genre with its intentional and unintentional comedy.

I went into M3GAN with little to no expectation given the only marketing material I could remember was the dance scene. I found that the film accomplished the message it set out on. Parents suck at raising children and having no parental figure could be deadly because they will get attached to anything that shows them affection.

As far as the quality of the film, there wasn't really anything surprising or new I could think of. Most of the elements were very predictable from the beginning. That's not always a bad thing because most people like the predictability and knowing where a film is headed.

Overall, not bad for an early January released PG-13 horror movie.

It seems especially in the horror genre nearly everything lately is regurgitated and advertised as something new. Blumhouse does this more than anyone lately and yet still manages to rake in profits from mostly generation z unfamiliar with the old classic horror films that came long before. The glaring similarities and material borrowing comes from basically every Chucky film, though it's presented in a way that's more appetizing to the newer tik tok gen z crowd. Not saying the film isn't still executed solidly or isn't effective. It just feels like such an obvious rewrapping of an old classic.

The film itself has a solid enough story and decently intriguing visuals to keep it interesting. The acting is subpar at times but the shock value makes up for it. The true issues lay in the blatant lack of originality toward the overall product. Slight futuristic advancements in plot points and cgi can only differentiate from the old so much when something feels so familiar.

Young Cady is given M3GAN, an AI doll, that's very protective.

First off, I felt very old in the cinema, aged 40, where most of the viewers seemed to be teenagers, and I think they're perhaps the target audience.

Definitely not without appeal, it's an interesting, if unoriginal plot, Child's play vibes, and there are a few jumps here and there. M3GAN does have some intriguing moments, but sadly never flips into horror mode, which I felt the trailers pointed to.

The major plus, the visuals, it looks very good indeed, it's nicely shot and well produced, M3GAN's realisation is great, the film peaks towards the end, and the scenes in the forest in particular look very good, and offer the film's most unsettling moments.

On the debit side, it's hard to believe in the actions of some of the characters, a few times, I sat there wanting to shout out 'REALLY,' is that actually what they're going to do, but worse, the film was a little too slow in parts.

I expected it to be somewhat gruesome, it really wasn't, when I came home from the cinema, I read that it had been cut to fit with a younger audience, I can see that.

6/10.

First hype of 2023 is this horror flick coming from the hands of writer Wan. You know, the guy from Saw and The Conjuring amongst others. So I expected a lot from this flick.

Sorry to say but for me it wasn't what I expected. It was low on horror and it became more of a thriller. And the reason is simple, it used to be a R-rated flick but while editing this flick they agreed to make it a PG-13 flick, so low on horror and the red stuff.

It's not a bad flick, it's what we can expect from the future but even as it is entertaining and the story is okay for me personally it failed to be called a horror.

Gore 0/5 Nudity 0/5 Effects 4/5 Story 2/5 Comedy 0/5.

Fine, it's a moderately entertaining deadly doll movie but... seriously, it's been a bit overpraised. This is paint by numbers storytelling. A beat by beat remake of every "deadly friend" tale. Also, while I generally find her appealing, Allison Williams looks like she's about to crack up half the time. It's also a little soft on the true horror/scares front. Id actually love to see an R rated sequel that goes as hard as "Child's Play" or "Annabelle." Anyway, it makes me sad to think that there are strong movies out right now ("Babylon," "The Whale") that audiences are ignoring in favor of this January junk.