उपयोगकर्ता समीक्षाएं

The acting is great and the cinematography is great. The plot is incredibly boring and hard to make sense of. I am not even sure I would classify this as horror, maybe more like a psychological drama. Slow burn is one thing but geez.

Slow as molasses tale of a gang who decide to take over an abandoned house to grow weed in. In an upstairs bedroom is a gateway to...somewhere hellish. There's too much build-up that doesn't do anything to heighten the experience; we don't know them any better, the better to care about what happens to them. Then there's too much silent watching. The mood is dark and dreadful, but that's not enough. It feels more like a crime saga, but still, one I don't care too much about.

This has got to be one of the most boring movies i have ever watched. Literally, NOTHING happens. It's just talk, talk, talk...then minute-long shots of the faces of the actors brooding. There was one scene of a man staring at the camera with his mouth open. Then he talks around the house till he sees two other men taking drugs in slow motion. That went on for a solid 3 minutes. What the point of that scene was not even the director knows. Just an awful movie. This isn't horror. The only scary thing about this movie is the idea of having to sit through it again. You might be thinking, was there anything redeeming about this movie? Sure. It was filmed really well. But that's it.

The thing that stands out most about this film is the horrible sound quality throughout.

Most times the sound design ignores important details about what is going on during a seen, but somehow manages to focus on unimportant things and add distracting, poorly recording sound effects to draw attention to them.

In almost every scene I could point out an example, it is a persistant problem that by the end of the film goes beyond distraction and becomes extremely annoying.

One example is a scene where they are sitting next to a wooded area on a sunny day. There is no background noise, nothing to go along with what is on the screen, just silence. Could this be a thematic design choice? No not really, in the next scene near the same location during a phone call, they add sounds you might expect like birds and light wind. However, the mix is bad even on those sounds and they just seem odd.

All in all the sound imo is the worst aspect of this film, it is just always bad. In many scenes the effects they use are extremely bright and sibilant, which is always annoying when sound production teams give no attention to this all too common problem. If you use cheap, generic microphones, take time to educate yourself on production techniques you can use to alleviate that weakness.

Ok rant about horrible sound is over, how about the rest of the film? Well, visually it is ok I guess? But to be honest it just has a really boring look to it most of the time. So while I might say the cinematography is competent (especially when compared to the sound design which is abysmal and I wouldn't even say amateurish), it is in no way compelling.

If you don't like the boring look, well don't hold out hope for the story or performances. Everything about the movie's story is just boring. The presentation is done in a way that it almost feels like the filmmakers want you to be bored.

If you like boring movies, give it a try I guess. If you dislike poorly done, sibilant sounds, skip this 100%. If you can literally think of just about any other way to spend your day, do that instead. IMO watching this movie is probably about as entertaining as reading this inexplicably long review.

The industrial products of Western cinema do not distance enough from bad movies made in Los Angeles and copy their manias, even though they tell stories that are not only unusual, but better than all the horror clunkers produced in California. Apart from my usual complaint about the abusive use of sound effects and music, «Gateway» is a good first horror feature by Irishman Niall Owens, with a very strange and ingenious premise: a group of marijuana suppliers (who bear little resemblance to marijuana growers who consume it at the same time) is looking for a safe place where they can sow, care for and harvest the "holy weed".

However, each one has a tragedy behind that is a load too heavy for them to carry. They are typical characters of the marijuana subculture and (disorganized) crime, immersed in an unhappy intrigue that contains some elements that we already know from other horror movies: settling of scores inside a haunted house, where creditors of life, ghosts in search of vindication and pale entities that control the space manifest themselves and interact with the living with dire consequences.

Everything comes to a fair and consistent end, thanks to the images created by Owens and his cinematographer Ger Murphy, which are sinister enough to unsettle us, even though it all happens in a day in broad daylight: the house is sunny, and the exteriors are bright. However, the filmmakers were not confident enough to minimize the manipulative sound and omnipresent musical score. This said aside, it is a highly recommended film, especially for those who like the genre... with a twist.

This type of the haunted house is gonna git ya story has been done so often, it's almost impossible to recall how many times I've seen it, here just given a miserable, suburban council house retread.

Assured cinematography & decent performances can't mitigate the terrible decision to make this a total misery-fest, with a cast of entirely unsympathetic characters & a sound track which would drive the most mentally sound to consider topping themselves.

The few horror elements that there were, missed the usual tricks to make the audience jump, this may have been the intention, to avoid overused tropes, but they were genuinely needed here, to help the viewer along. The gateway of the title, does indeed appear & does offer some intrigue, what, why, how etc, but it all comes to nought & we're left with no answers, thanks movie!

The fault here lies with the writer & director, single-mindedly making what they want, regardless of how this won't entertain the audience, you can make a dark, torturous ride, but you have to take the paying customer with you.

I didn't watch this one for a while after adding it to my collection. It was just another small budget horror thrown in the watch later bin. So glad I finally got around to watching this film. The camera work is good. Shots are beautifully set up. The characters are well developed. It reminded a bit of how Stephen King would always give you enough about the victims to care when he had the monster get them. A lot of horror tends to make the victims "deserve it" and that's what I thought I was getting here but instead I got was characters that while horrible, were also incredibly sympathetic. The writer made me care and that matters in good horror. The ending was very well done and over all I really enjoyed this movie. Some other reviews mention it being boring or slow, I found it was a very nice level of suspense but attention spans run short these days.

Definitely a keeper.

I'm a huge fan of the "How the f&*% did we get here" kind of films, and the synopsis really felt like it was going to be in that style.

Unfortunately, about 85% of the movie is just nothing. A bunch of hoodlums doing hoodlum stuff, milling about, doing nothing, etc...

I was so bored to absolute tears that I'm pretty sure my brain just turned off until the monotony of the banal hoodlum slice of life portion of the film was over that I barely knew what was even going on.

I will say the acting was passable, everyone did really well, but you can only do so much with writing that consists of "Do hoodlum things like walk around and do nothing for 85% of the film."

The lo/no budget film is a business card for the director, if you scour youtube, you can find the early work of Shane Meadows and it was clear to anyone watching those one location, no budget short films that this director should be given the means to expand his stories, so rich are the characters and narrative.

Gateway could just as easily be so considered, this is the tale of a crew of petty criminals looking to break into the big time but choosing the wrong house for their plan, the characters are well fleshed out and dialogue sounds authentic coming from the individual players in the story. If I could point out just one thing for any future work, and this is completely subjective, something I wondered about while watching, would be the blocking, I felt that such an intricate meshing of two storylines would have been much more dynamic if the characters moved about a bit more during dialogue scenes, but as I say, completely subjective, they may have been static to add to the sense of powerlessness that they gang were experiencing as they struggled to get a grip on the supernatural happenings in their hiding place.

The intensity was extremely well executed, there is a very effective, surreal sequence where the main protagonist is unable to move as he witnesses his own history playing out in front of him, it really hit the mark, anyone who has considered their own historic deeds or words will identify with the scene.

Overall the film was engaging, believable dialogue, I'd love to see what Niall Owens could do if freed from the restraints of a limited budget, I'd say, watch this space.