Upright

This show is nothing new in terms of format. Your typical getting from a to b with some hyjinx along the way. However the onscreen chemistry between lucky and Meg are what elevates this show to deeply funny and emotional ride across the breathtaking aus outback.

I didn't do any research before watching and went in blind but I was not disappointed. Equal parts hilarity and pure emotion and the season finale had me in bits.

Highly recommend and the soundtrack is suitably stunning.

I can't imagine what is going on in the minds of the few low rating reviews. This is top-notch TV. It is, as intended, frequently comedic and in places hilarious, but the unfolding of the three main characters (including the piano) and their secrets and histories is delightful, done via odd but believable encounters with various groups of quirky incidental characters which occur in mostly remote, often amusing and sometimes quite stunning locations. The direction and camera work is great too, infusing the austerity of Australian outback with colour and life.

This is an incredibly well written, beautifully directed series. One which I cannot recommend highly enough. With the exception of one very minor side story that I'm not sure really added anything this show is an amazing example of what makes great TV.

The script is incredible. There are very few words that are wasted, and the way the story develops is a thing of beauty.

I can only imagine how proud Tim and the team behind this must be with the masterpiece.

It was an emotional rollercoaster, but an absolute joy to watch. I wish I could delete my memory of it to fully enjoy it again.

The road movie is a rich and often mined creative seam. Think Easyrider, Thelma and Louise and even Katherine Hepburn and Humphrey Bogart in African Queen. In Upright we have the classic formula of two misfits with different and sometimes competing agendas thrown together. While this could easily have descended into cliché, this is far from the case here. Tim MInchin, is brilliant and moving in portraying a character falling apart psychologically as he endeavours to face his demons. Milly Alcock is a mini powerhouse of kickass attitude whose drive and stickability as she warms to the task of ensuring the piano reaches its goal is both endearing and poignant. The final episode is moving but not in a maudlin way as it draws together the points that have been alluded to by means of flashbacks throughout the earlier scenes. The metaphor occupied by the piano as the central point of the series is a brilliant piece of writing. Some of the scenes, without giving too much away, for example the horse being replaced by the piano in the horse box, is priceless. R H Young (Dhanmondi Road 2019)

This is how you make a tv show. Equally meaningful seriousness, yet potentially Minimal budget.

I've known of Tim Minchin for a long time, about half my life. I've understood his comedy, his music, and his teachings / very educated opinions and observations, and this show is the epitome, the peak of all things perfect about him.

The comedy is his hard hitting dark humour, with gritty realism of a struggling man at his lowest point of his life.

All I can say is this is going to be by far one of the most underrated shows. I can only hope this show blows up to unfathomable levels. I want everyone talking about it.