Yi chu hao xi

It's good. It's not a comedy. It's more about reflecting human nature. It's not bad. Huang Bo's acting skills are good

Zhang Yixing was praised by his real name. He was able to become an actor among a number of senior actors. Thanks to Huang Bo's script and trust, he gave him a role to play. Back to the film itself, the whole viewing process fluctuates like an electrocardiogram. Whenever you feel good, it will collapse soon, but when the insufficient places pass, new highlights will appear. After all, it's a debut. You can't ask Huang Bo for super high standards because he is the director. The first play dares to challenge a large group of plays with such rich elements. I'm afraid Jiang Wen doesn't have this courage. Jiang Wen's fifth film was only one step away, while Huang Bo's first film was shot. The scene of falling from a cliff at the end was too similar to the scene of Ma Zori jumping down, leaving enough room for the audience to interpret. Therefore, we can foresee the terrible polarization after the official release of the film, but I can say for sure that this is one of the most courageous attempts of 2018 Chinese film. Finally, I want to say that the next drama is not implanted in any advertisement. In the last days of fables, what Kwai is fun and fast is really too low.

In this sarcastic comedy about current society, real Chinese stars Huang Bo as Ma Jin, Shu Qi as Shanshan, and Baoqiang Wang as Xiao Wang were a delight to watch!

The film gets off to a great start with amazing special effects during a powerful storm. The many characters are well-developed and stand out from one another. Though each character has clear advantages and disadvantages, their existence in the wild reveals their true selves. The compelling character developments that significantly influence the plot make the storyline less engaging than it is. The movie strikes the ideal balance between a serious survival adventure, some societal commentary on human selfishness, and some lighter parts like a situational comedy and romance.

A few small issues also exist with the Island. The middle part of the film is repetitious and occasionally veers into fantasy rather than sticking to the realistic survival narrative approach. It is at least twenty minutes too lengthy. Because there are extra sequences both during and after the credits, the movie's ending also seems rushed. The audience would have found a better editing of this picture to be far more intense.

Good enough as it is for a family night with snacks! We had a spicy duck neck!

This stunning dark comedy, The Island, succeeds both narratively and technically. The screenplay is smart, with twists and turns and some sharp satire towards humanity, capitalism and brainwash. The cinematography and editing are much mature. Wang Baoqiang continues his run as the best and the most popular comedian of his generation, and Lay marks an important step as he transforms from a singer-dancer to an actor. Huang Bo, on the other hand, simply shocks the world as a director, just like what he did twelve years ago in Crazy Stone as an actor.

Not too striking to feel amazed but true enough to depict the social situations and reflect some critical social issues through modifications on true stories. The vitalist part for this movie is not humor as it is originally aimed at, however, it is its unique way to tell a common rule by place its setting in a brief history of human societal evolvement. Each stage there is one idiosyncratic leader performing as the pioneer of the group to lead the people to survive, entertain and be solitary. However, each leader seems innocent with their purpose first but eventually they exacerbate due to the system established and sustained to strengthen their position and privileges. This, the movie reminds of a power without monitoring and restricting can be a fierce lion.