La paranza dei bambini

Now I'm not comparing this to City of God, just to be clear. I just like coming up with nice summary/pun lines. Connections can be made to a degree of course, but they can stop at the fact that you have kids and criminality as subject mater here. Having said that, the movie may feel slow to some. But it is quite impactful nonetheless. Not to mention that the style (in your face, the actors faces that is) is quite harrowing. It really puts you in the middle of it.

You may disagree with certain things, like the one central female character being swayed by macho and bully behavior ("male" king of the jungle style), but don't forget what world they all grew up in. So this is as authentic (or at least feels like it) as it gets. And the dialog (which may or may not be a bit improvised - otherwise kudos to the actors for conveying their emotions in such manner) is just on the spot! If you are into these types of movies, you'll rejoice and be "entertained". Otherwise maybe you'd like to stay away from this

The popularity of Italian language gang movies and TV shows has risen to high level in recent years and we have Gomorrah and Suburra to thank for that and while Piranhas isn't quite up to their standards, it's still an interesting look at the underclasses in Napoli .

Six 15-year-old boys deal drugs and use assault rifles to rule their neighborhood in Naples, interested only in making money, wearing designer clothes and surviving in a world where they believe they have no future.

There isn't much of a story in this film . It flows like the boys lives . Without a care . The kids live for today and that's the way the movie is made . Not a great deal of structure but plenty of spontaneity. They probably know things are never going to turn out well but they are going to enjoy it while they can .

Exactly as it did watching it .

This afternoon, I discovered this rather interesting film without having preliminary read the eponymous book written by Roberto Saviano and published in 2018: a band of eight teenage boys still eating chocolate cookies and arguing with the little brother when a packet of biscuits was emptied without their preliminary agreement, take opportunely advantage of the fall of the Mafioso of their Neapolitan district to become caliph instead of the caliph, like Iznogoud in the famous cartoon created by René Goscinny and Jean Tabary, but with ethics and values like Vito Corleone played by Robert De Niro in The Godfather: Part II (1974). I recognized the mesmerizing atmosphere of Naples, with its manifold alleys as hilly as lively. Moreover, the cast is overall of high quality, especially the main actor Francesco Di Napoli.

Good movie about the life of a very young gang that morphs into the new generation of the mob. It's directed very dryly which adds to the realism, but it falls into some of the usual tropes of mob movies. Solid performances throughout.

Even though the acting was really good, the movie did not establish any emotional ties towards the characters on screen. Instead of concentrating on the evolvement of the characters, the film focuses more on the plot. Considering that I found the storyline rather predictable and pressed into a typical screenwriting-scheme, it did not catch me nor it surprised me.

The movie was shot quite close. Most of the time you see a range of close shots and close-ups which I found quite restricting in the beginning but I got used to it after a while and by the end of the movie I appreciated the artistic aspect of this choice of filming.

For me personally this movie does not dig deep enough beyond the surface to be more than average and to leave a lasting memory in my mind. But it definitely has some good moments, so if you get the chance to watch it, do so.