द नेवर्स

I am astonished at the negative "professional" reviews for this series. It's well-produced, well-written, well-acted, and overall a very engaging series. Four episodes in and I find myself looking forward to the next installment. All of the criticisms I've seen are petty and/or absurd. "The super powers are unrealistic." That is a near verbatim line. "All the bad guys are rich white men." Another near verbatim criticism from the same review. Irony levels of an Onion article.

My review: it's fresh, it's fun, and better in every category than 95% of the modern super-hero / sci-fi genre.

Watched the 2 first episodes and I'm hooked. It has a nice ring of Carnival Row meets the X-men with some thriller suspense. I love how they play with the abilities certain characters has, which is not the typical over-powered "I can bend metal with my mind"-kind of deal but rather more subtle. Great casting, FX and can't wait for the next episodes.

And btw critics, when you say it's "messy" without any valid examples of why you think so then I wonder how you felt about the first season of the Witcher. Which was amazing with a crazy messy plot structure that could only be explained by people who knows about the story beforehand.

Quirky and rife with mystery (based on the 1st episode), it drew me in. Fine performances by all the leads; lots of fun details and invention. I'll be watching more. And BTW, could someone please tell the reviewer who rated it "1" that this is a steampunk-infused fantasy/SF series? It's no more a rewrite of Victorian history than "Lovecraft Country" was a rewrite of American race relations in the 1950s, or "Penny Dreadful" an historical documentary about this same era.

Like s Victorian X-Men meets Penny Dreadful.

I absolutely love it. Can't wait to see how this plays out.

Maybe this show had the misfortune of happening during the pandemic. It was one of the most inventive shows in the past several years. Really crisp, sharp writing, excellent acting, and a highly entertaining story. They never took the easy way out. Laura Donnelly, Ann Skelly, Olivia Williams, James Norton, Amy Manson... all brilliant. Maybe the show was too female-centric and too progressive for these times. Too many strong women in one show? Not enough men doing manly things for the wider audience? It's really a shame, because this was a stunningly good show. That they pulled it after six episodes, not even airing the full 12, is just a crime and doesn't bode well for other shows that aren't afraid to be this compelling with so many powerful women at the centre.