Run Sweetheart Run

Run Sweetheart Run has a very simple concept, that works thanks to a great lead performance and an entertaining first two acts. Unfortunately it doesn't fully stick the landing.

The positives of this movie, of course Ella Balinska is great. She is easily the best part about this movie and did a really nice job. Pilou Asbæk was also pretty good as the villain. The movie is very well directed with some nice cinematography. There's some nice stylistic choices that give the movie a kinda fun feel. It's very fast paced and once the movie starts, it never really stops. Its constantly entertaining from start to finish which made this movie a fun watch.

However this film suffers from its final 20 minutes. It completely shifts into something quite ridiculous, and it almost steered away the first two acts. It suddenly tries to bash you with this message in the final act that just kinda felt a little too much. And finally I felt that the film had too many scenes of 4th wall breaking. It felt very strange and rather distracting.

Overall despite a disappointing final act, and strange stylistic choices, Run Sweetheart Run is a fun movie elevated by a great lead performance, fast pacing, and good directing.

Horribly written and not even sensible.. To void her pickup so she can have a nightcap while heavily menstruating is SILLY...... this went left at 16:35 into film. Not sure how this made it into production w such a failed plot. Doesn't even deserve 600 characters review response. Familiar actors are what draw you in but loses me at previously mentioned time in film. Now I simply have to write more and waste time on this waste of time movie because someone thought it necessary to require 600 character response in order to submit a review. Shaking my head is all that comes to mind but this definitely needs to change..!

This film is a real shame. It had the makings of a decent thriller but the heavy handed #metoo messaging ruins the immersion. Every man in it is irredeemably evil / stupid even when it makes absolutely no sense from a character motivation viewpoint. Rather than spending time on a plot it lurches from one evil misogyny trope to the next, sexist boss, man fondling on the tube, evil white billionaire, evil white male cop, selfish former boyfriend etc. At the end of the film all you are left thinking is damn who hurt you re the writers.

You really don't have to hit your audience in the face with your message in every scene.

The plot and storyline was good. The execution and direction was terrible. I didn't know if homie was a vampire, a monster, the devil, a stalker. It was just a mess in my opinion. These new age thriller movies are just not the same as the old school ones. They use to really put it together. And put thought into it. In my opinion, all the new age movies try to focus on is trying to reflect the "modern day" lifestyle, and no real afford is going into creating the movie itself. Everybody in Hollywood now wants to be socially appeasing to the modern lifestyle, that no real thought is going into directing.

Breaking the 4th wall unsuccessfully since it looks like a mistake, 'surprise' moments of the bag guy showing up that are wholly predictable and completely unrealistic, ppl who are supposed to be on her side but are 'in' on it that is given away after 5 seconds removing all tension, I mean give your audience some credit. Stop spelling everything out. I want to give the Ella Balinska and Pillar Asbeak some credit, they are really trying. The female protagonist is not allowed to act smartly, she's in panic mode the whole movie. She gets trapped somewhere, door knob rattles and instead of looking for another way out or a weapon, she's made to come out through the same door looking like a deer in headlights. Where is the tension and build up in that? I was not scared even one second. It's not the acting that's the problem by way, I need to say that. The cast is really trying. It's bad direction. It feels like a film school movie, though students may do better with way less budget.