The Sparks Brothers

Edgar Wright always does great work, and when it was announced that he would be at the helm of a Sparks documentary, I was ecstatic.

I was of course excited to see the movie, but more than that I was excited that a big name director would be exposing the world and some of my fellow Americans (hopefully) to Sparks.

The band is not easy to find, and it is absolutely criminal. I myself only discovered the band 2 or so years ago and fell in love immediately, listening to the then 24 studio albums over a course of about a month for hours a day. I implore you to do the same, I really don't think you'll regret it.

The documentary really was true to Sparks sensibilities too, as Edgar promised he would try to do. The artists were not the center of attention, but rather the art was the center of attention. The dedication to their craft, along with an immense amount of wit and talent is what has sustained them as a band for 50 years.

The two are just so easily lovable guys, and immense talents with a one of a kind sound. As a fan, it made me happy to see the two in the limelight where they should be, taking a quick break to reflect after 50 years of innovating in the field. Here's to 200 more Sparks albums!

"All pop music is rearranged Sparks. And that's the truth."

The Sparks Brothers is a musical odyssey through five weird and wonderful decades with Ron and Russell Mael celebrating the inspiring legacy of Sparks. I had no idea who Sparks were going in. I knew by the end of the documentary I would have some reason to care about them, but it's hard watching a documentary about something you don't have much interest in- especially if it's about a person or people. Not that I didn't want to see this, but if I had no intentions to seek out this band before, I think it would be harder to get me to watch it. The one thing that actually got me to watch this is the fact that it was at Sundance earlier this year, and Edgar Wright was in the directors chair for this. Edgar Wright has yet to make a movie that is just decent. Everything he makes is fun and full of energy, and his first documentary is no exception. The Sparks Brothers is such a blast. It's the ultimate crowd pleasing music doc. Wright manages to incorporate his distinct style with every scene. He and Sparks were born to collaborate together. What we learn about the Sparks brothers is exactly what you'd want to know knowing Wright's previous films. They are a strange group and have a mysterious sort of quality. Watching their story unravel is just good fun.

The way the documentary is setup is sort of different from the rest. As usual, there's interviews and fun animations throughout like most. What's strange is how everything progresses. Usually we get stories of people trying to make it big, but they face challenges and defeats that make them grow as a group. The Sparks Brothers just focuses on their success. Sometimes things didn't always work out, but there's always a comeback and those defeats are still celebrated today. The film is always on a high and soars all the way through. I think the runtime could've been cut down a bit. With it running close to two and a half hours, it's pretty long for a doc. It never feels slow and the runtime doesn't feel long at all. But by the end, I looked at the clock surprised at the length. I think it's a bold move to make it this long and cover every album and a surplus of their songs. The Sparks Brothers is probably the most fun you'll have with any documentary. I left extremely glad to know just about everything there is to know about each Sparks album and how it all came to be. Also, you'll probably catch a few songs every now and then that you didn't realize was by them. If you get the chance to see this, I would highly recommend!

I'm not too familiar with the pop-rock duo band Sparks, but I'm a fan of Edgar Wright and this documentary has received strong reviews. As a result, I jumped at the chance to see a virtual advance screening of this exuberantly quirky, playfully irreverent, and ambitious documentary that serves as a comprehensive profile of Sparks, whose career has spanned five decades. The film runs at a lengthy 2 hours and 20 minutes, but Wright's deep affinity for the band is apparent in every single minute of the film. As a result, the film never feels too long-even for those who are not committed fans-but rather a well-researched, thoughtfully idiosyncratic ride that viewers are invited to hop along on. What's fascinating here is that even viewers with no understanding of Sparks can not only be sucked in after watching the first 20 minutes or so of the film, but will also remain fascinated throughout as the analysis of the band gets deeper and deeper. Wright also makes it abundantly clear how inspirational Sparks has been for many other (even more) prominent musicians in the rock and pop genres.

The film discusses the two members of Sparks, Ron and Russell Mael. Opening with a discussion of their early history and influences (which included sports and genre films,) context about how this duo has gained such a significant cult following and cultural prominence is clearly absorbed by the viewer. Edgar Wright films, particularly "Hot Fuzz" and "Baby Driver," are usually very well-edited due to Wright's stylistic editing style. While the editing process is much different in a documentary than a narrative film, Wright still edits the film to perfection. The juxtaposition between music videos, concert footage, interviews, and other relevant context pertaining to Sparks is fast yet incredibly impactful on the viewer throughout. This editing clearly contributes to the ebb and flow of the film, which Wright should be commended for. The unique combination of interviewees represented in the film (ranging from the Maels themselves to die-hard fans and many others) come together to make the film's craft feel even more holistic. My only main criticism of the film is that the second act is not as well-structured or interesting as the first act (which is more contextual) or the third act (which is more specifically/directly focused on Sparks' music.) Other than that key structural flaw, I found this documentary to be a uniquely informative viewing experience. 7.5/10.

This was superbly made, very funny, and surprisingly uplifting.

I've watched a lot of music documentaries that have interesting content but pretty boring presentation, and so to have one come along that's this entertaining and this well edited was a real treat.

Sparks have had an incredibly interesting history to the point where you could use stock standard documentary techniques and still make something watchable, but Wright's passion for this duo really shines through and makes for a documentary that will make any viewer see the weird, funny and captivating appeal of Sparks.

It makes me feel like I've got a lot of catching up to do, as I'd only listened to four Sparks albums before watching this, and there are at least several more covered here that I feel I should check out.

Only complaint I'd have is that it gets a little long winded near the end, with an epilogue that stretches on forever, with so many points where you think it's about to finish but doesn't. It's like the Lord of the Rings: The Return of the King ending but for documentaries.

Maybe Wright just didn't want to finish making this movie about a band he clearly loves, so for that I can't blame him too much.

Greetings again from the darkness. Over the past 5 decades, the number of bands that have broken up is, well, almost all of them. For two brothers to write songs and perform together over that span, and still be at it in their 70's is remarkable. Sparks is made up of Ron Mael and younger brother Russell. They've published 25 albums with 300 songs, and performed thousands of concerts. Somehow they still like each other, respect each other, and work well together. As unusual as their music is and as strange as their stage show can be, it seems only fitting that their cinematic profile would be directed by Edgar Wright, who is best known for SHAUN OF THE DEAD (2002) and BABY DRIVER (2017). This is his first documentary.

Mr. Wright establishes the necessary unconventional start by having Sparks perform the opening credits. Not a song to open the film, but rather they actually perform the opening credits. We are then introduced to Ron and Russell, and we get some childhood family photos and an explanation about how their artist father taking them to the movies would later influence their work. And other than learning that Ron has a massive snow globe collection, that's the end of the insight into their personal lives. Normally that would be a mistake, but there is nothing normal about Sparks.

Instead of personal profiles, director Wright opts for a chronological discography - a walk through the band's timeline of recordings. Each step is punctuated with insight from fellow musicians or celebrities, and clips of the band performing their music from each era. The interviews are filmed in black & white so that the color of the stage performances really pop on screen. Some of those interviewed include producer Todd Rundgren, Jane Wiedlin (The Go-Go's), Flea (Red Hot Chili Peppers), Pamela Des Barres (a musician and, umm, certain other skills), and other musicians who played with Sparks over the years.

Often thought of as a novelty act, Sparks music and shows are filled with humor, but are not a joke. The two brothers have stayed committed to the music and the performances. To cover an extended gap in their career, director Wright utilizes 6 years of "Dick Clark's Rockin' New Year's Eve", but more impactful is finding out that they worked on the music every day during those 6 years. The Mael brothers define persistence. The brothers' desire to break into film music fizzled a couple of times due to Jacques Tati and Tim Burton, but they do appear in the 1977 thriller ROLLERCOASTER.

Songwriter Ron is the brother with the Hitler/Chaplin mustache, while singer Russell was the matinee idol in the early years. They are referred to as the "Best British group to come out of America", and their musical influence can be traced to many more popular bands. A collaboration with Franz Ferdinand pushed their creativity, but it's an outlandish 21 shows in a row, each featuring a different album performed live that may best define their love of music and performance (and stamina). So while Mr. Wright offers zip in regards to their personal lives, the abundance of live performance clips and the quite funny Sparks "Facts" over the closing credits make this a documentary worth watching (even with its 140 minute run time).

In theaters June 18, 2021.