IMDb रेटिंग
5.8/10
5.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंSamantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.Samantha, a young girl who was kidnapped, resurfaces in shock after being imprisoned and hospitalized.
- पुरस्कार
- 3 कुल नामांकन
Katsiaryna Shulha
- Linda
- (as Caterina Shulha)
फ़ीचर्ड समीक्षाएं
A kidnapped girl is found 15 years after her abduction. A celebrated psychiatrist is trying to deal with her trauma and a retired detective who only has hours to live is ready to put it all on the line to find a vicious killer. Will he be able to succeed? And who is the real villain?
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
Donato Carrisi adapts his rather complex and at times convoluted plot to a film that makes surprising sense. That alone is an achievement. This is chronologically the third book in the series which makes it a particularly difficult adaptation. The good news - it works out well.
Writers rarely makes good directors. Carrisi is an exception. Choosing carefully his colour pallet he nods to the "giallo" sub-genre of the 80s and draws inspiration from the likes of Dario Argento (Suspiria). The whole movie feels like a dream-like sequence, although it is more procedural crime fiction than anything else.
What makes the movie feel focused is its great performances. Dustin Hoffman as Dr Green who is trying to get into the mind of a beautiful victim and Toni Servillo (THE GREAT BEAUTY) as a dying detective who has made it his life goal to catch the killer, carry the film on their shoulders. The story has an episodic structure and echoes heavily the SAW franchise, although, I am sure, Carrisi would be devastated to hear of the comparison. What he has been trying to create with his books (and films) is a serial killer cinematic universe. INTO THE LABYRINTH may not be the best start, but it definitely has the potential to becoming a mystery to remember.
The good: great actors, beautifully photographed, nice music score, intrigueing start of the story.
The bad: this movie is somehow lacking in spark and punch. The stories plot isnt very original either, bit of a bummer actually. It is part Italian spoken, part english spoken.
I think this movie is best suited for an arhouse audience, which has got the patience for longstretched scenes with only dialogue. It is definitely not a bad movie, but somehow I am missing the excitement that I usually get when watching a movie about kidnapping.
The bad: this movie is somehow lacking in spark and punch. The stories plot isnt very original either, bit of a bummer actually. It is part Italian spoken, part english spoken.
I think this movie is best suited for an arhouse audience, which has got the patience for longstretched scenes with only dialogue. It is definitely not a bad movie, but somehow I am missing the excitement that I usually get when watching a movie about kidnapping.
Seems logical for the most part, but at the end some twists makes it very confusing to fully understand... You have to think afterwards to try to figure it out, I think that this problem occurs when tou want to squeeze in 2 hrs a complex book.
In another 10/10 review you can read that bad reviews are ' from people who fell asleep or didn't understand', a thiller that makes you sleep or completely confused isn't what I call a good one.
In another 10/10 review you can read that bad reviews are ' from people who fell asleep or didn't understand', a thiller that makes you sleep or completely confused isn't what I call a good one.
Very interesting story & plot.
The characters are not so likable, I think because the script is so mysterious & full of secrets.
Now the confusing part, you must watch it twice to understand the whole story; it feels like there are two parallel ones & they meet at the end. The time is kinda irrelevant as the plot shifts alot at the end.
It also gave me Sin City "vibes".
I am not usually leaving reviews here but i honestly think that this movie is underrated. It kept me excited for the full 2 hours, something that nowadays hardly a movie manages.
क्या आपको पता है
- ट्रिवियाIn this film and Donato Carrisi's previous film "Girl in the Fog" (2017) is the repetitive use of the number 23. The significance of the number 23, known as the "23 enigma" has been popularized by various books, movies, and conspiracy theories. Donato Carrisi's number 23 is used in his films as an unlucky number associated with murder, death, and danger. In Italian history, for example, the Roman general Julius Caesar was stabbed 23 times.
- गूफ़When Genko goes and finds McInsky's van, there is a strong wind sweeping the front yard of the van. Looking at the right corner of the van, the bed sheets hanging on a rope are completely still.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Into the Labyrinth?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- L'uomo Del Labirinto
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- €40,00,000(अनुमानित)
- दुनिया भर में सकल
- $25,17,731
- चलने की अवधि2 घंटे 10 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें