प्रथम विश्व युद्ध के दौरान दो युवा ब्रिटिश सैनिकों को एक असंभव मिशन सौंपा जाता है, जहाँ उन्हें दुश्मन के इलाके में जाकर एक संदेश देना होगा, ताकी उनकें सैनिक एक खतरनाक जाल से बच सकें.प्रथम विश्व युद्ध के दौरान दो युवा ब्रिटिश सैनिकों को एक असंभव मिशन सौंपा जाता है, जहाँ उन्हें दुश्मन के इलाके में जाकर एक संदेश देना होगा, ताकी उनकें सैनिक एक खतरनाक जाल से बच सकें.प्रथम विश्व युद्ध के दौरान दो युवा ब्रिटिश सैनिकों को एक असंभव मिशन सौंपा जाता है, जहाँ उन्हें दुश्मन के इलाके में जाकर एक संदेश देना होगा, ताकी उनकें सैनिक एक खतरनाक जाल से बच सकें.
- निर्देशक
- लेखक
- स्टार
- 3 ऑस्कर जीते
- 135 जीत और कुल 200 नामांकन
सारांश
Reviewers say '1917' is acclaimed for its technical prowess, especially the one-shot cinematography and realistic portrayal of World War I. The film's intense emotional impact and strong performances are frequently highlighted. However, some critics feel it lacks originality and depth, drawing comparisons to other war films. Concerns about plot simplicity and underdeveloped characters are noted, although the visual and technical elements are universally praised.
फ़ीचर्ड समीक्षाएं
1917 is a poem.
Is the most deep, impressive and realistic way of seeing what kinds of things happened in WWI.
This movie made me leave the movies with tears in my eyes as if I have had a time travel experience to the World War I, and then waking up and realizing how wonderful are the times we are living in.
1917 is a must see movie for everyone.
There are some great WW1 films out there, the granddaddy of them all in my view being 1930's 'All Quiet on the Western Front'. Also appreciate many of the actors here, though they are in cameo roles, and Sam Mendes as a director (of the films of his seen, almost all, 'Spectre' is the only one to not do much for me). Roger Deakins and Thomas Newman are masters in their field, Deakins is one of the best cinematographers in the business and Newman's score for 'Road to Perdition' is a favourite.
'1917' was seen for all those reasons. As well as because of the critical acclaim, with it being considered as one of 2019's year's best films. After seeing it, my thoughts are that the acclaim for '1917' is richly deserved in one of the best and most powerful films that year. It did connect a lot with me, due to watching it not long after reading the harrowing war diaries of my great-grandfather (who fought in the war and was mustard gassed and blinded).
First and foremost, '1917' is a visual and technical achievement. It is beautifully and evocatively designed and Deakins' cinematography, with awe-inspiring and never gimmicky use of the long unbroken one take technique, is nothing short of masterful. Mendes ensures that the tension, even in the slower moments, never slips, keeping the intensity (at its best almost nerve-shredding) going.
Newman provides another hauntingly beautiful score, that does stir the emotions in the latter parts of the film when things become more urgent. The sound is thrilling in its authenticity, so much so it was like being there. The film is intelligently scripted and to me the two lead characters, especially Scofield, were easy to get behind, interesting and their bond came over as realistic. The story is engrossing throughout, it briefly loses a little momentum just before the climax perhaps, but the first half is emotionally powerful and the climax is unpredictably intense.
Such a good job is done too with showing the full horrors of war from a visual standpoint, a psychological one and in the unflinching action. Without going too far, the point of view not being hammered home. '1917' benefits hugely from the splendid lead performance of George MacKay and Dean-Charles Chapman is strong too despite his role not being quite as meaty. The cameos from Benedict Cumberbatch, Colin Firth, Richard Madden and Andrew Scott manage to make big impressions in short screen time.
Overall, brilliant and powerful film. One of the best films personally watched in 2020. 10/10.
'1917' was seen for all those reasons. As well as because of the critical acclaim, with it being considered as one of 2019's year's best films. After seeing it, my thoughts are that the acclaim for '1917' is richly deserved in one of the best and most powerful films that year. It did connect a lot with me, due to watching it not long after reading the harrowing war diaries of my great-grandfather (who fought in the war and was mustard gassed and blinded).
First and foremost, '1917' is a visual and technical achievement. It is beautifully and evocatively designed and Deakins' cinematography, with awe-inspiring and never gimmicky use of the long unbroken one take technique, is nothing short of masterful. Mendes ensures that the tension, even in the slower moments, never slips, keeping the intensity (at its best almost nerve-shredding) going.
Newman provides another hauntingly beautiful score, that does stir the emotions in the latter parts of the film when things become more urgent. The sound is thrilling in its authenticity, so much so it was like being there. The film is intelligently scripted and to me the two lead characters, especially Scofield, were easy to get behind, interesting and their bond came over as realistic. The story is engrossing throughout, it briefly loses a little momentum just before the climax perhaps, but the first half is emotionally powerful and the climax is unpredictably intense.
Such a good job is done too with showing the full horrors of war from a visual standpoint, a psychological one and in the unflinching action. Without going too far, the point of view not being hammered home. '1917' benefits hugely from the splendid lead performance of George MacKay and Dean-Charles Chapman is strong too despite his role not being quite as meaty. The cameos from Benedict Cumberbatch, Colin Firth, Richard Madden and Andrew Scott manage to make big impressions in short screen time.
Overall, brilliant and powerful film. One of the best films personally watched in 2020. 10/10.
The entire movie made to look like it's shot at one single take, this is possible because of extraordinary talented 14 times Academy Award nominee cinematographer Roger Deakins. This man is a genius, the movie is shot beautifully. it is mesmerizing to a watch world war 1 movie like it is happening right in front of you. The pacing is phenomenal. The only real flaw in the movie is that there are no great character building movements like other war movies but that is also intentional because, the main intention or motive is to save lives and not focus on characters in the movie and that works.
I sat in a packed yet silent theater this morning and watched, what I believe to be, the next Academy Award winner for the Best Picture. I'm not at all a fan of war movies but I am a fan of great movies....and 1917 is a great movie.
I have never been so mesmerized by set design and direction, the mass human emotion of this film is astonishingly captured and embedded magically in the audience. It keeps running through my mind...the poetry and beauty intertwined with the raw misery of war.
Treat yourself....see this movie!
I am not particularly a huge fan of war films. Much of it is because they too often glamorize war or present bullet-proof heroes who are anything but realistic. However, I am glad I watched "1917" because neither of these problems exist in the story plus it's a very good depiction of war and the awfulness of it...particularly WWI.
The story is very simple...two lance corporals are sent on a mad dash across enemy territory to alert troops on the other side of this no-man's land that they are walking into a trap. The film shows their journey and the thrilling finale.
The plot is among the simplest I've seen in a war film and the movie is really about action and the men's struggle to sneak across the battlefield and alert their troops....simple. Yet it was made so thoughtfully and realistically that it really worked well. A brilliantly made film...among the best I've seen about war. But it's also very graphic and unpleasant....so be forewarned.
The story is very simple...two lance corporals are sent on a mad dash across enemy territory to alert troops on the other side of this no-man's land that they are walking into a trap. The film shows their journey and the thrilling finale.
The plot is among the simplest I've seen in a war film and the movie is really about action and the men's struggle to sneak across the battlefield and alert their troops....simple. Yet it was made so thoughtfully and realistically that it really worked well. A brilliantly made film...among the best I've seen about war. But it's also very graphic and unpleasant....so be forewarned.
क्या आपको पता है
- ट्रिवियाSir Sam Mendes (director) and Lee Smith (editor) stated that, despite the apparently continuous shot (broken only by one interval of unconsciousness), actually dozens of "invisible" edits were made, concealed by transitions through black, moves behind objects, and so on. According to Mendes, the shortest unbroken shot was 39 seconds long, while the longest single continuous shot was 8-1/2 minutes long.
- गूफ़British trenches did not use long straight sections. Instead they used a traverse system of short fire trenches linked by traverses to minimize damage from a direct artillery hit in the trench system.
- भाव
General Erinmore: [quoting Rudyard Kipling] Down to Gehenna, or up to the Throne, He travels the fastest who travels alone.
- क्रेज़ी क्रेडिटThe opening logos are shortened and tinted blue.
- इसके अलावा अन्य वर्जनThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- कनेक्शनFeatured in Jeremy Jahns: 1917 (2019)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Thế Chiến 1917
- फ़िल्माने की जगहें
- Salisbury Plain, Wiltshire, इंग्लैंड, यूनाइटेड किंगडम(trench scenes & farm)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $15,92,27,644
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,76,216
- 29 दिस॰ 2019
- दुनिया भर में सकल
- $44,60,64,352
- चलने की अवधि
- 1 घं 59 मि(119 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें