Systemsprenger

Directress Nora Fingscheidt had previously only worked on documentaries and it shows - in a wonderful way. Best described as hyper-realistic cinema, the movie is a "slice of life" experience spanning only a few weeks of the trying life of 9-year-old girl Benni and everyone involved in it.

It is never made quite clear (at least not comprehensively) what exactly it is Benni is suffering from, but that's not essential to a non-professional audience anyway. To a layman, it appears to be a form of mental instability that requires intensive professional care and medical assistance. However, neither seems to be sufficient treatment as Benni's mood heavily fluctuates between moments of relative calmness and aggressive hypomania all throughout the movie. As a consequence, she's constantly battling social isolation and caught in between her most human need for affectionateness and her conditions disposition of pushing everyone away from her. The movie also brilliantly displays, in what I consider maybe its strongest feat, the emotional and professional hardships everyone surrounding her experiences as a result. Even today, there's very little understanding or appreciation for social work in our society, that is, labor that does not immediately generate monetary value. The movie does its part in educating the viewer, not in a condescending way but entirely through imagery. Its multifaceted approach encompasses any and all points of view, individual motivations and emotions, the eventual judgement however is left entirely up to the audience.

The acting is undoubtably meriting all the praise directed its way and then some. Flawless across the board. It wouldn't work otherwise. Helena Zengel does a magnificent job at playing Benni, surely someone to watch for the future.

Without elaborating too much, there's one peculiar cinematographic detail I'd like to mention that stood out to me: The color palette is heavy on pink, a traditionally "girly" color, that is used in most innovative ways that can be best understood if you're familiar with Julian Schnabel's At Eternity's Gate (2018). Like Schnabel, Fingscheidt uses color to further emphasize the gravitas of certain emotional situations. As opposed to "seeing red", the young girl literally sees pink in scenes of extreme anger and distress and we, as the viewer, are confronted with a bold pink overlay blocking out everything else. One cannot help but notice the (most certainly intended) irony in using a color such as pink that is associated with cuteness and innocence and turn it into what later on in the movie has conditioned the audience to expect rage fits of the worst kind.

That is not to say that the movie represents a particularly feminine point of view. The issue is, at its core, a gender neutral one.

In short, a hearty recommendation to any serious moviegoer.

If this film is hard to stomach, or sit through, or you had to close your eyes and hold your ears through tough parts.....then this film succeeded in its main task of showcasing very real and difficult to treat psychiatric conditions. It can be a little rough to watch at times but also heart warming too so it won't be a total downer the entire time. If you find this film a worthy watch then check out 'Mommy' 2014 to see how this progresses. I rated this an 8, for good, but you'll have to see for yourself to be a fair judge.

This movie is so shocking realistic. I work with kids like Benni everyday. Watch it, it will be worth it. It makes you cry, you will feel the despair of the girl and the responsible adults. The acting of the girl is outstanding.

This movie was really impressive, especially considering that it is the director's first feature film. Helena Zengel, who plays Benni, is such an excellent actress and she can go very far as an actress if she continue in that way. Can't wait what she is doing next.

Unbelievable, impeccable performance by the little girl who shakes up the life and faith of many good people that genuinely want to help but are pushed to their limits. Unusual dramaturgy but realistically showing the back and forths of such an extreme case. Great camera and sound to support this excursion into the world of a lovely but hardly bearable girl who is innocent of her condition due to a failed family structure. Very moving film that raises important questions. Incredible debut work.