IMDb रेटिंग
5.4/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAn anti rom-com about Mandy, a career-driven single mother, who falls in love with the charming, traditionalist Pete.An anti rom-com about Mandy, a career-driven single mother, who falls in love with the charming, traditionalist Pete.An anti rom-com about Mandy, a career-driven single mother, who falls in love with the charming, traditionalist Pete.
- पुरस्कार
- 3 कुल नामांकन
Rosa Coduri-Fulford
- Meredith
- (as Rosa Coduri)
फ़ीचर्ड समीक्षाएं
Mandy (Billie Piper) is a struggling single mom in the modern world with a bad job and a troubled son. Her mother Marion (Kerry Fox) has been living with her for the last six years after being abandoned by her father Vic (David Thewlis). She starts dating co-worker Pete (Leo Bill) who is against the modern feminist world and is frustratingly bitter. She figures that he's going to rape her on their first date and so of course, she continues dating him.
I wanted to see why this is described as an anti-rom-com. Tom is an ugly hateful character. Sometimes, those misanthropes can be funny characters. Tom is never funny. There is no reason for Mandy to date him. He's one of those bad blind dates in a rom-com montage. We can laugh at his one horrible line but we don't have to spend the rest of the movie with him. Mandy is the classic pathetic single gal in the big world character. She's a staple in TV sitcoms and various rom-coms. Billie Piper is an appealing actress and her charisma overpowers any flaws. I see what's she's trying to do here. She's an older woman who lost her youth and feels her beauty fading away. She's overwhelmed by all sides. The question is what she's going to do with that character. This is her debut as a writer and as a director. It's interesting that she's choosing to do a dark underside interpretation of the standard rom-com. I don't think it achieves what it wants. It tries to do surreal but it comes too late. There are undeserved turns. It's not truly dark enough to be shocking or somehow worthy of discussion. It's definitely not funny despite some quirky turns. Billie Piper may have some interesting ideas but she's not experienced enough to pull it all together in a black comedy which is often a tough genre to get right. My one big suggestion is to make Pete her horrible husband from the start. She's stuck in a bad marriage and she needs to escape. In this movie, she doesn't need to escape as much as she needs to never get trapped in the first place.
I wanted to see why this is described as an anti-rom-com. Tom is an ugly hateful character. Sometimes, those misanthropes can be funny characters. Tom is never funny. There is no reason for Mandy to date him. He's one of those bad blind dates in a rom-com montage. We can laugh at his one horrible line but we don't have to spend the rest of the movie with him. Mandy is the classic pathetic single gal in the big world character. She's a staple in TV sitcoms and various rom-coms. Billie Piper is an appealing actress and her charisma overpowers any flaws. I see what's she's trying to do here. She's an older woman who lost her youth and feels her beauty fading away. She's overwhelmed by all sides. The question is what she's going to do with that character. This is her debut as a writer and as a director. It's interesting that she's choosing to do a dark underside interpretation of the standard rom-com. I don't think it achieves what it wants. It tries to do surreal but it comes too late. There are undeserved turns. It's not truly dark enough to be shocking or somehow worthy of discussion. It's definitely not funny despite some quirky turns. Billie Piper may have some interesting ideas but she's not experienced enough to pull it all together in a black comedy which is often a tough genre to get right. My one big suggestion is to make Pete her horrible husband from the start. She's stuck in a bad marriage and she needs to escape. In this movie, she doesn't need to escape as much as she needs to never get trapped in the first place.
I enjoyed the film, though definitely had overlaps with Billie Piper's series I Hate Suzie (which I must say I preferred). At times I couldn't work out if I was supposed to be rooting for her character and love interest to be together, and I found Pete's character rather confusing. But on the whole enjoyable and inventive, really intrigued to see what Billie comes up with next.
While it is certainly different from what you could have expected, I could argue that it is not an entirely satisfying watch. Even though Billie Piper does a remarkable job behind and in front of the camera, the film overall feels like it lacks strenght in the right places. However I won't take away the fact that it takes quite a notable direction in storytelling, which can confuse some viewers, and fascinate others. Obviously this was Miss Piper's intention, but it was not entirely well-executed, in my view. Although the ending did leave me content somehow.
Even so, there are some marvellous performances to behold, such as the one coming from Billie Piper herself, along with Leo Bill, Kerry Fox and the always solid David Thewlis.
Interesting directing debut from Piper, and while not exent from criticism, it is a rightful start that could lead to more precisely elaborated and well-polished endeavours.
Even so, there are some marvellous performances to behold, such as the one coming from Billie Piper herself, along with Leo Bill, Kerry Fox and the always solid David Thewlis.
Interesting directing debut from Piper, and while not exent from criticism, it is a rightful start that could lead to more precisely elaborated and well-polished endeavours.
This was a very intriguing/bizarre film. I guess you can call it a dramedy of love, faith and atheism. I just felt that it was a bunch of rare scenes that were so unfollowable. Was this a play, was it a film, honestly I'm still not sure. I so tried to follow this story but I still don't know where I ended up. I will say this....it was definitely rare.
I had to watch this movie when I saw how polarized the IMDb reviews were. People either seemed to LOVE or HATE it. I really enjoyed the themes of this movie, the overall message, the acting, and most of the direction. The major problems came for me when the Director got a little too artsy-fartsy, which really only happened towards the end of the movie.
I think the opening scene was brilliant, not only for its candor, but because it will tell you if you will be able to enjoy the movie right then and there. A lot of people will probably turn it off right away, and that's probably for the best. If you don't like it, don't force yourself to watch it, it's a rough and uncomfortable journey.
I give the movie a 6 to say it's above average, worth watching if you're into that kind of movie, but not something anyone MUST see. I look forward to more from this filmmaker, if they can reserve their art school tendencies.
I think the opening scene was brilliant, not only for its candor, but because it will tell you if you will be able to enjoy the movie right then and there. A lot of people will probably turn it off right away, and that's probably for the best. If you don't like it, don't force yourself to watch it, it's a rough and uncomfortable journey.
I give the movie a 6 to say it's above average, worth watching if you're into that kind of movie, but not something anyone MUST see. I look forward to more from this filmmaker, if they can reserve their art school tendencies.
क्या आपको पता है
- ट्रिवियाDirectorial debut of Billie Piper who also writes and stars in the project
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Rare Beasts?Alexa द्वारा संचालित
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