The Racer

It's 1998. Dominique "Dom" Chabol (Louis Talpe) is a veteran riding his last Tour de France. His only job is supporting the younger riders. He's not supposed to win anything, but dreams of a stage win. Sonny McElhone (Iain Glen) is the team masseur and chief doper. Dom gets replaced before leaving for the tour. As he starts to accept his fate, he gets a second chance.

This is ripped from the headlines. Dom is such a quiet character. He almost has no colors except when he starts connecting with the girl. It's all about his racing. The last visual should be him with the girl. Instead of the trophy girls, he should walk off the podium to kiss Lynn like Rocky style. I like all the details, but this is a bit quiet.

The Racer is a new sports drama directed, written and produced in part by Kieron J. Walsh, the director of Jump.

The film is set in the summer of 1998 during the Tour de France, which takes place in Ireland that year. The Belgian cyclist Dominique Chabol (Louis Talpe) is at the end of his sports career, but secretly hopes to be able to wear the yellow jersey. When Dominique offers less good speed records, he is kicked out of his team. Thus he loses hope of making his dream come true and prepares to leave his sports career behind. When another member of his old team is disqualified due to a doping error, Dominique gets his last chance to make his dream come true.

This film comes across as if you are looking at real images of the Tour de France with additional images of how the cyclists prepare for their races. The film is so entertaining and informative for cycling fans. You get a good view of what heavy things cyclists do to have a chance of winning a cycling race. In this way you also see how false it is when other cyclists use doping to win their races in an unfair way.

A downside of this film is that you mainly follow the main character when he is kicked out of his cycling team, looking for a new way of life. He tries to improve his family life and to start a relationship with the doctor who cared for him. When he is allowed to return to his team towards the end of the film, he seems to be occupied with his own sports career and dreams again. The time you, as a viewer, spend after his sports career together with the main character, then appears somewhat aimless.

The acting is well done by the cast. Louis Talpe comes across well as a cyclist who chooses his career. It's just a shame that his character comes across a bit too selfish when he is allowed to return to his team. The rest of the cast gets a chance to shine as they help the main character with his life after his career. If he does choose his career again in the end, the time you spent with the rest of the cast also seems a bit unnecessary.

This is not just another "sporting underdog wins the victory" movie. In this movie the good guys aren't that good, and we can really empathize with some of their immoral decisions. This is a very mature film with a plot that isn't so black-and-white. I started watching it skeptically, but couldn't stop watching until the very end.

The soundtrack is nice too, and the race sequences really transmit the excitement and energy of fierce athletic competition. Give it a try, it's a great movie.

Its seems to be stupid, but then u remember someone called Armstrong So who knows, if it could be true? I mean.

There's the makings of a decent film here. Good characters and the lead roles are well acted. Some of the supporting characters are little more than 2 dimensional stereotypes (the highly strung Italian prima donna) but that's forgivable in a low budget movie.

The real problem is that the film gets so much of the cycling wrong. Having a sprinter who's favourite to win the Tour de France. Domestiques who literally ride the entire stage on the front of the peloton including doing the lead out. Teams having all their riders together at the end of the stage. These things aren't central to the plot, but the problem is that to anyone who actually follows cycling they make it clear that the filmmakers either don't know much about professional cycling or just don't care. Which is a problem in a film about cycling which is mainly going to appeal to cyclists and cycling fans!