The Spy Gone North

Gongjak or The Spy Gone North is a spy thriller that looks at the complex political world of North and South Korea and relations during the late 1990's. It is a mix of history and fiction in telling the story of a South Korean spy agent who goes to North Korea under the guise of a businessman through China in order to infiltrate North Korea in search of information about the nuclear program.

The movie's biggest strength is in the cinematography portraying the different locales of China, South Korea, and North Korea in its story telling and in the acting pulling in a cast of well established Korean actors. The camera work and soundtrack is also excellent which work together perfectly in creating high tension key points in the story and providing the movie with excellent pacing.

The story is for the most part is more straight forward than what I expected from a spy thriller. It gets more political after the second half of the movie which is expected due to the nature of story between North and South Korea and it adds a level of complexity. What the movie doesn't do well is explain the motivation that drives the actions of supporting characters. The main character's actions were easy to understand but it was a little bit frustrating not understanding the driving cause of some of the other key characters.

The movie ends with a clear message that will polarize viewers based on their political standing but it does so in an interesting way through the relationship between characters which does tie up the movie fairly well. My biggest critique of this film is that it's too predictable for a spy thriller but it does do a great job narrating the journey.

This high quality drama is an edgy political thriller throughout, and directed brilliantly by Yoon Jong-bin. The cinematography, the strong cast, the pace, minimalist score and crafted camera work dovetail beautifully to produce a fictional re-telling of a story largely based on truth. The ideologies of two opposed political systems rooted in sister countries of North and South Korea confront one another through the actions of Kim Jong-il (Leader, General and King of the North) and the National Intelligence Service of the South. The quest of the NIS is to determine by whatever means they can devise whether the North is developing nuclear capability, and how close that may be to full militarization. Itself no simple matter! The answer the Director of the NIS is instructed to follow is: send one of his prized assets, a soldier Park (Hwang Jung-min), first to China in the guise of a greedy businessman to build a network of contacts, then if possible, eventually move on to Pyongyang, and Seoul to get close to and manipulate General Kim. Assessing the nuclear threat is agent Park's foremost priority.

That said, the already apparent complicated plot is made more so by believable lucrative and labyrinthine business dealings that have to be set-up and we follow in real time. Agent Park, now businessman Park, is under suspicion from the off and continually tested by an ever cautious communist security service chief. Any mistake by Park in his new persona will lead to exposure and imminent death. The tension and austere nature imposed by DPRK security is palpable, and makes very edgy viewing indeed.

However, while Park progresses and begins to infiltrate into the top echelons other complications arise in his home country. The longstanding ruling Party of 50 years faces a general election in which a new opposition Democrat candidate (allegedly a covert communist sympathiser) wants to reaffirm friendships and form closer trade relations with the North. That level of uncertainty (or as seen by some NIS members, a 'threat' that the South dare not tolerate) compels many of the principle protagonists to either switch their allegiances or change their modus operandi, compounding the cinematic intrigue.

In answer to a few Imdb reviewers who suggest that this movie is slow, they could not be more wrong! To enact the largely historically truthful story in all its glorious intricacies any less accurately by going faster, while maintaining such a superb level of entertainment would be nigh on impossible. This movie is acted slickly and make no mistake is superbly directed. The long build-up in the first half seems necessary to make the story intelligible. Without giving away how the story pans out in the latter half, suffice to say, it makes for an enjoyable, entirely satisfactory, time well-spent coherent watch. Director Yoon Jong-bin especially, and others, particularly the scriptwriters, and supporting cast deserve nominations in the Best Foreign Film category at the Oscars. This film comes highly recommended.

What could prove limiting to its worldwide box office appeal is that for English-speaking audiences the dialogue requires subtitles, and that usually reduces audience figures. Don't let that put you off. 'The Spy Gone North' (aka Gongjak) merits 10/10.

A top flight spy movie. Full of tension, twists and intrigue. Set in what is probably the most intriguing cold war of all time.

This is an excellent movie on all accounts. The fact that it is based on historical events makes it even more special.

Watch it and love it!

It's slow but if patience is applied, the movie come to life. It's captivating and intriguing to see. Not your gun totting spy movie but brilliant on its own

This is a korean spy thriller drama about, a true incident of espionage on north korea from the southern sister, via channals in mother china. its an exremely complex plot, but the very good acting by the main actors make this as seeworthy as the east west spy thrillers of the 70's and 80's made by usa , european and soviet filmakers.

its very well worth a thought that the korean issue is a still ongoing conflict, and every time a film like this is put on the market, their northern counterpart usually creates skin attacks and mortar shelling on the DMZ, or starts some navy maneuvers that usually are not announced, or burns up some fireworks that USA and japan gets der untergang spasms from, south korea are doomed anyway if some dirt like that should happen.

one might critizice the slow pace of this film, but its done with a cause, and well worth waiting for. the filmography are true fantastic in all aspects, with the punch of a feinsmeaeckers finrgerspitz, it brings us through great aerials to excitingly focused dialouges.

a darn good thriller thinks the grumpy old man, with recommendations.