Blackbird

The film if you want to call it that is absolutely awful from start to finish! I was really looking forward to this film as I am a fan of Michael Flatley. It is actually more of a vanity project than a film to be honest. The story is weak, the cast are clearly there for the money without bringing an ounce of character to the screen, the effects are subpar & the lead is wholly unbelievable as a character. Just don't waste your time or money on this lame duck. The sooner it's gone from my memory the better.

I'd avoid this tripe like the plague. It's definitely on par with Cats. Just really a terrible whatever it is. Awful.

I watched this film on line a few days ago and really struggled to watch it all the way through, though I did spend some of the time playing a card game on my phone.

It is essentially a series of poorly executed cliches more stolen than 'based upon' old movies. The acting ranges from disinterested to awful and the experience left me surprised that I couldn't even laugh at it. Just bad.

I note that 5 reviews award it 10/10. Mmmm. I quite liked the Austin Powers movies, but I hadn't realised they were masterpieces until I half-watched this.

I hadn't realised until afterwards that Mr Flatley had produced this as a sort of 'vanity project', but that does go some way to explaining the inexplicable heroism and misogynism on display here.

The strangest thing about Michael Flatley's 90-minute animated selfie is how dated it is. A sort of action-free action remake of Casablanca is one thing, but Flatley hasn't moved on (in 2018) from servile magic black men, skinny women whose job is simply to appear nearly naked, high-stakes Texas hold'em (ffs that was old in 1999), and indeterminately Middle Eastern bad guys.

Eric Roberts can't seem to manage his teeth, the hotel singer cannot speak intelligibly - I don't think this is a disability-opportunity casting - and never mind Flatley's stupid hats; he must have been measured for his clothes before a particularly self-indulgent Christmas.

Like Claude Rains channelling William Shatner as depicted by George Galloway.

If it was fast-moving, it might be approaching hilariously bad, but it's slower than a wer Sunday in Rosscarberry.

This film should have been made in Kansas. The dialogue is so corny, that even the B actors trying to say the lines at least deserve an award for keeping a straight face as they deliver these lines of drivel. The film must have been written by a first year film student during his or her lunch break. The dialogue is so bad, it sounds improvised without a director present. There is no director on earth who could have saved this turkey. They would have been much better off trying to play this as a satire, but it would have failed badly at that as well. Please do not waste your money seeing this poor excuse for a film. I saw it for free, and needed two gin and tonics to get over my experience.

I really agreed to watch this because I like Eric Roberts - or I have. Previously. I guess he was suffering from the lack of work post-Covid. I don't know why else he would take this junk on. He, alas, could not begin to redeem it.

A good friend was a top tech on one of Flatley's productions, and told me about his experience in great detail. I won't go into the most sordid bits, as the man is ill. Suffice it to say, Flatley has an ego the size of Australia, showcased in this ill-conceived vanity piece. Only a pubescent boy could possibly think that this is good filmmaking. Thin plot badly written, worse editing, and ridiculously unnecessary hats. I'm embarrassed for Eric Roberts. He can do better, so I gave it two stars.