Get In

"Get In" has an interesting concept that appealed to me, which is based on a true story about a man dealing with squatters. It's much deeper than that, the movie touches on the concept of John Locke's theory of property, survival of fittest with sex and racial tensions being an underlying element to the entire plot.Other than that, Get in is best viewed going in knowing as little as possible.

The acting is pretty good and there is plenty of gore, at times violent especially in the second half of the film. The climax is very haunting and memorable, adrenaline-fueled ride which I can't imagine horror and thriller fans not enjoying.

The story does seem to overly rely on artsy horror movie tropes than I would have liked, also the set-up is not all that clever or original, in terms of scary, I can't say it was the most system shocking of the mix but it's all done so well that horror movie aficionados won't care. If you dig French Horror, Home invasions, and enjoyed films like Straw Dogs, Funny Games, then this is for you.

Not the best movie, but not the worst either.

Yes, story is real as sad it could be- I know cases where in spain sqaters took houses and it took years of legal battles to take them back. It's absolutely ridiculous laws in favour of sqaters.

Started off with a promising plot but ruined with a ridiculous ending with a bad guy who it appears could probably survive a direct nuclear hit. The acting was good enough. Gave it a five for the first half.

I had the chance to watch this movie in the Motelx - Lisbon international horror film Festival with the director's presence.

The movie makes a good job of making the viewer uncomfortable by a situation that can happen to all of us: going on vacation this family lend their house to their sons's babysitter and her husband and on their return they find their home locked with the couple claiming themselves tenants. It is clear the social critic to the state system and their inability to look further at situations in a different perspective. Also and mainly, the director makes some statements in subjects as racism, genre, discrimination and lack of "masculinity".

It is a nice thriller but it seems that it is more focused on social critic than buillding tension as expected. Good actors, nice climax and very poor ending. Nice try, let's wait for the next one.

PS: At the end of the movie, there was this Q&A with the director and he wasn't very clear about some choices and claimed the last scene of the movie as his favourite.

Had a lot going for it and I was all in until a little less than 2/3 in when it changed gears, became increasingly implausible and full of plot holes, and went full-on super-violent gore-horror, which is just boring to me.

Disappointing. As usual, naked women all over the place but the guys keep every stitch on. Sure this wasn't made in Hollywood?