The Red King

The set-up resembles 1973 British folk horror film The Wicker Man. But by Episode 2, you should have noticed that not all is the same. And things diverge from there.

I also found the 1973 film was spoiled by having Edward Woodward as the policeman. He was stamped on my mind as tough-guy Callan. It took time to realise that this was a very different sort of character. Not someone like Brownlow from The Bill, but fussy and pious. One reason why it was unpopular at the time.

Here, the police lady is quite tough, and shown to be a stickler for the rules. Sent to a bad posting from something that offended other police - just what comes out by stages.

Watch and enjoy.

Although this series is basically a police drama with a case to solve the whole weird cult thing and the slightly creepy locals make this a bit different to the normal formula.

I'm not sure the welsh tourist board will be to enthralled with the idea that it has places where the locals are members of a religious cult and seem to be a few brain cells short of an amoeba.

Some class A hammy acting add to the fun and creepiness with the odd piece of gore to satisfy the horror lovers.

It isn't the fast paced sort of drama you get with modern police series, more a Midsommer Murders meets wicker man vibe.

All in all a decent binge watch and hopefully a second series will materialise.

After exposing two corrupt colleagues, Detective Grace Narayan is banished to a remote Welsh Islands. No sooner tbab she arrives, she hears of the disappearance of young Cai Pridaux, a year ago, Grace is keen to learn why the case was ignored.

Writer Toby Whithouse certainly has a degree of pedigree, and this series is another shining example of his talent.

Think Midsomer Murders meets The Wicker Man, it's very much a murder mystery, with a group of very strange locals. It held my attention from start to finish.

There are some excellent performances, Anjli Mohindra puts in a first class performance, she does a first rate job. Credit also to Mark Lewis Jones and Adjoa Andoh, the pair are excellent.

Part of me wishes it had actually been filmed in Wales, just to add that little bit of authenticity, although the location filming is tremendous.

Why was this not on one of the 'main' channels, makes no sense.

8/10.

Mum and I watched this together and both felt it got off to a powerful start and then began to lag by about episode 3. The main part could have done with a better actress, let's be honest. We felt her character was also badly written; her running around like a bull in a China shop without any precaution or reserve soon became wearisome. Towards the end her character took a highly unbelievable full-turn. The plot-holes in the story became far more evident also, which meant the climax was not as exciting. Despite all of this criticism it was still worth a watch and was at least a far better alternative than the Hollywood sequel of the Wicker Man.

"The Red King" emerges as a genre-defying series that intricately weaves elements of traditional police procedural with the eerie undertones of cult classics like "The Wicker Man." Set against the backdrop of a secluded Welsh island, the narrative follows Sergeant Grace, portrayed with compelling depth by Anjli Mohindra. Her character, a whistleblower ostracized from her previous post, finds herself grappling with the island's insular and mystifying ethos.

The series expertly employs a slow-burn narrative approach, reminiscent of "Midsomer Murders," yet infused with a palpable tension akin to "Hot Fuzz." This pacing allows the mysterious and slightly grotesque local customs to unfold with a rhythm that entices the viewer into its increasingly opaque world. The cinematography reinforces this mood, capturing the stark beauty of the Welsh landscape while accentuating the isolation that envelops Grace.

Supporting performances, particularly by James Bamford as Constable Owen, offer a nuanced counterbalance to Mohindra's intensity, enriching the dynamic between the outsider law enforcement and the wary local populace. The plot thickens around the disappearance of a local boy, unraveling over episodes peppered with subtle hints of gore and ritual, culminating in a finale that challenges the viewer's moral compass.

"The Red King" also deftly incorporates thematic elements of folklore and myth, portraying the local population's adherence to a cryptic cult. This motif is visualized through the use of symbolic and unsettling mask imagery, which serves as a constant reminder of the community's arcane secrets. The narrative complexity is further enhanced by the script's sharp dialogue and the characters' ambiguous moral alignments, creating a tapestry rich with thematic depth.

In sum, "The Red King" stands out as a meticulously crafted series that blends crime-solving with psychological horror, offering a fresh take on the detective genre. Its ability to maintain suspense while slowly peeling back layers of character and plot invites comparisons to the slow, menacing unravel of a classic Hitchcock thriller. For aficionados of finely tuned suspense and folklore-infused narratives, "The Red King" promises a uniquely haunting viewing experience.