IMDb रेटिंग
7.1/10
19 हज़ार
आपकी रेटिंग
वेस्ट टेक्सास की एक अकेली मां लॉटरी जीत जाती है और उतनी ही तेजी से इसे बर्बाद कर देती है. सालों बाद, उसका आकर्षण खत्म हो रहा है और कहीं नहीं जाना है, वह अपने जीवन के पुनर्निर्माण और मोचन पान... सभी पढ़ेंवेस्ट टेक्सास की एक अकेली मां लॉटरी जीत जाती है और उतनी ही तेजी से इसे बर्बाद कर देती है. सालों बाद, उसका आकर्षण खत्म हो रहा है और कहीं नहीं जाना है, वह अपने जीवन के पुनर्निर्माण और मोचन पाने के लिए लड़ती है.वेस्ट टेक्सास की एक अकेली मां लॉटरी जीत जाती है और उतनी ही तेजी से इसे बर्बाद कर देती है. सालों बाद, उसका आकर्षण खत्म हो रहा है और कहीं नहीं जाना है, वह अपने जीवन के पुनर्निर्माण और मोचन पाने के लिए लड़ती है.
- 1 ऑस्कर के लिए नामांकित
- 6 जीत और कुल 9 नामांकन
फ़ीचर्ड समीक्षाएं
There's nothing wrong with treading the same ground and exploring the same themes as other movies. To Leslie was an entertaining rendition of the "down and out, get back on your feet" trope. It was a good first movie for Michael Morris, who still needs to shake off some of that TV sentimentality. The movie exists in a world that's real enough to keep you engaged, but not so visceral that it turns you off. It meanders it's way from uncomfortable and tense to the territory of a 90's feel-good movie.
The film is essentially a vehicle for Andrea Riseborough who is always good, but I think she overdoes it a bit. For the most part she was excellent throughout this movie, but when the character ramps it up to 10 she tends to hit 11. There were times I had to remind myself that she's British because she assumed the identity of a Texan so well. Honorable mention to Marc Maron who impressed me. For the most part his role was nothing to write about, but I only ever knew him as a comedian and I was surprised to see him holding his own extended dialogues with an actress like Andrea Riseborough.
The film is essentially a vehicle for Andrea Riseborough who is always good, but I think she overdoes it a bit. For the most part she was excellent throughout this movie, but when the character ramps it up to 10 she tends to hit 11. There were times I had to remind myself that she's British because she assumed the identity of a Texan so well. Honorable mention to Marc Maron who impressed me. For the most part his role was nothing to write about, but I only ever knew him as a comedian and I was surprised to see him holding his own extended dialogues with an actress like Andrea Riseborough.
"To Leslie" was already on my watch list for the year before Andrea Riseborough was nominated for an Oscar, but her surprise nomination moved it to the top of my queue. Fans of her performance would have you believe it's the greatest thing ever etched into the eternity of cinema heaven, but I kept my expectations in check because we're talking about social media in 2023 and mankind has lost its ability to have perspective on literally anything.
And I was right to be cautious. Riseborough gives a good performance in a solid film. It's certainly better than many performances the Academy has nominated over the years, but not as good as many others. She's a very mannered actress, which has always prevented me from liking her in other things. I've never liked her more than I did in this, so there's that. But the bar wasn't set high. Her performance is showy and Oscar-baity, and she never for a second stops Acting with a capital "A."
The movie around her is standard issue addiction drama, misery porn for about an hour and a half and then a pat and tidy redemptive ending tacked on when the writers knew they had pushed the audience's endurance for feeling crappy just shy of the breaking point.
The film's best asset and the one nobody is talking about is Marc Maron. If anyone from the film should have nominated, it's him.
Grade: B+
And I was right to be cautious. Riseborough gives a good performance in a solid film. It's certainly better than many performances the Academy has nominated over the years, but not as good as many others. She's a very mannered actress, which has always prevented me from liking her in other things. I've never liked her more than I did in this, so there's that. But the bar wasn't set high. Her performance is showy and Oscar-baity, and she never for a second stops Acting with a capital "A."
The movie around her is standard issue addiction drama, misery porn for about an hour and a half and then a pat and tidy redemptive ending tacked on when the writers knew they had pushed the audience's endurance for feeling crappy just shy of the breaking point.
The film's best asset and the one nobody is talking about is Marc Maron. If anyone from the film should have nominated, it's him.
Grade: B+
Sure, this type of story has been told before, but never this well, and certainly never this authentic and real. It almost felt like there was a hidden camera following a real-life Lee around battling her demons and going through life.
I'm not a fan of slow-paced films, but every second in the just under two hour runtime was used to perfection. I actually wanted more. This is TV film director Michael Morris' full length feature film debut, and what a masterclass achievement his directing was. Along with Ryan Binaco in his second ever writing credit, they managed to create a truly atmospheric, powerful, honest and multi-layered complex portrait on alcohol addiction.
As great as the filmmaking is, the Oscar-worthy performance by Andrea Riseborough as Leslie "Lee", is the icing on the cake. She is clearly an underrated actress, and I can't think of anyone that could've been cast or perform better than she did. Every expression - tear, smile and stare she gave told a thousand stories. Her chemistry with Marc Maron as Sweeney was undeniable. For that matter, all casting and performances were outstanding - props to the casting director. I only wish we saw more of Allison Janney.
Even the cinematography and score were perfect. Along with the excellent sets and landscape that fit every scene perfectly, there really isn't much to critique in this gem of a film. It's the perfectly made social commentary and character study of its topic.
To Leslie needs to be a curriculum study in every category of film school - from writing, directing, acting, cinematography, etc. It truly is one of the very few near-perfect films out of my 1500+ reviewed films, and a well deserved 9/10 from me. A standing ovation to all cast and crew is in order.
I'm not a fan of slow-paced films, but every second in the just under two hour runtime was used to perfection. I actually wanted more. This is TV film director Michael Morris' full length feature film debut, and what a masterclass achievement his directing was. Along with Ryan Binaco in his second ever writing credit, they managed to create a truly atmospheric, powerful, honest and multi-layered complex portrait on alcohol addiction.
As great as the filmmaking is, the Oscar-worthy performance by Andrea Riseborough as Leslie "Lee", is the icing on the cake. She is clearly an underrated actress, and I can't think of anyone that could've been cast or perform better than she did. Every expression - tear, smile and stare she gave told a thousand stories. Her chemistry with Marc Maron as Sweeney was undeniable. For that matter, all casting and performances were outstanding - props to the casting director. I only wish we saw more of Allison Janney.
Even the cinematography and score were perfect. Along with the excellent sets and landscape that fit every scene perfectly, there really isn't much to critique in this gem of a film. It's the perfectly made social commentary and character study of its topic.
To Leslie needs to be a curriculum study in every category of film school - from writing, directing, acting, cinematography, etc. It truly is one of the very few near-perfect films out of my 1500+ reviewed films, and a well deserved 9/10 from me. A standing ovation to all cast and crew is in order.
The character was so repulsive that at first I didn't think I could ever find one redeeming quality in her. She was odious. So since I didn't yet know anybody else's character, and since the whole thing was getting to be a real bummer, you know, like real life can be, I thought about dumping the whole show. But out of curiosity, I decided to hang on a bit longer.
It paid off big time. This is a great movie. It is not preachy, not judgmental, you have no idea how it will end, and it does a satisfying job. The acting is great, the script is fantastic, and the story has total credibility. I'm glad I stayed with it.
It paid off big time. This is a great movie. It is not preachy, not judgmental, you have no idea how it will end, and it does a satisfying job. The acting is great, the script is fantastic, and the story has total credibility. I'm glad I stayed with it.
A rollercoaster of emotions with a tremendous performance by Andrea Riseborough. It really is one of the best performances of the year and will most liklely (but hopefully not) end up as one of the most underrated performances. I really liked the energy Riseborough pushed into her character. At first you would think she straight out overacts but this was just one facette of this very complicated but extremly natural character. She really was great and showed off all her acting strengths.
The rest of the cast was good too. We have Allison Janney in a smaller role who is okay but has one fantastic scene towards the ending.
I really loved Marc Maron. Not only becuase he had such a warm and sympahtic character, but also becuase he pulled it off so well and put so much heart into it. A great performance that deserves a shoutout.
Other than that there was not a single bad performance. Its a very good character study and thanks to a great direction really pulls all the strings that are needed. Surprisingly atmospheric too in a way, at least it felt like you can touch and feel that area it takes place and its characters.
The rest of the cast was good too. We have Allison Janney in a smaller role who is okay but has one fantastic scene towards the ending.
I really loved Marc Maron. Not only becuase he had such a warm and sympahtic character, but also becuase he pulled it off so well and put so much heart into it. A great performance that deserves a shoutout.
Other than that there was not a single bad performance. Its a very good character study and thanks to a great direction really pulls all the strings that are needed. Surprisingly atmospheric too in a way, at least it felt like you can touch and feel that area it takes place and its characters.
क्या आपको पता है
- ट्रिवियाIn a 2022 interview with The Hollywood Reporter, Michael Morris spoke about the reasoning behind shooting the movie on 35mm film: "Right at the beginning, I knew that I wanted this to have the texture and grit and grain of film. I wasn't directly trying to make a 1970s movie, but I knew it would carry that kind of atmosphere about it. A lot of the visual references actually were from mid-century street photographers, who obviously shot on film. When Larkin Seiple came on board to shoot it, we looked at each other and we were like, 'This has to be on film, right?' We tested 35, 16 millimeter, and some digital grain filters. But it was clear after the test that there was only one choice, and I didn't want fake grain on this. I wanted to be ingrained in more of an American look."
- कनेक्शनFeatured in 95वां वार्षिक अकादमी पुरस्कार (2023)
- साउंडट्रैकHere I Am
Written and Performed by Dolly Parton
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is To Leslie?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Mala Suerte, Buena Suerte
- फ़िल्माने की जगहें
- Rosamond, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Carl's Motel)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $4,13,158
- चलने की अवधि1 घंटा 59 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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