IMDb रेटिंग
7.2/10
15 हज़ार
आपकी रेटिंग
अपने वरिष्ठ वर्ष के मध्य में यह जानने के बाद की उसे एक मानसिक बीमारी है, एक हाई स्कूल छात्र अपने सहपाठिओं से यह बात छिपाने की कोशिश करता है और अपनी सहपाठी के प्यार में पड़ जाता है.अपने वरिष्ठ वर्ष के मध्य में यह जानने के बाद की उसे एक मानसिक बीमारी है, एक हाई स्कूल छात्र अपने सहपाठिओं से यह बात छिपाने की कोशिश करता है और अपनी सहपाठी के प्यार में पड़ जाता है.अपने वरिष्ठ वर्ष के मध्य में यह जानने के बाद की उसे एक मानसिक बीमारी है, एक हाई स्कूल छात्र अपने सहपाठिओं से यह बात छिपाने की कोशिश करता है और अपनी सहपाठी के प्यार में पड़ जाता है.
- पुरस्कार
- 2 कुल नामांकन
Els Dusek
- Saccharine Girl
- (as Ellie Dusek)
फ़ीचर्ड समीक्षाएं
I turned this on because I had nothing better to watch and I couldn't sleep. I was expecting a shallow drama with a romantic plot but OH GOD IT WAS BRILLIANT!
Acting of the main character who is dealing with schizophrenia was really on point! I thought this will be a movie to easily go to sleep during watching it, but instead it was a movie on which I cried my eyes out. Definitely recommend!
Greetings again from the darkness. Very little outside 'the norm' is required for teenagers to ostracize one of their own. Sometimes it's a haircut or a brand of shoes, or even some other minor detail that sets them apart. But when it's a mental illness, the tribe can be merciless. Director Thor Freudenthal (DIARY OF A WIMPY KID, 2010) takes on Julia Walton's 2017 novel, with a screenplay from Nick Naveda. The film features two rising young stars and addresses some of the challenges brought on by the uncertainties associated with a mental illness.
Charlie Plummer (so terrific in LEAN ON PETE, 2018) stars as Adam, a high school senior who has dealt with the challenges of undiagnosed mental health issues since he was quite young. His father abandoned the family years ago, and Adam's devoted mother (Molly Parker, "House of Cards") is not only patient and loving, but also committed to researching any possible treatment that would lead Adam to a better life. On the other hand, Adam and his mother's new live-in lover Paul (Walton Goggins) don't exactly see eye-to-eye on things, leading to more anxiety for Adam.
In an interesting and unique approach, director Freudenthal allows us to not only hear the voices Adam hears, but also see the hallucinations and visions he sees - three of whom are Rebecca (AnnaSophia Robb, THE WAY WAY BACK), a sweet, hippie-ish optimist; The Bodyguard (Lobo Sebastian), a cigar-chomping, bat swinging he-man; and Joaquin (Devon Bostick), an inappropriately horny 'best friend from a 90's move." On top of that, there is a black mist that periodically manifests, enveloping Adam and bringing on crippling fear and isolation. After a years-long stream of drug therapy, Adam is pronounced "treatment resistant" and diagnosed as schizophrenic. Adam's only mind-calming escape is when he's cooking. He knows his way around the kitchen and his goal is to attend Culinary School after graduation.
One day, Adam has a psychotic break during Chemistry class. He gets expelled, which jeopardizes his Culinary School dream. His mother gets him admitted to a Catholic School run by Sister Catherine (Beth Grant) at the same time he is accepted into an experimental drug trial. He's allowed to stay in school as long as he takes his meds and maintains his grades. It's here where he meets the dynamic Maya (Taylor Russell (WAVES, 2019). Maya is smart and ambitious and proud, and the two quickly form a bond - an interesting bond between two smart high school kids carrying their own burdens and holding their own secrets.
Sister Catherine is balancing the specific needs of Adam with her responsibility to the school, and then there is also prom and graduation to deal with. With the new drug, the voices and visions disappear, but Adam has some issues with the side effects. A desperate plea for help from Father Patrick (Andy Garcia), the school priest, provides a boost as Adam tells him, "It's nice to be listened to and not just observed." That line provides significant insight into what it's like to have this affliction, and that's really where the movie excels ... putting us in the shoes of a schizophrenic and allowing us to experience the good and bad moments. What can Adam trust? His eyes? His ears? His mind?
Adam and Maya are both trying to figure out who they are, at the same time learning what it really means to love someone. Adam refers to his illness as his "burgeoning insanity", and in fact, schizophrenia does have a history of accelerating over time once it strikes a young person. The movie succeeds in taking away some of the mystique of mental illness, by making it approachable and something we want to better understand. There is a visual reference to Van Gogh's "Starry Night" that might be a bit too "nail on the head", but Freudenthal's movie is profound and features two very talented young actors. The humanity beneath the surface of those society would rather pretend don't exist is effectively compared to those stricken with cancer ... those we would do anything for. I watched this film back-to-back with another teen-drama-romance new release entitled CHEMICAL HEARTS, and it's extremely rare to find two such thought-provoking films centered on a pair of high school students ... but quite a treat (although I believe all 4 actors are long past high school age).
Charlie Plummer (so terrific in LEAN ON PETE, 2018) stars as Adam, a high school senior who has dealt with the challenges of undiagnosed mental health issues since he was quite young. His father abandoned the family years ago, and Adam's devoted mother (Molly Parker, "House of Cards") is not only patient and loving, but also committed to researching any possible treatment that would lead Adam to a better life. On the other hand, Adam and his mother's new live-in lover Paul (Walton Goggins) don't exactly see eye-to-eye on things, leading to more anxiety for Adam.
In an interesting and unique approach, director Freudenthal allows us to not only hear the voices Adam hears, but also see the hallucinations and visions he sees - three of whom are Rebecca (AnnaSophia Robb, THE WAY WAY BACK), a sweet, hippie-ish optimist; The Bodyguard (Lobo Sebastian), a cigar-chomping, bat swinging he-man; and Joaquin (Devon Bostick), an inappropriately horny 'best friend from a 90's move." On top of that, there is a black mist that periodically manifests, enveloping Adam and bringing on crippling fear and isolation. After a years-long stream of drug therapy, Adam is pronounced "treatment resistant" and diagnosed as schizophrenic. Adam's only mind-calming escape is when he's cooking. He knows his way around the kitchen and his goal is to attend Culinary School after graduation.
One day, Adam has a psychotic break during Chemistry class. He gets expelled, which jeopardizes his Culinary School dream. His mother gets him admitted to a Catholic School run by Sister Catherine (Beth Grant) at the same time he is accepted into an experimental drug trial. He's allowed to stay in school as long as he takes his meds and maintains his grades. It's here where he meets the dynamic Maya (Taylor Russell (WAVES, 2019). Maya is smart and ambitious and proud, and the two quickly form a bond - an interesting bond between two smart high school kids carrying their own burdens and holding their own secrets.
Sister Catherine is balancing the specific needs of Adam with her responsibility to the school, and then there is also prom and graduation to deal with. With the new drug, the voices and visions disappear, but Adam has some issues with the side effects. A desperate plea for help from Father Patrick (Andy Garcia), the school priest, provides a boost as Adam tells him, "It's nice to be listened to and not just observed." That line provides significant insight into what it's like to have this affliction, and that's really where the movie excels ... putting us in the shoes of a schizophrenic and allowing us to experience the good and bad moments. What can Adam trust? His eyes? His ears? His mind?
Adam and Maya are both trying to figure out who they are, at the same time learning what it really means to love someone. Adam refers to his illness as his "burgeoning insanity", and in fact, schizophrenia does have a history of accelerating over time once it strikes a young person. The movie succeeds in taking away some of the mystique of mental illness, by making it approachable and something we want to better understand. There is a visual reference to Van Gogh's "Starry Night" that might be a bit too "nail on the head", but Freudenthal's movie is profound and features two very talented young actors. The humanity beneath the surface of those society would rather pretend don't exist is effectively compared to those stricken with cancer ... those we would do anything for. I watched this film back-to-back with another teen-drama-romance new release entitled CHEMICAL HEARTS, and it's extremely rare to find two such thought-provoking films centered on a pair of high school students ... but quite a treat (although I believe all 4 actors are long past high school age).
This is a drama about a teenager diagnosed with schizophrenia and his efforts to hide it from a potential girlfriend. No, it is not as maudlin as that sounds, it is very well acted by Charlie Plummer with a good supporting cast including Andy Garcia, Taylor Russell, and Beth Grant. It is fairly realistic portrayal of mental illness and how difficult of a time care givers have dealing with the sufferer. They also show the character being given different drugs that either fail or have terrible side effects. The problem with mental illness is that is so difficult to get measurable results - that is, if your BP is 145/90 and the doctor gives you a pill and is now 120/80 the pill is working. It is not so clear with treating mental illness. And there is a quote (I'm paraphrasing) that really hit home for me: "if I had cancer, people would run to help me but if I have mental illness they would run away". I know from personal experience that this line is very true as a close personal friend suffering from mental illness said something eerily similar. Of course there are "Hollywood" touches and clichés but I recommend that you see it.
The trailer convinced me to watch it but oh my gosh the way they portrayed the illness and the acting of this kid!! Ughh I was bawling my eyes out. I'd seen the mom and the girl from Lost in Space they are great. I didnt know itd get so deep..really opens your eyes to the struggle of people who suffer with these things. But great movie!! Loved it
My daughter and I went on our first trip back to the movie theater yesterday for this movie. We had seen the trailer online and were waiting for the chance to see it on the big screen. We were not disappointed. I loved the character of Adam, who is trying his hardest to keep his sanity. I can't speak to the portrayal of schizophrenia and whether or not it's accurate, but it sure was sobering. The characters felt real and sympathetic, even though there were some cliches that I saw coming from a mile away. Yes, it ties everything up in a nice neat little bow at the end, but that's Hollywood. There was a ton of wisdom in this movie about accepting yourself, flaws and all, as well as accepting other people in the same way. I have to say that I think Andy Garcia was my favorite, although Charlie Plummer is a very close second. Go see it. You won't be sorry.
क्या आपको पता है
- गूफ़Near the ending of the film, Adam is placed on suicide watch at a mental hospital after attempting suicide. The writers show that the mother is unable to bring toothpicks in for a dish she is bringing to Adam. The room Adam is in, however, has clearly exposed electrical sockets and even an easily breakable ceramic lamp, none of which would be located in the room of someone on suicide watch. Patients generally are kept from electrocuting themselves or cutting themselves on broken glass.
- कनेक्शनFeatures Never Been Kissed (1999)
- साउंडट्रैकOn the Ball Field
Written by David Newman
Performed by David Newman
Published by Fox Film Music Corp. (BMI)
Courtesy of Twentieth Century Fox Film Corporation
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Words on Bathroom Walls?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $25,42,518
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,32,968
- 23 अग॰ 2020
- दुनिया भर में सकल
- $31,51,849
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was Words on Bathroom Walls (2020) officially released in Japan in Japanese?
जवाब