The Singapore Grip

I have read reviews of this production with increasing dismay. I accept views of the quality of the acting whether or not I agree with them. I don't object if anyone finds the script writer's dialogue unappealing whether or not I agree with them. I find the level of sanctimonious, self righteous and woke criticism of the story, the content and the author depressing and wholly predictable in today's climate. This is a novel, and yes it is a single self contained book so I don't think anyone is angling for a "second series" God help us. It is part of J.G. Farrell's anti colonial trilogy. The characters are awful - they are meant to be. You are not meant to like them. What the production fails to convey is the subtle, wonderful all pervasive disgust that Matthew and the author felt about the damage of colonialism. I want to suggest people actually read the book but I expect many won't bother and some would find it too challenging.

Some times i like how the show pokes fun at colonialism. At other times I find myself wishing for deeper investigation of the period. On one hand, the way this skips along on the surface parallels the general shallowness of many of the characters. The writing is kind of clever in that way. On the other hand, i found myself often wanting for some deeper investigation. I especially wished for a more thorough investigation of the character of Vera Chiang. I'd summarize this as "light" satire, intended for British audience with some smiles but no big laughs and that only hints at many past sins.. c ould have been so much better but... not bad for wfat it is.

The book was satire. This interpretation gets it at times, but misses by a mile at others. This inconsistency exacerbates the overall enjoyment by frustrating the viewer. Could have been a great series, but isn't.

Sumptuous settings. Faithfully re-created period and place.

But the storyline is not that interesting. The acting is wooden. No chemistry between the characters. Nothing to make you warm to or feel strongly about any of them.

Reminds me of "Indian Summers" - great potential but a disappointment and, in the end, rather dull and uninspiring. Style over substance and talent.

Compare this to classics like Tenko!

I gave up on this series after two episodes, simply because there was nothing in it to keep my interest or attention. The characters are uniformly unlikeable - apart from the one played by Charles Dance, and he doesn't hang around long enough to be of much use to the story. Many of the other characters are either two-dimensional cardboard cutout villains to be booed and hissed, or bumbling morons to be mocked and ridiculed. All in all, an opportunity to tell the story of one of the biggest turning points in British and Southeast Asian history is reduced to little more than a predictable soap opera.